Thus it chanced that, one morning when Francis went to invite the ladies to walk as usual, the proprietor of the hotel informed him that they had returned to Paris, and that their apartments were already occupied by an English family. This crushing blow, falling so unexpectedly, destroyed the poor fellow's reason, and, rushing out of the house like a madman, he began a frantic search for Claire in all the places where he had been in the habit of meeting her. At last he returned to his own hotel with a violent sick headache, which he proceeded to doctor in the most energetic manner. First he had himself bled, then he took baths in boiling hot water, and applied the most ferocious mustard plasters; in short, he avenged his mental tortures upon his innocent body. When he believed himself cured, he started for France, firmly resolved to have an interview with Claire's father before even changing his clothes. He traveled with all possible speed, jumped off the train before it stopped, forgetting his baggage entirely, sprang into a cab, and shouted to the coachman:
"Drive to her home as quick as you can!"
"Where, sir?"
"To the house of Monsieur—on the—the Rue—I can't remember." He had forgotten the name and address of the girl he loved.
"I will go home," he said to himself, "and it will come back to me."
So he handed his card to the coachman, who took him to his own home.
His concierge was an aged man, with no children, and named Emmanuel. On seeing him, Francis bowed profoundly, and said:
"Sir, you have a daughter, Mlle. Claire Emmanuel. I intended to write and ask you for her hand in marriage, but decided it would be more seemly to make the request in person."
They saw that he was mad, and his uncle Morlot, in the Faubourg Saint Antoine, was immediately summoned.
Now Uncle Morlot was the most scrupulously honest man on the Rue Charonne, which, by the way, is one of the longest streets in Paris. He manufactured antique furniture with conscientious care, but only mediocre skill. He was not a man to pass off ebonized pine for real ebony, or a cabinet of his own make for a medieval production; and yet, he understood the art of making new wood look old and full of apparent worm-holes as well as anybody living; but it was a principle of his never to cheat or deceive any one. With almost absurd moderation for a follower of this trade, he limited his profits to five per cent over and above the expenses of the business, so he had gained more esteem than money. When he made out a bill, he invariably added up the items three times, so afraid was he of making a mistake in his own favor.