Is an attempt to paint a lover's irresolution, but so poorly executed, that it would not have been admitted into this collection, if it had not been quoted in Shakespeare's Twelfth-Night, act ii. sc. 3.—It is found in a little ancient miscellany, intituled, The Golden Garland of Princely Delights, 12mo. bl. let.
In the same scene of the Twelfth-Night, Sir Toby sings a scrap of an old ballad, which is preserved in the Pepys Collection (vol. i. pp. 33, 496), but as it is not only a poor dull performance, but also very long, it will be sufficient here to give the first stanza:
The Ballad of Constant Susanna.
There dwelt a man in Babylon
Of reputation great by fame;
He took to wife a faire womàn,
Susanna she was callde by name:
A woman fair and vertuous;
Lady, lady:
Why should we not of her learn thus
To live godly?
If this song of Corydon, &c. has not more merit, it is at least an evil of less magnitude.
[Dr. Rimbault refers to an earlier copy of this song in a rare musical volume entitled The First Booke of Ayres, composed by Robert Jones, 1601, where it is accompanied by the original music for four voices. This tune appears to have been a very popular one, and several Scottish songs are to be sung to the "toon of sal I let her go." The air is also to be found in a Dutch collection of Songs published at Haarlem in 1626.
In Brome's comedy of The Jovial Crew, acted in 1641 at the Cockpit in Drury Lane, there is an allusion perhaps to this song:
"Let her go, let her go,
I care not if I have her, I have her or no.">[