The pallid prominent personage almost died of fright. Brave as he was in the office and in the presence of inferiors generally, and although, at the sight of his manly form and appearance, every one said, “Ugh! how much character he has!” at this crisis, he, like many possessed of a heroic exterior, experienced such terror that, not without cause, he began to fear an attack of illness. He flung his cloak hastily from his shoulders and shouted to his coachman in an unnatural voice: “Home at full speed!” The coachman, hearing the tone which is generally employed at critical moments, and even accompanied by something much more tangible, drew his head down between his shoulders in case of an emergency, flourished his whip, and flew on like an arrow. In a little more than six minutes the prominent personage was at the entrance of his own house. Pale, thoroughly scared, and cloakless, he went home instead of to Karolina Ivanovna’s, reached his room somehow or other, and passed the night in the direst distress; so that the next morning over their tea his daughter said: “You are very pale to-day, papa.” But papa remained silent, and said not a word to any one of what had happened to him, where he had been, or where he had intended to go.
This occurrence made a deep impression upon him. He even began to say: “How dare you? do you realize who stands before you?” less frequently to the under-officials, and, if he did utter the words, it was only after first having learned the bearings of the matter. But the most noteworthy point was that from that day forward the apparition of the dead tchinovnik ceased to be seen. Evidently the prominent personage’s cloak just fitted his shoulders; at all events, no more instances of his dragging cloaks from people’s shoulders were heard of. But many active and apprehensive persons could by no means reassure themselves, and asserted that the dead tchinovnik still showed himself in distant parts of the city.
In fact, one watchman in Kolomna saw with his own eyes the apparition come from behind a house. But being rather weak of body, he dared not arrest him, but followed him in the dark, until, at length, the apparition looked round, paused, and inquired: “What do you want?” at the same time showing such a fist as is never seen on living men. The watchman said: “It’s of no consequence,” and turned back instantly. But the apparition was much too tall, wore huge mustaches, and, directing its steps apparently toward the Obukhoff Bridge, disappeared in the darkness of the night.
THE RENDEZVOUS
AND
THE COUNTING-HOUSE
BY IVAN TURGENEV
The greatest of Russian authors was born in 1818, and, expatriated from Russia, died in the suburbs of Paris in 1883. His literary method reversed the usual process. The plot of a story was something he never thought of. His short stories are wonderful character drawings of individuals or groups that show a complete, a brooding absorption in his subjects. The spirit of the great Slav race lives in his work, and though his stories are sombre his characters have a vitality that only genius can give. An aristocrat, and possessed of some means, Turgenev’s stories concern themselves with the old racial traits of character, but do not touch on the revolutionary element.
