Before starting, Hermonthis took from her neck the little idol of green paste, and laid it on the scattered sheets of paper which covered the table.
“It is only fair,” she observed, smilingly, “that I should replace your paper-weight.”
She gave me her hand, which felt soft and cold, like the skin of a serpent; and we departed.
We passed for some time with the velocity of an arrow through a fluid and grayish expanse, in which half-formed silhouettes flitted swiftly by us, to right and left.
For an instant we saw only sky and sea.
A few moments later obelisks commenced to tower in the distance: pylons and vast flights of steps guarded by sphinxes became clearly outlined against the horizon.
We had reached our destination.
The princess conducted me to a mountain of rose-colored granite, in the face of which appeared an opening so narrow and low that it would have been difficult to distinguish it from the fissures in the rock, had not its location been marked by two stelæ wrought with sculptures.
Hermonthis kindled a torch, and led the way before me.
We traversed corridors hewn through the living rock: their walls, covered with hieroglyphics and paintings of allegorical processions, might well have occupied thousands of arms for thousands of years in their formation;—these corridors, of interminable length, opened into square chambers, in the midst of which pits had been contrived, through which we descended by cramp-irons or spiral stairways;—these pits again conducted us into other chambers, opening into other corridors, likewise decorated with painted sparrow-hawks, serpents coiled in circles, the symbols of the tau and pedum—prodigious works of art which no living eye can ever examine—interminable legends of granite which only the dead have time to read through all eternity.