This was untrue, and against his own conscience, but he wished to say something disagreeable in the presence of Onkel.
“He made fewer mistakes than Professor Brendel does in making that remark,” replied Onkel with a Munich accent.
Brendel pretended not to hear as he disappeared at the end of the corridor.
Little Spiridonoff was tormented on all sides. They peered into his eyes, they slapped him on the shoulder, they patted his head, stroked his cheeks, chucked him under the chin, every one encouraged him and predicted future greatness.
He looked at them all sadly, and received their praises with indifference. He apparently felt shy and weary amid all these ebullitions of feeling. His eyes searched anxiously for some one, and finally rested reassured on the wrinkled face of the tall man, who some minutes before had sat at the end of the second row, and listened to him with such close attention. The man eagerly noted all the compliments showered on the boy. He was leaning against the half-open door of a classroom, which was this evening serving for a green room, and holding a child’s thick overcoat in one hand and in the other a violin case. He approached the boy, relieved him of his violin and bow, and placed them in the case with care. Then, after putting on the boy’s overcoat, and muffling a white silk handkerchief around his neck, he took him by the hand, and led him downstairs.
“Spiridonoff,” Onkel called, arresting their steps, “prepare yourself for the Grand Concert.”
The man in the black, buttoned-up coat made a bow, and then continued downstairs, solicitously assisting the boy at every step.
“That’s his father,” somebody remarked.
“Fortunate father,” exclaimed Onkel, much elated at Spiridonoff’s success.