BACCHYLIDES of Iulis in Ceos flourished B.C. 470. He was the nephew of Simonides, and lived with him at the court of Hiero. There are only two epigrams in the Anthology under his name. The /Garland/ of Meleager, l. 34, speaks of "the yellow ears from the blade of Bacchylides." This phrase may contain an allusion to his dedicatory epigram to the West Wind, ii. 34 in this selection.
Finally, forming the transition between this and the great Athenian period, comes AESCHYLUS, B.C. 525-456. That Aeschylus wrote elegiac verse, including a poem on the dead at Marathon, is certain; fragments are preserved by Plutarch and Theophrastus, and there is a well- supported tradition that he competed with Simonides on that occasion. As to the authorship of the two epigrams extant under his name there is much difference of opinion. Bergk does not come to any definite conclusion. Perhaps all that can be said is that they do not seem unworthy of him, and that they certainly have the style and tone of the best period. It was not till the decline of literature that the epoch of forgeries began. It is, however, suspicious that a poet of his great eminence should not be mentioned in the /Garland/ of Meleager; for we can hardly suppose these epigrams, if genuine, either unknown to Meleager or intentionally omitted by him.
II. Period of the ascendancy of Athens, and of the great dramatists and historians; from the repulse of the Persian invasion to the extinction of Greek freedom at the battle of Chaeronea, B.C. 480- 338.
In this period the epigram almost disappears, overwhelmed apparently by the greater forms of poetry which were then in their perfection. Between Simonides and Plato there is not a single name on our list; and it is not till the period of the transition, the first half of the fourth century B.C., that the epigram begins to reappear. About 400 B.C. a new grace and delicacy is added to it by PLATO (B.C. 428-347; the tradition, in itself probable, is that he wrote poetry when a very young man). Thirty-two epigrams in the Anthology are ascribed, some doubtfully, to one Plato or another; a few of obviously late date to a somewhat mythical PLATO JUNIOR ({o Neoteros}), and one to PLATO THE COMEDIAN (fl. 428-389), the contemporary and rival of Aristophanes. In a note to i. 5 in this selection something is said as to the authenticity of the epigrams ascribed to the great Plato [omitted in this text—JB.] He was included in the /Garland/ of Meleager, who speaks, ll. 47-8, of "the golden bough of the ever- divine Plato, shining everywhere in excellence"—one of the finest criticisms ever made by a single phrase, and the more remarkable that it anticipates, and may even in some degree have suggested, the mystical golden bough of Virgil.
To the same period belongs PARRHASIUS of Ephesus, who fl. 400 B.C., the most eminent painter of his time, in whose work the rendering of the ideal human form was considered to have reached its highest perfection. Two epigrams and part of a third ascribed to him are preserved in Athenaeus.
DEMODOCUS of Leros, a small island in the Sporades, is probably to be placed here. Nothing is known as to his life, nor as to his date beyond the one fact that an epigram of his is quoted by Aristotle, /Eth. N./ vii. 9. Four epigrams of his, all couplets containing a sarcastic point of the same kind, are preserved in the Palatine Anthology.
III. Period of the great Alexandrian monarchies; from the accession of
Alexander the Great to the annexation of Syria by the Roman
Republic, B.C. 336-65.
Throughout these three centuries epigrammatists flourished in great abundance, so much so that the epigram ranked as one of the important forms of poetry. After the first fifty years of the period there is no appreciable change in the manner and style of the epigram; and so, in many cases where direct evidence fails, dates can only be ascribed vaguely. The history of the Alexandrian epigram begins with two groups of poets, none of them quite of the first importance, but all of great literary interest, who lived just before what is known as the Alexandrian style became pronounced; the first group continuing the tradition of pure Greece, the second founding the new style. After them the most important names, in chronological order, are Callimachus of Alexandria, Leonidas of Tarentum, Theocritus of Syracuse, Antipater of Sidon, and Meleager of Gadara. These names show how Greek literature had now become diffused with Greek civilisation through the countries bordering the eastern half of the Mediterranean.
The period may then be conveniently subdivided under five heads—
(1) Poets of Greece Proper and Macedonia, continuing the purely
Greek tradition in literature.
(2) Founds of the Alexandrian School.
(3) The earlier Alexandrians of the third century B.C.
(4) The later Alexandrians of the second century B.C.
(5) Just on the edge of this period, Meleager and his
contemporaries: transition to the Roman period.