The canal terminates in a series of lakes. Nothing is more noble than their aspect, nothing more touching. The water, embrowned by the peat, forms a vast shining plain, surrounded by a circle of mountains. In proportion as we advance each mountain slowly grows upon us, becomes more conspicuous, stands forth with its form and physiognomy; the farther blue peaks melt the one behind the other, diminishing toward the horizon, which they enclose. Thus they stand in position like an assemblage of huge, mournful beings around the black water wherein they are mirrored, while above them and the lake, from time to time, the sun flashes through the shroud of clouds.
At last the solitude becomes less marked. The mountains are half-wooded at first, and then wholly so; they dwindle down; the widening valleys are covered with harvest; the fresh and green verdure of the herbage which supplies forage begins to clothe the hollows and the slopes. We enter Inverness, and we are surprised to find at almost the extreme north of Scotland, on the border of the Highlands, a pretty and lively modern town. It stretches along the two banks of a clear and rapid river. Many houses are newly-built; we note a church, a castle, an iron bridge. In every part are marks of cleanliness, forethought, and special care. The window-panes shine, the frames have been painted; the bell-handles are of copper; there are flowers in the windows; the poorest nouses are freshly whitewashed. Well-drest ladies and carefully drest gentlemen walk along the streets. Even a desire to possess works of art is shown by Ionian pillars, specimens of pure Gothic, and other architectural gimcrackery, and these prove at least the search after improvement. The land itself is clearly of inferior quality; industry, order, economy and labor have done everything. How great the contrast between all this and the aspect of a small town on the shores of the Mediterranean, so neglected and filthy, where the lower middle class exist like worms in a worm-eaten beam!
THE SCOTCH HIGHLANDS [Footnote: From "Notes on England." Published by
Henry Holt & Co.]
BY HIPPOLYTE ADOLPHE TAINE
On the slopes the violet heaths are spread like a silken carpet under the scanty firs. Higher still are large patches of evergreen wood, and, as soon as the mountain is approached, a brown circle of barren eminences may be discerned toward the horizon. At the end of an hour the desert begins; the climate is inimical to life, even to that of plants. A tarn, the tint of burned topaz, lies coldly and sadly between stony slopes whereon a few tufts of fern and heather grow here and there. Half a league higher is a second tarn, which appears still more dismal in the rising mist. Around, patches of snow are sprinkled on the peaks, and these descending in rivulets produce morasses. The small country ponies, with a sure instinct, surmount the bog, and we arrive at an elevation whence the eye, as far as it can reach, embraces nothing but an amphitheater of desolate, yet green summits; owing to the destruction of timber, everything else has perished; a scene of ruined nature is far more melancholy a spectacle than any human ruins. On our return across the lake, a bag-piper played his instrument. The music is strange and wild, its effects harmonizing with the aspect of the bubbling streams, veined with striking or somber reflections. The same simple note, a kind of dance music, runs through the whole piece in an incorrect and odd manner, and continually recurs, but it is always harsh and rough; it might be likened to an orange shriveled with the cold and rendered bitter.
These are the Highlands. From Braemar to Perth we journey through them for many long miles. It is always a solitude; sometimes five or six valleys in succession are wholly bare, and one may travel for an hour without seeing a tree; then for another hour it is rare merely to see in the distance a wretched twisted birchen-tree, which is dying or dead. It would be some compensation if the rock were naked, and exhibited its mineral structure in all its fulness and ruggedness. But these mountains, of no great elevation, are but bosses with flabby outlines, they have fallen to pieces, and are stone heaps, resembling the remains of a quarry. In winter, torrents of water uproot the heather, leaving on the slopes a leprous, whitened scar, badly tinted by the too feeble sun. The summits are truncated, and want boldness. Patches of miserable verdure seam their sides and mark the oozing of springs; the remainder is covered with brownish heather. Below, at the very bottom, a torrent obstructed by stones, struggles along its channel, or lingers in stagnant pools. One sometimes discerns a hovel, with a stunted cow. The gray, low-lying sky, completes the impression of lugubrious monotony.
Our conveyance ascends the last mountain. At length we see a steep declivity, a great rocky wall; but it is unique. We descend again, and enter a habitable tract. Cultivation occurs first on the lower parts, then on the slopes; the declivities are wooded, and then entire mountains; forests of firs spread their somber mantle over the crests; fields of oats and barley extend on all sides; we perceive pretty clumps of trees, houses surrounded by gardens and flowers, and then culture of all descriptions upon the lessening hills, here and there a park and a modern mansion. The sun bursts forth and shines merrily, but without heat; the fertile plain expands, abounding in promises of convenience and pleasure, and we enter Perth thinking about the historical narrations of Sir Walter Scott, and the contrast between the mountain and the plain, the revilings and scornings interchanged between the inhabitants of the Highlands and the Lowlands.
BEN LOMOND AND THE HIGHLAND LAKES [Footnote: From "Views Afoot."
Published by G. P. Putnam's Sons.]
BY BAYARD TAYLOR
It was indeed a glorious walk from Dumbarton to Loch Lomond through this enchanting valley. The air was mild and clear; a few light clouds occasionally crossing the sun chequered the hills with sun and shade. I have as yet seen nothing that in pastoral beauty can compare with its glassy winding stream, its mossy old woods and guarding hills and the ivy-grown, castellated towers embosomed in its forests or standing on the banks of the Leven—the purest of rivers. At the little village called Renton is a monument to Smollett, but the inhabitants seem to neglect his memory, as one of the tablets on the pedestal is broken and half fallen away. Farther up the vale a farmer showed us an old mansion in the midst of a group of trees on the banks of the Leven which he said belonged to Smollett—or Roderick Random, as he called him. Two or three old pear trees were still standing where the garden had formerly been, under which he was accustomed to play in his childhood.