The Colonel answered quietly: "There were several reasons, General—good ones. The blond baby"—that ghost of a smile touched the Colonel's lips again—"the blond baby has some remarkable qualities. He never loses his head; he has uncommon invention and facility of getting out of bad holes; he rides light and so can make a horse last longer than most, and"—the Colonel considered a moment—"I may say he has no fear of death. Even among my officers he is known for the quality of his courage. There is one more reason: he is the most popular man I have, both with officers and men; if anything happened to Morgan the whole command would race into hell after the devils that did it before they would miss their revenge."

The General reflected, pulling at his moustache. "It seems a bit like taking advantage of his popularity," he said.

"It is," the Colonel threw back quickly. "It's just that. But that's what one must do—a commanding officer—isn't it so, General? In this war music we play on human instruments, and if a big chord comes out stronger for the silence of a note, the note must be silenced—that's all. It's cruel, but it's fighting; it's the game."

The General, as if impressed with the tense words, did not respond, and the other officers stared at the Colonel's face, as carved, as stern as if done in marble—a face from which the warm, strong heart seldom shone, held back always by the stronger will.

The big, fresh-colored young Captain broke the silence. "Has the General ever heard of the trick Morgan played on Sun Boy, sir?" he asked.

"Tell the General, Captain Booth," the Colonel said briefly, and the Captain turned toward the higher officer.

"It was apropos of what the Colonel said of his incentive faculties, General," he began. "A year ago the youngster with a squad of ten men walked into Sun Boy's camp of seventy-five warriors. Morgan had made quite a pet of a young Sioux, who was our prisoner for five months, and the boy had taught him a lot of the language, and assured him that he would have the friendship of the band in return for his kindness to Blue Arrow—that was the chap's name. So he thought he was safe; but it turned out that Blue Arrow's father, a chief, had got into a row with Sun Boy, and the latter would not think of ratifying the boy's promise. So there was Morgan with his dozen men, in a nasty enough fix. He knew plenty of Indian talk to understand that they were discussing what they would do with him, and it wasn't pleasant.

"All of a sudden he had an inspiration. He tells the story himself, sir, and I assure you he'd make you laugh—Morgan is a wonderful mimic. Well, he remembered suddenly, as I said, that he was a mighty good ventriloquist, and he saw his chance. He gave a great jump like a startled fawn, and threw up his arms and stared like one demented into the tree over their heads. There was a mangy-looking crow sitting up there on a branch, and Morgan pointed at him as if at something marvellous, supernatural, and all those fool Indians stopped pow-wowing and stared up after him, as curious as monkeys. Then to all appearances, the crow began to talk. Morgan said they must have thought that spirits didn't speak very choice Sioux, but he did his best. The bird cawed out:

"'Oh, Sun Boy, great chief, beware what you do!'

"And then the real bird flapped its wings and Morgan thought it was going to fly, and he was lost. But it settled back again on the branch, and Morgan proceeded to caw on: