1 What is the existence of man's life
But open war or slumbered strife?
Where sickness to his sense presents
The combat of the elements,
And never feels a perfect peace
Till death's cold hand signs his release.
2 It is a storm—where the hot blood
Outvies in rage the boiling flood:
And each loud passion of the mind
Is like a furious gust of wind,
Which beats the bark with many a wave,
Till he casts anchor in the grave.
3 It is a flower—which buds, and grows,
And withers as the leaves disclose;
Whose spring and fall faint seasons keep,
Like fits of waking before sleep,
Then shrinks into that fatal mould
Where its first being was enrolled.
4 It is a dream—whose seeming truth
Is moralised in age and youth;
Where all the comforts he can share
As wandering as his fancies are,
Till in a mist of dark decay
The dreamer vanish quite away.
5 It is a dial—which points out
The sunset as it moves about;
And shadows out in lines of night
The subtle stages of Time's flight,
Till all-obscuring earth hath laid
His body in perpetual shade.
6 It is a weary interlude—
Which doth short joys, long woes, include:
The world the stage, the prologue tears;
The acts vain hopes and varied fears;
The scene shuts up with loss of breath,
And leaves no epilogue but Death!
JOHN CHALKHILL.
This author was of the age of Spenser, and is said to have been an acquaintance and friend of that poet. It was not, however, till 1683 that good old Izaak Walton published 'Thealma and Clearchus,' a pas- toral romance, which, he stated, had been written long since by John Chalkhill, Esq. He says of the author, 'that he was in his time a man generally known, and as well beloved; for he was humble and obliging in his behaviour—a gentleman, a scholar, very innocent and prudent, and indeed his whole life was useful, quiet, and virtuous.' Some have suspected that this production proceeded from the pen of Walton himself. This, however, is rendered extremely unlikely—first, by the fact that Walton, when he printed 'Thealma,' was ninety years of age; and, secondly, by the difference in style and purpose between that poem and Walton's avowed productions. The mind of Walton was quietly ingenious; that of the author of 'Thealma' is adventurous and fantastic. Walton loved 'the green pastures and the still waters' of the Present; the other, the golden groves and ideal wildernesses of the Golden Age in the Past.
'Thealma and Clearchus' may be called an 'Arcadia' in rhyme. It resembles that work of Sir Philip Sidney, not only in subject, but in execution. Its plot is dark and puzzling, its descriptions are rich to luxuriance, its narrative is tedious, and its characters are mere shadows. But although a dream, it is a dream of genius, and brings beautifully before our imagination that early period in the world's history, in which poets and painters have taught us to believe, when the heavens were nearer, the skies clearer, the fat of the earth richer, the foam of the sea brighter, than in our degenerate days;—when shepherds, reposing under broad, umbrageous oaks, saw, or thought they saw, in the groves the shadow of angels, and on the mountain-summits the descending footsteps of God. Chalkhill resembles, of all our modern poets, perhaps Shelley most, in the ideality of his conception, the enthusiasm of his spirit, and the unmitigated gorgeousness of his imagination.