It was very quickly built, of hard Soissons stone, and is peculiar in that building began at the south arm of the transept,—primitive Gothic in style,—during the last third of the 12th century. Next were built, in pointed Gothic, the choir (completed in 1212) then the nave. The main body of the cathedral was completed in the middle of the 13th century, with the exception of the high parts of the main front (on which a single tower was built in the 14th century) and of the façade of the north arm of the transept (also 14th century).

The cathedral of Soissons, like that of Arras, has greatly suffered in its vital parts. The nave, which partly fell in during 1915–1916, was, with the aisles, entirely destroyed by the end of 1918. The tower, which, though severely damaged by enemy shell-fire, was still standing, collapsed at the same time. The transept and choir alone escaped with slight damage.

Principal Façade of the Cathedral.

The West front contains three doorways, finished about 1230, but disfigured in the 18th century by roughcast, which destroyed their 13th century decoration, since replaced by pseudo-Gothic ornament.

THE TOWER IN JUNE 1915.
The collapse of the mullion laid bare the framework of the belfry.

Above the large rose-window, set in a tierce-point arch, rises a graceful gallery composed of double arches surmounted by gables, which is carried all round the single tower, about 241 feet in height.

The tower comprised on each front two long bays separated by a mullion. Its later date was noticeable chiefly in the statues of apostles, saints and bishops, sheltered beneath finely carved canopies, which ornamented the corner abutments.

Throughout the war, the German gunners made a constant target of the cathedral tower.

In June 1915, large calibre shells caused the collapse of the great mullion separating the two bays on the west front, which fell to the ground, a large breach in the upper part of the tower laying bare the framework of the belfry (photo above). The same collapse caused the fall of almost all the gables of the lower gallery, the left bay of which had previously been struck by several shells.