And Mr. Curtin further says:
At that period the earth … was occupied by personages who are called people, though it is well understood at all times that they were not human; they were persons, individuals.[25]
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To trace the ancestral sources of a people’s thought and character, a careful and critical study of the myths, and later of the mythology of that people, first exclusively and then comparatively, is required. This study deals with ideas and concepts expressed by three well-known Greek terms, mythos, epos, and logos, and also with those expressed by the term resulting from the combination of the first and the last of these words. These are among many words of human speech which comprise all human experience and history. It is remarkable also that each may be translated into English by the term “word.”
The word “mythology” is a philosophic term composed of two very interesting and instructive Greek words, mythos and logos.
The first term, mythos, denoted whatever was thoughtfully uttered by the mouth of savage and barbaric men—the expression of thought which had been shut in to mature—a story of prehistoric time, a naïve, creative concept stated in terms of human life and activity—a poem. In matters of religion and cosmogony such an utterance was final and conclusive to those men.
The second term, logos, having at the beginning approximately the same meaning as mythos, became in Greek philosophic thinking the symbol or expression of the internal constitution as well as the external form and sign of thought, and so became “the expression of exact thought—… exact because it corresponds to universal and unchanging principles,” reaching “its highest exaltation in becoming not only reason in man but the reason in the universe—the Divine Logos, the thought of God, the Son of God, God himself” (Curtin). The logos is thus the expression of the philosophy of men measurably cultured; it is the intelligent exegesis of the content of the mythos in terms of objective and subjective reality; it is scientific because it is logical; it is the later literary criticism—the analytic and synthetic treatment of myths and epics. So, in the experience of every people having an ethnic past, mythos and logos represent two well-defined stages of human thought—the naïve and the philosophic—and also the elder time and the modern. So mythology may be defined as the science or the logic of the myth; it belongs to times of relatively high culture and does not flourish in savagery, for savages have only myths. It may be well to note that a third stage of thought is expressed in the Greek term epos, which is the adornment or garbing and dramatizing of the myth concepts in poetic form, in story, saga, and legend—the epic.
Only modern research with its critical exegesis and sympathetic interpretation brings down the study of the concepts of the myths of the fathers measurably to the character of a science.
The highest type of poetry expresses itself in myth, in the epos, and in the logos. For men of undeveloped thought, of inchoate [[61]]mentation, this is the mental process through which they dimly apprehend the significance of the complex and closely interrelated phenomena of life and of environing nature, and the medium by which they harmonize the ceaseless functioning of these with their own experience, with the activity of their own subconscious mind, and with the divine promptings and visions vouchsafed them by the dawn of their own superconscious intellect.
The initial step of the process is the ingenuous act of the imagination in personifying, yea, in ideally humanizing, the bodies, elements, and forces of environing nature; as, for instance, the picturing by the Iroquois and their neighbors, the Algonquian, of snow as the living body of a man formed by the God of Winter, whose breath was potent enough to drive animals and birds into their winter retreats and some even into hibernation, represented as the hiding of the animals from his brother, the Master or God of Life.