A LOGICAL STORY
Have you heard of the wonderful one-horse shay,
That was built in such a logical way
It ran a hundred years to a day,
And then, of a sudden, it—ah but stay,
I'll tell you what happened without delay,
Scaring the parson into fits,
Frightening people out of their wits,
Have you ever heard of that, I say?
Seventeen hundred and fifty-five,
Georgius Secundus was then alive,
Snuffy old drone from the German hive.
That was the year when Lisbon-town
Saw the earth open and gulp her down
And Braddock's army was done so brown,
Left without a scalp to its crown.
It was on the terrible Earthquake-day
That the Deacon finished the one-hoss shay.
Now in building of chaises, I tell you what,
There is always somewhere a weakest spot,—
In hub, tire, felloe, in spring or thill,
In panel, or crossbar, or floor, or sill,
In screw, bolt, thoroughbrace,—lurking still,
Find it somewhere you must and will,—
Above or below, or within or without,—
And that's the reason, beyond a doubt,
That a chaise breaks down, but doesn't wear out.
But the Deacon swore (as Deacons do,
With an "I dew vum," or an "I tell yeou,")
He would build one shay to beat the taown
'n' the keounty 'n' all the kentry raoun';
It should be so built that it couldn' break daown,
"Fur," said the Deacon, "It's mighty plain
Thut the weakes' place mus' Stan' the strain;
'n' the way t' fix it, uz I maintain,
Is only jest
T' make that place uz strong uz the rest."
So the Deacon inquired of the village folk
Where he could find the strongest oak,
That couldn't be split nor bent nor broke,
That was for spokes and floor and sills;
He sent for lancewood to make the thins;
The crossbars were ash, from the straightest trees.
The panels of white-wood, that cuts like cheese,
But lasts like iron for things like these;
The hubs of logs from the "Settler's ellum,"—
Last of its timber,—they couldn't sell 'em,
Never an axe had seen their chips,
And the wedges flew from between their lips,
Their blunt ends frizzled like celery-tips;
Step and prop-iron, bolt and screw,
Spring, tire, axle, and linchpin too,
Steel of the finest, bright and blue;
Thoroughbrace bison-skin, thick and wide;
Boot, top, dasher, from tough old hide
Found in the pit when the tanner died.
That was the way he "put her through."
"There!" said the Deacon, "naow she'll dew!"
Do! I tell you, I rather guess
She was a wonder, and nothing less!
Colts grew horses, beards turned gray,
Deacon and deaconess dropped away,
Children and grandchildren—where were they?
But there stood the stout old one-hoss shay
As fresh as on Lisbon-earthquake-day
EIGHTEEN HUNDRED;—it came and found
The Deacon's masterpiece strong and sound.
Eighteen hundred increased by ten;—
"Hahnsum kerridge" they called it then.
Eighteen hundred and twenty came;—
Running as usual; much the same.
Thirty and forty at last arrive,
And then come fifty, and FIFTY-FIVE.
Little of all we value here
Wakes on the morn of its hundredth year
Without both feeling and looking queer.
In fact, there's nothing that keeps its youth,
So far as I know but a tree and truth.
(This is a moral that runs at large;
Take it.—You're welcome.—No extra charge.)
FIRST of NOVEMBER,—the Earthquake-day—
There are traces of age in the one-hoss shay,
A general flavor of mild decay,
But nothing local, as one may say.
There couldn't be,—for the Deacon's art
Had made it so like in every part
That there wasn't a chance for one to start.
For the wheels were just as strong as the thins,
And the floor was just as strong as the sills,
And the panels just as strong as the floors
And the whipple-tree neither less nor more,
And the back-crossbar as strong as the fore,
And spring and axle and hub encore.
And yet, as a whole, it is past a doubt
In another hour it will be worn out!
First of November, 'Fifty-five!
This morning the parson takes a drive.
Now, small boys, get out of the way!
Here comes the wonderful one-hoss shay,
Drawn by a rat-tailed, ewe-necked bay.
"Huddup!" said the parson.—Off went they.
The parson was working his Sunday's text,—
Had got to fifthly, and stopped perplexed
At what the—Moses—was coming next.
All at once the horse stood still,
Close by the meet'n'-house on the hill.
First a shiver, and then a thrill,
Then something decidedly like a spill,—
And the parson was sitting upon a rock,
At half past nine by the meet'n'-house clock—
Just the hour of the Earthquake shock!
What do you think the parson found,
When he got up and stared around?
The poor old chaise in a heap or mound,
As if it had been to the mill and ground!
You see, of course, if you're not a dunce,
How it went to pieces all at once,
All at once, and nothing first,
Just as bubbles do when they burst.
End of the wonderful one-boss shay.
Logic is logic. That's all I say.
THOMAS BUCHANAN READ
STORM ON ST. BERNARD
Oh, Heaven, it is a fearful thing
Beneath the tempest's beating wing
To struggle, like a stricken hare
When swoops the monarch bird of air;
To breast the loud winds' fitful spasms,
To brave the cloud and shun the chasms,
Tossed like a fretted shallop-sail
Between the ocean and the gale.
Along the valley, loud and fleet,
The rising tempest leapt and roared,
And scaled the Alp, till from his seat
The throned Eternity of Snow
His frequent avalanches poured
In thunder to the storm below.
And now, to crown their fears, a roar
Like ocean battling with the shore,
Or like that sound which night and day
Breaks through Niagara's veil of spray,
From some great height within the cloud,
To some unmeasured valley driven,
Swept down, and with a voice so loud
It seemed as it would shatter heaven!
The bravest quailed; it swept so near,
It made the ruddiest cheek to blanch,
While look replied to look in fear,
"The avalanche! The avalanche!"
It forced the foremost to recoil,
Before its sideward billows thrown,—
Who cried, "O God! Here ends our toil!
The path is overswept and gone!"
The night came down. The ghostly dark,
Made ghostlier by its sheet of snow,
Wailed round them its tempestuous wo,
Like Death's announcing courier! "Hark
There, heard you not the alp-hound's bark?
And there again! and there! Ah, no,
'Tis but the blast that mocks us so!"
Then through the thick and blackening mist
Death glared on them, and breathed so near,
Some felt his breath grow almost warm,
The while he whispered in their ear
Of sleep that should out-dream the storm.
Then lower drooped their lids,—when, "List!
Now, heard you not the storm-bell ring?
And there again, and twice and thrice!
Ah, no, 'tis but the thundering
Of tempests on a crag of ice!"
Death smiled on them, and it seemed good
On such a mellow bed to lie
The storm was like a lullaby,
And drowsy pleasure soothed their blood.
But still the sturdy, practised guide
His unremitting labour plied;
Now this one shook until he woke,
And closer wrapt the other's cloak,—
Still shouting with his utmost breath,
To startle back the hand of Death,
Brave words of cheer! "But, hark again,—
Between the blasts the sound is plain;
The storm, inhaling, lulls,—and hark!
It is—it is! the alp-dog's bark
And on the tempest's passing swell—
The voice of cheer so long debarred—
There swings the Convent's guiding-bell,
The sacred bell of Saint Bernard!"
DRIFTING
My soul to-day
Is far away,
Sailing the Vesuvian Bay;
My winged boat
A bird afloat,
Swings round the purple peaks remote:—
Round purple peaks
It sails, and seeks
Blue inlets and their crystal creeks,
Where high rocks throw,
Through deeps below,
A duplicated golden glow.
Far, vague, and dim,
The mountains swim;
While an Vesuvius' misty brim,
With outstretched hands,
The gray smoke stands
O'erlooking the volcanic lands.
Here Ischia smiles
O'er liquid miles;
And yonder, bluest of the isles,
Calm Capri waits,
Her sapphire gates
Beguiling to her bright estates.
I heed not, if
My rippling skiff
Float swift or slow from cliff to cliff;
With dreamful eyes
My spirit lies
Under the walls of Paradise.
Under the walls
Where swells and falls
The Bay's deep breast at intervals
At peace I lie,
Blown softly by,
A cloud upon this liquid sky.
The day, so mild,
Is Heaven's own child,
With Earth and Ocean reconciled;
The airs I feel
Around me steal
Are murmuring to the murmuring keel.
Over the rail
My hand I trail
Within the shadow of the sail,
A joy intense,
The cooling sense
Glides down my drowsy indolence.
With dreamful eyes
My spirit lies
Where Summer sings and never dies,
O'erveiled with vines
She glows and shines
Among her future oil and wines.
Her children, hid
The cliffs amid,
Are gambolling with the gambolling kid;
Or down the walls,
With tipsy calls,
Laugh on the rocks like waterfalls.
The fisher's child,
With tresses wild,
Unto the smooth, bright sand beguiled,
With glowing lips
Sings as she skips,
Or gazes at the far-off ships.
Yon deep bark goes
Where traffic blows,
From lands of sun to lands of snows;
This happier one,—
Its course is run
From lands of snow to lands of sun.
O happy ship,
To rise and dip,
With the blue crystal at your lip!
O happy crew,
My heart with you
Sails, and sails, and sings anew!
No more, no more
The worldly shore
Upbraids me with its loud uproar
With dreamful eyes
My spirit lies
Under the walls of Paradise!