The fame of “Degeneration,” that vigorous polemic against abnormal vice, has so overshadowed Max Nordau’s other literary accomplishments that it will be a surprise to many American readers to see his name among the master foreign writers of short stories. “Degeneration” has only an ethical value and does not rank by any means with the author’s best literary work, for he has written, besides short stories of great merit, novels, essays, satires, critiques—all more or less bold attacks on existing conventionalities.
Nordau was born a Jew at Buda-Pesth. For a while he was a teacher, then he studied medicine, and after six years of travel returned and practised his profession of medicine, first at Buda-Pesth and afterward at Paris, where he settled, and is now a prominent leader in the Zionist movement in Europe.
DELIVERANCE
BY MAX NORDAU
Translated by Euphemia Johnson.
Copyright, 1896, by The Current Literature Publishing Company.
For an hour the first regiment of Dragoons of the Guard had been drawn up on level ground behind a screen of low bushes, waiting the order to engage. For some time the fighting appeared to have ceased around them. Only a shattered gun carriage and the ground, pierced with deep holes like newly dug graves, heaped about with soft, yellowish earth, gave the spot the look of a battlefield. But the conflict was evident enough to the ear. On all sides thundered the cannon, and from the right came also the rattling of musketry. The roar of battle rose and fell like the gamut of a great orchestra executing the “Storm Movement” of the Pastoral Symphony.
In the foreground, on a slight elevation, a group of officers were attentively examining the French position. One of them, a Major, stood a little apart smoking a cigarette and gazing dreamily into the distance. He might not, perhaps, have attracted a feminine observer, but a masculine eye would certainly have marked him as a man of striking intellect. He was about thirty, tall, slight, with cold gray eyes, a pale, thin face and pale, sarcastic lips, just shadowed by a delicate auburn mustache. This silent, self-contained man had about him an air of strange listlessness and disenchantment that made him in every way a contrast to the tanned, sunburnt young fellows who stood about him, all on fire with the eagerness of battle. Taking off his helmet, he passed his hand over his forehead. It was an aristocratic, well-kept hand, with slender, bloodless fingers. The whole appearance of this officer—which even a uniform could not disguise—was that of a person of exceptional distinction, and indeed he was a person of very great distinction, being no other than Prince Louis von Hockstein Falckenbourg Gerau, the head of what was once a family of reigning princes.
Early left an orphan, the Prince found himself when he came of age master of an almost unlimited fortune. From his mother, a musician of exquisite sensibility, he had inherited an artistic temperament and keen sense of the beautiful; while from his father, a haughty and somewhat eccentric noble, he had received a disposition of such violence and independence that it brooked no control from outside and recognized no law but its own will.
It will take no great effort of the imagination to see how the world had treated the young prince. The Court distinguished him with special attentions; the ladies petted him; the men sought him. In this hot-house atmosphere of high life he came quickly to maturity, and, like most children brought up among older persons without companions of their own age, he was of a thoughtful, even suspicious, temperament. As, in addition to this, he looked at everything from a critical, almost skeptical, point of view, insisting on getting to the bottom of every question, he did not make the mistake of most young men in his position—the mistake of thinking the attentions paid him homage to his own talent. Perfectly frank with himself, he recognized that they were paid to his title and fortune.