FOOTNOTES:
[238] [Harfleur.]
[239] [region.]
VI.
THE NOT-BROWNE MAYD.
The sentimental beauties of this ancient ballad have always recommended it to readers of taste, notwithstanding the rust of antiquity which obscures the style and expression. Indeed if it had no other merit than the having afforded the groundwork to Prior's Henry and Emma, this ought to preserve it from oblivion. That we are able to give it in so correct a manner, is owing to the great care and exactness of the accurate editor of the Prolusions, 8vo. 1760; who has formed the text from two copies found in two different editions of Arnolde's Chronicle, a book supposed to be first printed about 1521. From the copy in the Prolusions the following is printed, with a few additional improvements gathered from another edition of Arnolde's book[240] preserved in the public library at Cambridge. All the various readings of this copy will be found here, either received into the text, or noted in the margin. The references to the Prolusions will shew where they occur. In our ancient folio MS.[241] described in the preface, is a very corrupt and defective copy of this ballad, which yet afforded a great improvement in one passage. See v. 310.
It has been a much easier task to settle the text of this poem, than to ascertain its date. The ballad of the Nutbrowne Mayd was first revived in The Muses Mercury for June, 1707, 4to. being prefaced with a little Essay on the old English Poets and Poetry; in which this poem is concluded to be "near 300 years old," upon reasons which, though they appear inconclusive to us now, were sufficient to determine Prior, who there first met with it. However, this opinion had the approbation of the learned Wanley, an excellent judge of ancient books. For that whatever related to the reprinting of this old piece was referred to Wanley, appears from two letters of Prior's preserved in the British Museum (Harl. MSS. No. 3777). The editor of the Prolusions thinks it cannot be older than the year 1500, because, in Sir Thomas More's tale of The Serjeant, &c., which was written about that time, there appears a sameness of rhythmus and orthography, and a very near affinity of words and phrases with those of this ballad. But this reasoning is not conclusive, for if Sir Thomas More made this ballad his model, as is very likely, that will account for the sameness of measure, and in some respect for that of words and phrases, even tho' this had been written long before; and as for the orthography, it is well known that the old printers reduced that of most books to the standard of their own times. Indeed it is hardly probable that an antiquary like Arnolde would have inserted it among his historical collections, if it had been then a modern piece; at least he would have been apt to have named its author. But to shew how little can be inferred from a resemblance of rhythmus or style, the Editor of these volumes has in his ancient folio MS. a poem on the victory of Flodden-field, written in the same numbers, with the same alliterations, and in orthography, phraseology, and style nearly resembling the Visions of Pierce Plowman, which are yet known to have been composed above 160 years before that battle. As this poem is a great curiosity, we shall give a few of the introductory lines:
"Grant gracious God, grant me this time,
That I may say, or I cease, thy selven to please;
And Mary his mother, that maketh all this world;
And all the seemlie saints, that sitten in heaven;
I will carpe of kings, that conquered full wide,
That dwelled in this land, that was alyes noble;
Henry the seaventh, that soveraigne lord," &c.[242]
With regard to the date of the following ballad, we have taken a middle course, neither placed it so high as Wanley and Prior, nor quite so low as the editor of the Prolusions; we should have followed the latter in dividing every other line into two, but that the whole would then have taken up more room than could be allowed it in this volume.