In a dark hole to the left of the altar is the white marble monument of John Selden, 1654, called by Milton "the chief of learned men reputed in this land." The endless stream of volumes which he poured forth were filled with research and discrimination. Of these, his work "On the Law of Nature and of Nations" is described by Hallam as among the greatest achievements in erudition that any English writer has performed, but he is perhaps best known by his "Table Talk," of which Coleridge says, "There is more weighty bullion sense in this book than I ever found in the same number of pages of any uninspired writer."…
On the right of the choir, near a handsome marble piscina, is the effigy of a bishop, usually shown as that of Heraclius, Patriarch of Jerusalem, by whom the church was consecrated, but he left England in a fury, after Henry II. refused to perform his vow of joining the Crusades in person, to atone for the murder of Becket. The figure more probably represents Silverston de Eversdon, Bishop of Carlisle, 1255. In the vestry are monuments to Lords Eldon and Stowell, and that of Lord Thurlow (1806) by Rossi.
The organ, by Father Smydt or Smith, is famous from the long competition it underwent with one by Harris. Both were temporarily erected in the church. Blow and Purcell were employed to perform on that of Smith; Battista Draghi, organist to Queen Catherine, on that of Harris. Immense audiences came to listen, but tho the contest lasted a year they could arrive at no decision. Finally, it was left to Judge Jefferies of the Inner Temple, who was a great musician, and who chose that of Smith.
LAMBETH—CHURCH AND PALACE [Footnote: From "Walks in London.">[
BY AUGUSTUS J.C. HARE
The Church of St. Mary, Lambeth, was formerly one of the most interesting churches in London, being, next to Canterbury Cathedral, the great burial place of its archbishops, but falling under the ruthless hand of "restorers" it was rebuilt (except its tower of 1377) in 1851-52 by Hardwick, and its interest has been totally destroyed, its monuments huddled away anywhere, for the most part close under the roof, where their inscriptions are of course wholly illegible!…
Almost the only interesting feature retained in this cruelly abused building is the figure of a pedler with his pack and dog (on the third window of the north aisle) who left "Pedlar's Acre" to the parish, on condition of his figure being always preserved on one of the church windows. The figure was existing here as early as 1608.
In the churchyard, at the east end of the church, is an altar tomb, with the angles sculptured like trees, spreading over a strange confusion of obelisks, pyramids, crocodiles, shells, etc., and, at one end, a hydra. It is the monument of John Tradescant (1638) and his son, two of the earliest British naturalists. The elder was so enthusiastic a botanist that he joined an expedition against Algerine corsairs on purpose to get a new apricot from the African coast, which was thenceforth known as "the Algier Apricot." His quaint medley of curiosities, known in his own time as "Tradeskin's Ark," was afterward incorporated with the Ashmolean Museum….
"Lambeth, envy of each band and gown," has been for more than 700 years the residence of the Archbishops of Canterbury, tho the site of the present palace was only obtained by Archbishop Baldwin in 1197, when he exchanged some lands in Kent for it with Glanville, Bishop of Rochester, to whose see it had been granted by the Countess Goda, sister of the Confessor. The former proprietorship of the Bishops of Rochester is still commemorated in Rochester Row, Lambeth, on the site of a house which was retained when the exchange was made, for their use when they came to attend Parliament. The Palace is full of beauty in itself and intensely interesting from its associations. It is approached by a noble Gateway of red brick with stone dressings, built by Cardinal Moreton in 1490. It is here that the poor of Lambeth have received "the Archbishops' Dole" for hundreds of years. In ancient times a farthing loaf was given twice a week to 4,000 people.
Adjoining the Porter's Lodge is a room evidently once used as a prison. On passing the gate we are in the outer court, at the end of which rises the picturesque Lollards' Tower, built by Archbishop Chicheley, 1434-45; on the right is the Hall. A second gateway leads to the inner court, containing the modern (Tudor) palace, built by Archbishop Howley (1828-48), who spent the whole of his private fortune upon it rather than let Blore the architect be ruined by exceeding his contract to the amount of £30,000. On the left, between the buttresses of the hall, are the descendants of some famous fig trees planted by Cardinal Pole.