[NOTE.]

Many of the best editions of the Scottish poets, even of recent date, increase the difficulties of archaic language by such unnecessary stumbling-blocks as the use of the old straight s, and of Anglo-Saxon symbols for certain letters. Some even appear in the added obscurity of Old English type. And when these hindrances are not present, an irritating punctuation too often remains a barrier to all enjoyment. To these obstacles, as much, perhaps, as to the actual scarcity and costliness of the works, is to be attributed the popular neglect of a noble heritage in recent years. In the present volume, as in the previous volumes of this series, an effort has been made, while preserving the text intact in its original form, to improve in these respects upon the readableness of previous editions. A running glossary has, for the same object, been furnished in the margin of each page. For practical perusal of the text, as poetry, it is believed that this arrangement, translating obsolete words, as it does, without a break in the reading, is better than footnotes, or a glossary at the end of the volume. Few now-a-days, it is to be feared, save the most ardent students, can afford the time necessary for the elucidation by means of a dictionary even of so short a poem as “Chrystis Kirk on the Grene.”

While avoiding a burden of distracting comment, all necessary information, it is hoped, has been included in the separate introductions.

All the poems not otherwise indicated are here printed entire; and in particular it may be pointed out that the four pieces attributed to King James the Fifth are now reproduced complete and together for the first time since 1786.

[CONTENTS.]

PAGE
Scottish Poetry of the Sixteenth Century,[1]
Sir David Lyndsay,[9]
The Dreme,[29]
The Testament and Complaynt of our Soverane Lordis Papyngo,[40]
The Justing Betuix James Watsoun and Jhone Barbour,[64]
Kitteis Confessioun,[67]
Squyer Meldrumis Justyng,[72]
The Squyeris Adew,[84]
Ane Pleasant Satyre of the Thrie Estaitis,[85]
Daybreak in May,[102]
John Bellenden,[105]
Virtew and Vyce,[115]
Nobilnes,[129]
Address to Bellona and King James V.,[132]
The Excusation of the Prentar,[134]
Anno Domini,[136]
King James the Fifth,[139]
Peblis to the Play,[159]
Chrystis Kirk on the Grene,[168]
The Gaberlunzieman,[176]
The Jolly Beggar,[180]
Sir Richard Maitland,[183]
Satire on the Age,[195]
Satire on the Toun Ladyes,[199]
Na Kyndnes at Court without Siller,[204]
On the Folye of ane Auld Manis Maryand ane Young Woman,[206]
Aganis the Theivis of Liddisdaill,[208]
Advyce to Lesom Mirriness,[212]
Alexander Scot,[215]
The Justing and Debait vp at the Dram betuix William Adamsone and Johine Sym,[221]
Hence, Hairt,[229]
Oppressit Hairt Indure,[231]
To Luve Vnluvit,[234]
Lo, Quhat it is to Lufe,[236]
Alexander Montgomerie,[237]
The Cherrie and the Slae,[245]
The Night is Neir Gone,[263]
An Admonitioun to Young Lassis,[266]
To His Maistres,[267]
To His Maistres,[268]
To Thé for Me,[269]

[SCOTTISH POETRY OF THE SIXTEENTH CENTURY.]