The Christless few the cross would hide,
The light of life shut out,
And leave the world to wander wide
Through sunless realms of doubt.
The pulpits lose their ancient fame,
Grown obsolete, they say;
"All hail the power of Jesus' name!
We're building two a day."
"Extend," along the line is heard,
"Thy walls, O Zion, fair!"
And Methodism heeds the word,
And answers everywhere.
A new church greets the morning's flame,
Another evening's gray.
"All hail the power of Jesus' name!
We're building two a day."
When infidels in council meet
Next year, with boastings vain,
To chronicle the Lord's defeat,
And count His churches slain,
Oh then may we with joy proclaim,
If we His call obey:
"All hail the power of Jesus' name!
We're building THREE a day."
THE MODERN BELLE.
The daughter sits in the parlor,
And rocks in her easy-chair;
She is dressed in silks and satins,
And jewels are in her hair;
She winks, and giggles, and simpers,
And simpers, and giggles, and winks;
And though she talks but little,
It's vastly more than she thinks.
Her father goes clad in russet—
All brown and seedy at that;
His coat is out at the elbows,
And he wears a shocking bad hat.
He is hoarding and saving his dollars,
So carefully, day by day,
While she on her whims and fancies
Is squandering them all away.
She lies in bed of a morning
Until the hour of noon,
Then comes down, snapping and snarling
Because she's called too soon.
Her hair is still in papers,
Her cheeks still bedaubed with paint—
Remains of last night's blushes
Before she attempted to faint.
Her feet are so very little,
Her hands so snowy white,
Her jewels so very heavy,
And her head so very light;
Her color is made of cosmetics—
Though this she'll never own;
Her body is mostly cotton,
And her heart is wholly stone.