To reproduce this letter would be a vain task. Excepting idiots, lovers alone find no monotony in repeating the same thing over and over again.

At daybreak the chevalier went out and began roaming about, carrying his dreams through the streets. It did not occur to him to have recourse once more to the protecting abbé, and it would not be easy to tell the reason which prevented his doing so. It was like a blending of timidity and audacity, of false shame and romantic honor. And, indeed, what would the abbé have replied to him, if he had told his story of the night before? “You had the unique good fortune to pick up this fan; did you know how to profit by it? What did the marquise say to you?”

“Nothing.”

“You should have spoken to her.”

“I was confused; I had lost my head.”

“That was wrong; one must know how to seize an opportunity; but this can be repaired. Would you like me to present you to Monsieur So-and-so, one of my friends; or perhaps to Madame Such-a-one? That would be still better. We will try and secure for you access to this marquise who frightened you so, and then”—and so forth.

Now the chevalier little relished anything of this kind. It seemed to him that, in telling his adventure, he would, so to speak, soil and mar it. He said to himself that chance had done for him something unheard of, incredible, and that it should remain a secret between himself and Fortune. To confide this secret to the first comer was, to his thinking, to rob it of its value, and to show himself unworthy of it. “I went alone yesterday to the castle at Versailles,” thought he, “I can surely go alone to Trianon?” This was, at the time, the abode of the favorite.

Such a way of thinking might, and even should, appear extravagant to calculating minds, who neglect no detail, and leave as little as possible to chance; but colder mortals, if they were ever young, and not everybody is so, even in youth, have known that strange sentiment, both weak and bold, dangerous and seductive, which drags us to our fate. One feels one’s self blind, and wishes to be so; one does not know where one is going and yet walks on. The charm of the thing consists in this recklessness and this very ignorance; it is the pleasure of the artist in his dreams, of the lover spending the night beneath the windows of his mistress; it is the instinct of the soldier; it is, above all, that of the gamester.

The chevalier, almost without knowing it, had thus taken his way to Trianon. Without being very paré, as they said in those days, he lacked neither elegance nor that indescribable air which forbids a chance lackey, meeting one, from daring to ask where one is going. It was, therefore, not difficult for him, thanks to information he had obtained at the inn, to reach the gate of the château—if one can so call that marble bonbonnière, which has seen so many pleasures and pains in bygone days. Unfortunately, the gate was closed, and a stout Swiss wearing a plain coat was walking about, his hands behind his back, in the inner avenue, like a person who is not expecting any one.

“The King is here!” said the chevalier to himself, “or else the marquise is away. Evidently, when the doors are closed, and valets stroll about, the masters are either shut in or gone out.”