The ancient "Kazna," or treasury of the Kremlin, where the riches of the Tsars have been preserved from time immemorial was in the reign of Ivan III. situated within the walls of the Kremlin, between the Cathedrals of St. Michael and of the Annunciation. Here it remained until the great fire of 1737. The treasure had already suffered a heavy loss: in the early part of the Seventeenth Century, at the time of the war with Poland, a large quantity of plate was melted down to provide for the payment of the troops. The fire of 1737 caused a further and greater loss and destroyed also a large part of the armoury. At the time of the French invasion in 1812 the whole of the treasure, together with the regalia, was removed to Novgorod, and thus escaped destruction of seizure. On its return to Moscow in 1814, systematic arrangements were made for its preservation, and for the formation and arrangement of the museum in which it is now exhibited. In the year 1850 the new building of the Orujénaia Palata which forms part of the modern palace of the Kremlin was completed, and to this the entire collection was transferred.
The treasury of Moscow has been almost from the time of the establishment of the Russian Empire the place where the riches of the Tsars have been kept; consisting of the regalia, of the state costumes, of the plate and vases used in the service of their table, of their most magnificent armour and horse-trappings, of their state carriages and sledges and of the presents which from time to time the sovereigns of other countries sent through their ambassadors, of whose embassies so many interesting accounts have come down to us.
The collection of plate is exposed on open stands arranged in tiers round the pillars, or otherwise displayed in a vast hall of the new building of the Orujénaia Palata.
The riches thus brought together have suffered many changes. The court was frequently moved, the state of the empire was continually disturbed, fires were of frequent occurrence, and necessity at times caused much treasure to be melted down. The Tsar's favourites received no doubt from time to time acceptable marks of his approbation in the shape of rich presents, and many specimens of plate found their way probably in a similar manner to the churches and monasteries. But notwithstanding all this, there still remains permanently installed and carefully guarded in the treasury of the Kremlin a collection of plate which, for extent, variety, and interest, may rival that in any other palace in the world.
It appears to have been customary during the last two centuries at least to make a grand display of this treasure on the occasion of the visit of the sovereign, and especially during the ceremonies of the coronation. Then, in the centre of the hall in the ancient Terem, known as the gold room, where the Tsar dines in solitary state, a kind of buffet is arranged and other stands disposed, loaded and groaning with this rich accumulation.
Great splendour and richness of material, the lavish use of jewels in the decoration, and the brilliant colour derived from the employment of enamels are characteristics of eastern art in the precious metals. But while we are struck by the delicacy and refinement with which these are employed by many eastern countries, and while we admire the taste and harmony of colour displayed by the workmen of India or of Persia, it must be confessed that the Russian tempted by the glitter and display which are so much in accordance with his own taste, has been unable to use the same judgment as those whom he has taken as his models. Few would deny that there reigns throughout his work that quality which is best expressed by the term—barbaric magnificence. This is not vulgarity: such a term is not applicable; it is the outcome of the desire which is to be found amongst all nations who have attained a certain degree of civilization and riches to impose respect and awe by a lavish display of material wealth or by the use of gorgeous colour, which always calls forth the admiration of the multitude.
In the plate and jewelled ornament which we find in the treasury of the Kremlin, we shall find that Russian taste was fond of solid material and ornament, enriched with many and large precious stones of value. All Oriental nations have ever loved to accumulate riches of this description which, at the same time that they are of use as ornament, are also of intrinsic value. The crowns, and thrones, and sceptres, the ornaments of the imperial costume, the gold and silver plate and vases and other precious objects of the court of the Tsars have, therefore, a character of solid splendour, a want of refinement and delicacy, which is almost uniformly characteristic. Still they are not deficient in a certain grandeur and even elegance, and in details there is much that is admirable, much that is strikingly original.
By far the greater number of pieces that we shall find in the Kremlin and elsewhere belong to the Seventeenth Century. In the treasury of the Kremlin we have but one piece of the Twelfth Century and some few of the Fourteenth and Fifteenth Centuries. All the rest are later.
The entire number of pieces in the Kremlin amounts to sixteen hundred. After the disasters of 1612, all the ancient plate for the service of the Tsar's table was melted down and converted into money; many objects in gold and silver and jewelled work being at the same time given in pledge to the troops of Vladislas IV. There are therefore few examples earlier than the dynasty of the Romanoffs.
The treasure contains also some of the most highly venerated icons, crosses, and reliquaries in Russia. As regards many of these it is difficult to assign a date or a place of production. Many of them have histories more or less legendary, but while some may appear to belong absolutely to the Greek school, we must not forget that Russia sent its workmen to Mount Athos to be instructed and to work there, and on their return the traditions and models of the school were scrupulously observed in the workshops of Moscow.