III. SUNTHIN' IN THE PASTORAL LINE
Once git a smell o' musk into a draw,
An' it clings hold like precerdents in law;
Your gra'ma'am put it there,—when, goodness knows,—
To jes this—worldify her Sunday-clo'es;
But the old chist wun't sarve her gran'son's wife,
(For, 'thout new funnitoor, wut good in life?)
An' so ole clawfoot, from the precinks dread
O' the spare chamber, slinks into the shed,
Where, dim with dust, it fust or last subsides
To holdin' seeds an' fifty things besides;
But better days stick fast in heart an' husk,
An' all you keep in't gits a scent o' musk.
Jes' so with poets: wut they've airly read
Git,s kind o' worked into their heart-an' head,
So 's 't they can't seem to write but jest on sheers
With furrin countries or played-out ideers,
Nor hev a feelin', ef it doosn't smack
O' wut some critter chose to feel 'way back.
This makes 'em talk o' daisies, larks, an' things,
Ez though we'd nothin' here that blows an' sings,—
(Why, I'd give more for one live bobolink
Than a square mile o' larks in printer's ink,)
This makes 'em think our fust o' May is May,
Which 't ain't, for all the almanicks can say.
O little city-gals, don't never go it
Blind on the word o' noospaper or poet!
They're apt to puff, an' May-day seldom looks
Up in the country, ez it dons in books
They're no more like than hornets'-nests an' hives,
Or printed sarmons be to holy lives.
I, with my trouses perched on cow-hide boots,
Tuggin' my foundered feet out by the roots,
Hev seen ye come to fling on April's hearse
Your muslin nosegays from the milliner's,
Puzzlin' to find dry ground your queen to choose,
An' dance your throats sore m morocker shoes
I've seen ye an' felt proud, thet, come wut would,
Our Pilgrim stock wuz pithed with hardihood.
Pleasure doos make us Yankees kind o' winch,
Ez though 'twuz sunthin' paid for by the inch;
But yit we du contrive to worry thru,
Ef Dooty tells us thet the thing's to du,
An' kerry a hollerday, ef we set out,
Ez stidchly ez though 'twaz a redoubt.
I, country-born an' bred, know where to find
Some blooms thet make the season suit the mind,
An' seem to metch the doubtin' bluebird's notes,—
Half-vent'rin' liverworts in furry coats,
Bloodroots, whose rolled-up leaves ef you oncurl,
Each on 'em 's cradle to a baby-pearl,—
But these are jes' Spring's pickets; sure ez sin,
The rebble frosts'll try to drive 'em in;
For half our May's so awfully like Mayn't,
'Twould rile a Shaker or an evrige saint;
Though I own up I like our back'ard springs
Thet kind o' haggle with their greens an' things,
An' when you most give up, 'ithout more words
Toss the fields full o' blossoms, leaves, an' birds
Thet's Northun natur', slow an' apt to doubt,
But when it doos git stirred, ther' 's no gin-out!
Fust come the blackbirds clatt'rin' in tall trees,
An' settlin' things in windy Congresses,—
Queer politicians, though, for I'll be skinned
Ef all on 'em don't head against the wind.
'Fore long the trees begin to show belief,
The maple crimsons to a coral-reef,
Then saffern swarms swing off from' all the willers
So plump they look like yaller caterpillars,
Then gray hossches'nuts leetle hands unfold
Softer'n a baby's be at three days old
Thet's robin-redbreast's almanick; he knows
Thet arter this ther' 's only blossom-snows
So, choosin' out a handy crotch an' spouse,
He goes to plast'rin' his adobe house.
Then seems to come a hitch,—things lag behind,
Till some fine mornin' Spring makes up her mind,
An' ez, when snow-swelled avers cresh their dams
Heaped-up with ice thet dovetails in an' jams,
A leak comes spirtin thru some pin-hole cleft,
Grows stronger, fercer, tears out right an' left,
Then all the waters bow themselves an' come
Suddin, in one gret slope o' shedderin' foam,
Jes' so our Spring gits everythin' in tune
An gives one leap from April into June
Then all comes crowdin' in; afore you think,
Young oak-leaves mist the side-hill woods with pink
The catbird in the laylock-bush is loud;
The orchards turn to heaps o' rosy cloud;
Red-cedars blossom tu, though few folks know it,
An' look all dipt in sunshine like a poet;
The lime-trees pile their solid stacks o' shade
An' drows'ly simmer with the bees' sweet trade;
In ellum-shrouds the flashin' hangbird clings
An' for the summer vy'ge his hammock slings;
All down the loose-walled lanes in archin' bowers
The barb'ry droops its strings o' golden flowers,
Whose shrinkin' hearts the school-gals love to try
With pins—they'll worry yourn so, boys, bimeby!
But I don't love your cat'logue style,—do you?—
Ez ef to sell off Natur' b y vendoo;
One word with blood in 't 's twice ez good ez two:
'Nuff sed, June's bridesman, poet o' the year,
Gladness on wings, the bobolink, is here;
Half-hid in tip-top apple-blooms he swings,
Or climbs aginst the breeze with quiverin' wings,
Or, givin' way to't in a mock despair,
Runs down, a brook o' laughter, thru the air.
I ollus feels the sap start in my veins
In Spring, with curus heats an' prickly pains,
Thet drive me, when I git a chance, to walk
Off by myself to hev a privit talk
With a queer critter thet can't seem to 'gree
Along o' me like most folks,—Mister Me.
Ther' 's times when I'm unsoshle ez a stone
An' sort o' suffocate to be alone,—
I'm crowded jes' to think thet folks are nigh,
An' can't bear nothin' closer than the sky;
Now the wind's full ez shifty in the mind
Ez wut it is ou'-doors, ef I ain't blind,
An' sometimes, in the fairest sou'west weather,
My innard vane pints east for weeks together,
My natur' gits all goose-flesh, an' my sins
Come drizzlin' on my conscience sharp ez pins:
Wal, et sech times I jes' slip out o' sight
An' take it out in a fair stan'-up fight
With the one cuss I can't lay on the shelf,
The crook'dest stick in all the heap,—Myself.
'Twuz so las' Sabbath arter meetin'-time:
F'indin' my feelin's wouldn't noways rhyme
With nobody's, but off the hendle flew
An' took things from an east-wind pint o' view,
I started off to lose me in the hills
Where the pines be, up back o' Siah's Mills:
Pines, ef you're blue, are the best friends I know,
They mope an' sigh an' sheer your feelin's so,—
They hesh the ground beneath so, tu, I swan,
You half-forgit you've gut a body on.
"Ther' 's a small school'us' there where four road, meet,
The door-steps hollered out by little feet,
An side-posts carved with names whose owners grew
To gret men, some on 'em an' deacons, tu;
'Tain't used no longer, coz the town hez gut
A high-school, where they teach the Lord knows wut:
Three-story larnin' 's poplar now: I guess
We thriv' ez wal on jes' two stories less,
For it strikes me ther' 's sech a thing ez sinnin'
By overloadin' children's underpinnin:
Wal, here it wuz I larned my A B C,
An' it's a kind o' favorite spot with me.
We're curus critters: Now ain't jes' the minute
Thet ever fits us easy while we're in it;
Long ez 'twuz futur', 'twould be perfect bliss,—
Soon ez it's past, thet time's wuth ten o' this
An' yit there ain't a man thet need be told
Thet Now's the only bird lays eggs o' gold.
A knee-high lad, I used to plot an' plan
An' think 'twuz life's cap-sheaf to be a man;
Now, gittin' gray, there's nothin' I enjoy
Like dreamin' back along into a boy:
So the ole school'us' is a place I choose
Afore all others, ef I want to muse;
I set down where I used to set, an' git
Diy boyhood back, an' better things with it,—
Faith, Hope, an' sunthin' ef it isn't Cherrity,
It's want o' guile, an' thet's ez gret a rerrity.
Now, 'fore I knowed, thet Sabbath arternoon
Thet I sot out to tramp myself in tune,
I found me in the school'us' on my seat,
Drummin' the march to No-wheres with my feet.
Thinkin' o' nothin', I've heerd ole folks say,
Is a hard kind o' dooty in its way:
It's thinkin' everythin' you ever knew,
Or ever hearn, to make your feelin's blue.
From this to thet I let my worryin' creep
Till finally I must ha' fell asleep.
Our lives in sleep are some like streams thet glide
Twixt flesh an' sperrit boundin' on each side,
Where both shores' shadders kind o' mix an' mingle
In sunthin' thet ain't jes' like either single;
An' when you cast off moorin's from To-day,
An' down towards To-morrer drift away,
The imiges thet tengle on the stream
Make a new upside-down'ard world o' dream:
Sometimes they seem like sunrise-streaks an' warnin's
O' wut'll be in Heaven on Sabbath-mornin's,
An', mixed right in ez ef jest out o' spite,
Sunthin' thet says your supper ain't gone right.
I'm gret on dreams: an' often, when I wake,
I've lived so much it makes my mem'ry ache,
An' can't skurce take a cat-nap in my cheer
'Thout hevin' 'em, some good, some bad, all queer.
Now I wuz settin' where I'd ben, it seemed,
An' ain't sure yit whether I rally dreamed,
Nor, ef I did, how long I might ha' slep',
When I hearn some un stompin' up the step,
An' lookirz' round, ef two an' two make four,
I see a Pilgrim Father in the door.
He wore a steeple-hat, tall boots, an' spurs
With rowels to 'em big ez ches'nut-burrs,
An' his gret sword behind him sloped away
Long'z a man's speech thet dunno wut to say.—
"Ef your name's Biglow, an' your given-name
Hosee," sez he, "it's arter you I came;
I'm your gret-gran they multiplied by three."
"My wut?" sez I.—your gret-gret-gret," sez he:
"You wouldn't ha' never ben here but for me.
Two hundred an' three year ago this May,
The ship I come in sailed up Boston Bay;
I'd been a cunnle in our Civil War,—
But wut on girth hev ,you gut up one for?
Coz we du things in England, 'tain't for you
To git a notion you can du 'em tu:
I'm told you write in public prints: ef true,
It's nateral you should know a thing or two."—
"Thet air's an argymunt I can't endorse,—
'Twould prove, coz you wear spurs, you kep' a horse:
But du pray tell me, 'fore we furder go,
How in all Natur' did you come to know
'Bout our affairs," sez I "in Kingdom-Come?"—
"Wal, I worked round at sperrit-rappin' some,
An' danced the tables till their legs wuz gone,
In hopes o' larnin wut wuz goin' on,"
Sez he, "but mejums lie so like all-split
Thet I concluded it wuz best to quit.
But, come now, ef you wun't confess to knowin',
You've some conjectures how the thing's a-goin'."—
"Gran'ther," sez I, "a vane warn't never known
Nor asked to hev a jedgment of its own;
An' yit, ef 'tain't gut rusty in the jints,
It's safe to trust its say on certin pints
It knows the wind's opinions to a T,
An' the wind settles wut the weather'll be."
"I never thought a scion of our stock
Could grow the wood to make a weathercock;
When I wuz younger'n you, skurce more'n a shaver,
No airthly wind," sez he, "could make me waver!"
(Ez he said this, he clinched his jaw an' forehead,
Hitchin' his belt to bring his sword-hilt forrard.)
"Jes' so it wuz with me," sez I, "I swow,
When I wuz younger'n wut you see me now,—
Nothin' from Adam's fall to Huldy's bonnet,
Thet I warm't full-cocked with my jedgment on it;
But now I'm gittin' on in life, I find
It's a sight harder to make up my mind,—
Nor I don't often try tu, when events
Will du it for me free of all expense.
The moral question's ollus plain enough,—
It's jes' the human-natur' side thet's tough;
Wut's best to think mayn't puzzle me nor you,—
The pinch comes in decidin' wut to du;
Ef you read History, all runs smooth ez grease,
Coz there the men ain't nothin' more'n idees,—
But come to make it, ez we must to-day,
Th' idees hev arms an' legs an' stop the way
It's easy fixin' things in facts an' figgers,—
They can't resist, nor warn't brought up with nigers;
But come to try your the'ry on,—why, then
Your facts an' figgers change to ign'ant men
Actin' ez ugly—"—"Smite 'em hip an' thigh!"
Sez gran'ther, "and let every man-child die!
Oh for three weeks o' Crommle an' the Lord!
Up, Isr'el, to your tents an' grind the sword!
"Thet kind o' thing worked wal in ole Judee,
But you forgit how long it's hen A.D.;
You think thet's ellerkence—I call it shoddy,
A thing," sez I, "wun't cover soul nor body;
I like the plain all-wool o' common-sense,
Thet warms ye now, an' will a twelvemonth hence.
You took to follerin' where the Prophets beckoned.
An', fust you knowed on, back come Charles the Second;
Now, wut I want's to hev all we gain stick,
An' not to start Millennium too quick;
We hain't to punish only, but to keep,
An' the cure's gut to go a cent'ry deep"
"Wal, milk-an'-water ain't the best o' glue,"
Sez he, "an' so you'll find before you're thru;
"Strike soon," sez he, "or you'll be deadly ailin'—
Folks thet's afeared to fail are sure o' failin';
God hates your sneakin' creturs thet believe
He'll settle things they run away an' leave!"
He brought his foot down fiercely, ez he spoke,
An' give me sech a startle thet I woke.
AN INDIAN-SUMMER REVERIE
What visionary tints the year puts on,
When failing leaves falter through motionless air
Or numbly cling and shiver to be gone!
How shimmer the low flats and pastures bare,
As with her nectar Hebe Autumn fills
The bowl between me and those distant hills,
And smiles and shakes abroad her misty, tremulous hair!
No more the landscape holds its wealth apart.
Making me poorer in my poverty,
But mingles with my senses and my heart;
My own projected spirit seems to me
In her own reverie the world to steep;
'Tis she that waves to sympathetic sleep,
Moving, as she is moved, each field and hill, and tree.
How fuse and mix, with what unfelt degrees,
Clasped by the faint horizon's languid arms,
Each into each, the hazy distances!
The softened season all the landscape charms;
Those hills, my native village that embay,
In waves of dreamier purple roll away,
And floating in mirage seem all the glimmering farms.
Far distant sounds the hidden chickadee
Close at my side; far distant sound the leaves;
The fields seem fields of dream, where Memory
Wanders like gleaning Ruth; and as the sheaves
Of wheat and barley wavered in the eye
Of Boaz as the maiden's glow went by,
So tremble and seem remote all things the sense receives.
The cock's shrill trump that tells of scattered corn,
Passed breezily on by all his flapping mates,
Faint and more faint, from barn to barn is borne,
Southward, perhaps to far Magellan's Straits;
Dimly I catch the throb of distant flails;
Silently overhead the henhawk sails,
With watchful, measuring eye, and for his quarry waits.
The sobered robin, hunger-silent now,
Leeks cedar-berries blue, his autumn cheer;
The squirrel on the shingly shagbark's bough,
Now saws, now lists with downward eye and ear,
Then drops his nut, and, with a chipping bound,
Whisks to his winding fastness underground;
The clouds like swans drift down the streaming atmosphere.
O'er yon bare knoll the pointed cedar shadows
Drowse on the crisp, gray moss; the ploughman's call
Creeps, faint as smoke from black, fresh-furrowed meadows;
The single crow a single caw lets fall
And all around me every bush and tree
Says Autumn's here, and Winter soon will
Who snows his soft, white sleep and silence over all.
The birch, most shy and lady-like of trees,
Her poverty, as best she may, retrieves,
And hints at her foregone gentilities
With some saved relics of her wealth of leaves
The swamp-oak, with his royal purple on,
Glares red as blood across the sinking sun,
As one who proudlier to a falling fortune cleaves
He looks a sachem, in red blanket wrapt,
Who, mid some council of the sad-garbed whites,
Erect and stern, in his own memories lapt,
With distant eye broods over other sights,
Sees the hushed wood the city's flare replace,
The wounded turf heal o'er the railway's trace,
And roams the savage Past of his undwindled rights.
The red-oak, softer-grained, yields all for lost,
And, with his crumpled foliage stiff and dry,
After the first betrayal of the frost,
Rebuffs the kiss of the relenting sky;
The chestnuts, lavish of their long-hid gold,
To the faint Summer, beggared now and old,
Pour back the sunshine hoarded 'neath her favoring eye.
The ash her purple drops forgivingly
And sadly, breaking not the general hush;
The maple-swamps glow like a sunset sea,
Each leaf a ripple with its separate flush;
All round the wood's edge creeps the skirting blaze;
Of bushes low, as when, on cloudy days,
Ere the rain falls, the cautious farmer burns his brush.
O'er yon low wall, which guards one unkempt zone,
Where vines, and weeds, and scrub-oaks intertwine
Safe from the plough, whose rough, discordant stone
Is massed to one soft gray by lichens fine,
The tangled blackberry, crossed and recrossed, weaves
A prickly network of ensanguined leaves;
Hard by, with coral beads, the prim black-alders shine.
Pillaring with flame this crumbling boundary,
Whose loose blocks topple 'neath the ploughboy's foot,
Who, with each sense shut fast except the eye,
Creeps close and scares the jay he hoped to shoot,
The woodbine up the elm's straight stem aspires.
Coiling it, harmless, with autumnal fires;
In the ivy's paler blaze the martyr oak stands mute.
Below, the Charles—a stripe of nether sky,
Now hid by rounded apple-trees between,
Whose gaps the misplaced sail sweeps bellying by,
Now flickering golden through a woodland screen,
Then spreading out at his next turn beyond,
A silver circle like an inland pond—
Slips seaward silently through marshes purple and green.
Dear marshes! vain to him the gift of sight
Who cannot in their various incomes share,
From every season drawn, of shade and light,
Who sees in them but levels brown and bare;
Each change of storm or sunshine scatters free
On them its largesse of variety,
For nature with cheap means still works her wonders rare.
In Spring they lie one broad expanse of green,
O'er which the light winds run with glimmering feet;
Here, yellower stripes track out the creek unseen
here, darker growths o'er hidden ditches meet;
And purpler stains show where the blossoms crowd,
As if the silent shadow of a cloud
Hung there becalmed, with the next breath to fleet.
All round, upon the river's slippery edge,
Witching to deeper calm the drowsy tide,
Whispers and leans the breeze-entangling sedge;
Through emerald glooms the lingering waters slide,
Or, sometimes wavering, throw back the sun,
And the stiff banks in eddies melt and run
Of dimpling light, and with the current seem to glide.
In Summer 'tis a blithesome sight to see,
As step by step, with measured swing, they pass,
The wide-ranked mowers evading to the knee,
Their sharp scythes panting through the thick-set grass
Then, stretched beneath a rick's shade in a ring,
Their nooning take, while one begins to sing
A stave that droops and dies 'neath the close sky of brass.
Meanwhile the devil-may-care, the bobolink,
Remembering duty, in mid-quaver stops
Just ere he sweeps O'er rapture's tremulous brink,
And 'twixt the winrows most demurely drops,
A decorous bird of business, who provides
For his brown mate and fledglings six besides,
And looks from right to left, a farmer mid his crops.
Another change subdues them in the Fall,
But saddens not, they still show merrier tints,
Though sober russet seems to cover all;
When the first sunshine through their dew-drops glints,
Look how the yellow clearness, streamed across,
Redeems with rarer hues the season's loss,
As Dawn's feet there had touched and left their rosy prints.
Or come when sunset gives its freshened zest,
Lean o'er the bridge and let the ruddy thrill,
While the shorn sun swells down the hazy west,
Glow opposite; the marshes drink their fill
And swoon with purple veins, then slowly fade
Through pink to brown, as eastward moves the shade,
Lengthening with stealthy creep, of Simond's darkening hill.
Later, and yet ere Winter wholly shuts,
Ere through the first dry snow the runner grates,
And the loath cart-wheel screams in slippery ruts,
While the firmer ice the eager boy awaits,
Trying each buckle and strap beside the fire,
And until bedtime—plays with his desire,
Twenty times putting on and off his new-bought skates;—
Then, every morn, the river's banks shine bright
With smooth plate-armor, treacherous and frail,
By the frost's clinking hammers forged at night,
"Gainst which the lances of the sun prevail,
Giving a pretty emblem of the day
When guitar arms in light shall melt away,
And states shall move free limbed, loosed from war's cramping
mail.
And now those waterfalls the ebbing river
Twice everyday creates on either side
Tinkle, as through their fresh-sparred grots they shiver
In grass-arched channels to the sun denied;
High flaps in sparkling blue the far-heard crow,
The silvered flats gleam frostily below,
Suddenly drops the gull and breaks the glassy tide.
But, crowned in turn by vying seasons three,
Their winter halo hath a fuller ring;
This glory seems to rest immovably,—
The others were too fleet and vanishing;
When the hid tide is at its highest flow,
O'er marsh and stream one breathless trance of snow
With brooding fulness awes and hushes everything.
The sunshine seems blown off by the bleak wind,
As pale as formal candles lit by day;
Gropes to the sea the river dumb and blind;
The brown ricks, snow-thatched by the storm in play,
Show pearly breakers combing o'er their lee,
White crests as of some just enchanted sea,
Checked in their maddest leap and hanging poised midway.
But when the eastern blow, with rain aslant,
From mid-sea's prairies green and rolling plains
Drives in his wallowing herds of billows gaunt,
And the roused Charles remembers in his veins
Old Ocean's blood and snaps his gyves of frost,
That tyrannous silence on the shores is tost
In dreary wreck, and crumbling desolation reigns.
Edgewise or flat, in Druid-like device,
With leaden pools between or gullies bare,
The blocks lie strewn, a bleak Stonehenge of ice;
No life, no sound, to break the grim despair,
Save sullen plunge, as through the sedges stiff
Down crackles riverward some thaw-sapped cliff,
Or ashen the close-wedged fields of ice crunch here and there.
But let me turn from fancy-pictured scenes
To that whose pastoral calm before me lies:
Here nothing harsh or rugged intervenes;
The early evening with her misty dyes
Smooths off the ravelled edges of the nigh,
Relieves the distant with her cooler sky,
And tones the landscape down, and soothes the wearied eyes
There gleams my native village, dear to me,
Though higher change's waves each day are seen,
Whelming fields famed in boyhood's history,
Sanding with houses the diminished green;
There, in red brick, which softening time defies,
Stand square and stiff the Muses' factories;
How with my life knit up is every well-known scene!
Flow on, dear river! not alone you flow
To outward sight, and through your marshes wind;
Fed from the mystic springs of long-ago,
Your twin flows silent through my world of mind
Grow dim, dear marshes, in the evening's gray!
Before my inner sight ye stretch away,
And will forever, though these fleshly eyes grow blind.
A FABLE FOR CRITICS
(Selections)
I. Emerson.