Into the salon the warm suns of June and July still penetrated, but more laggardly in the morning, fleeing more hurriedly in the evening; the twilights of autumn fell one hour earlier, bringing abruptly down the dull, chill melancholy.
And the times, the months, the seasons, passed. Between daylight and darkness, at the undecided hours of evening, when the three women left off one after the other their work of embroidery or sewing before lighting the evening lamp, the young daughter—who would soon be no longer young—lifted her eyes ever toward the wall, set up there in place of her sky of yesterday; often, even, in a sort of melancholy childishness that constantly returned to her like the sick fancy of a prisoner, she amused herself in watching from a certain place the branches of the rose trees, the tops of the bushes detach themselves in relief against the grayish background of the painted stones, and sought to give herself the illusion that the background there was a sky, a sky lower and nearer than the real one—after the manner of those who at night hang upon the deformed visions of dreams.
They had in expectation a heritage of which they often spoke around their lamp and their work-table, as of a day-dream, as of a fairy tale, so far away it seemed.
But, as soon as they possess it, that accession from America, at no matter what price, the house of the neighbor shall be bought in order to pull down all that new part, to reestablish things as in times past, and to restore to their court, to restore to their cherished rose bushes of the high walls, the sun of other times. To throw it down, that wall, this had become their sole earthly desire, their continual obsession.
And the old aunt was accustomed to say at such times:
"My dear daughters, may God grant that I live long enough, even I, to see that happy day!"
It tarried long in coming, that heritage.