QUALITY
BY
JOHN GALSWORTHY
Here the emphasis is upon character. The plot is negligible— hardly exists. The setting is carefully worked out because it is essential to the characterization. By means of the shoemaker the author reveals at least a part of his philosophy of life—that there is a subtle relation between a man and his work. Each reacts on the other. If a man recognizes the Soul of Things and strives to give it proper expression, he becomes an Artist and influences for good all who come into contact with him.
QUALITY
[Footnote: From "The Inn of Tranquillity," by John Galsworthy.
Copyright, 1912, by Charles Scribner's Sons.]
I knew him from the days of my extreme youth, because he made my father's boots; inhabiting with his elder brother two little shops let into one, in a small by-street—now no more, but then most fashionably placed in the West End.
That tenement had a certain quiet distinction; there was no sign upon its face that he made for any of the Royal Family—merely his own German name of Gessler Brothers: and in the window a few pairs of boots. I remember that it always troubled me to account for those unvarying boots in the window, for he made only what was ordered, reaching nothing down, and it seemed so inconceivable that what he made could ever have failed to fit. Had he bought them to put there? That, too, seemed inconceivable. He would never have tolerated in his house leather on which he had not worked himself. Besides, they were too beautiful—the pair of pumps, so inexpressibly slim, the patent leathers with cloth tops, making water come into one's mouth, the tall brown riding boots with marvellous sooty glow, as if, though new, they had been worn a hundred years. Those pairs could only have been made by one who saw before him the Soul of Boot—so truly were they prototypes incarnating the very spirit of all foot-gear. These thoughts, of course, came to me later, though even when I was promoted to him, at the age of perhaps fourteen, some inkling haunted me of the dignity of himself and brother. For to make boots—such boots as he made—seemed to me then, and still seems to me, mysterious and wonderful.
I remember well my shy remark, one day, while stretching out to him my youthful foot:
"Isn't it awfully hard to do, Mr. Gessler?"