11 Now Drury's potent king extorts applause,
And pit, box, gallery, echo, 'How divine!'
Whilst, versed in all the drama's mystic laws,
His graceful action saves the wooden line.

12 Now—but what further can the muses sing?
Now dropping particles of water fall;
Now vapours riding on the north wind's wing,
With transitory darkness shadows all.

13 Alas! how joyless the descriptive theme,
When sorrow on the writer's quiet preys;
And like a mouse in Cheshire cheese supreme,
Devours the substance of the lessening bays.

14 Come, February, lend thy darkest sky,
There teach the wintered muse with clouds to soar:
Come, February, lift the number high;
Let the sharp strain like wind through alleys roar.

15 Ye channels, wandering through the spacious street,
In hollow murmurs roll the dirt along,
With inundations wet the sabled feet,
Whilst gouts, responsive, join the elegiac song.

16 Ye damsels fair, whose silver voices shrill
Sound through meandering folds of Echo's horn;
Let the sweet cry of liberty be still,
No more let smoking cakes awake the morn.

17 O Winter! put away thy snowy pride;
O Spring! neglect the cowslip and the bell;
O Summer! throw thy pears and plums aside;
O Autumn! bid the grape with poison swell.

18 The pensioned muse of Johnson is no more!
Drowned in a butt of wine his genius lies.
Earth! Ocean! Heaven! the wondrous loss deplore,
The dregs of nature with her glory dies.

19 What iron Stoic can suppress the tear!
What sour reviewer read with vacant eye!
What bard but decks his literary bier!—
Alas! I cannot sing—I howl—I cry!

LORD LYTTELTON.