Campbell, always prone to be rather severe on pious poets, and whose taste, too, was finical at times, says of Vaughan—'He is one of the harshest even of the inferior order of the school of conceit; but he has some few scattered thoughts that meet the eye amidst his harsh pages, like wild flowers on a barren heath.' Surely this is rather 'harsh' judgment. At the same time, it is not a little laughable to find that Campbell has himself appropriated one of these 'wild flowers.' In his beautiful 'Rainbow,' he cries—
'How came the world's gray fathers forth
To mark thy sacred sign!'
Vaughan had said—
'How bright wert thou, when Shem's admiring eye,
Thy burnished, flaming arch did first descry;
When Terah, Nahor, Haran, Abram, Lot,
The youthful world's gray fathers in one knot,
Did with intentive looks watch every hour
For thy new light, and trembled at each shower!'
Indeed, all Campbell's 'Rainbow' is just a reflection of Vaughan's, and reminds you of those faint, pale shadows of the heavenly bow you sometimes see in the darkened and disarranged skies of spring. To steal from, and then strike down the victim, is more suitable to robbers than to poets.
Perhaps the best criticism on Vaughan may be found in the title of his own poems, 'Silex Scintillans.' He had a good deal of the dulness and hardness of the flint about his mind, but the influence of poverty and suffering,—for true it is that
'Wretched men
Are cradled into poetry by wrong;
They learn in suffering what they teach in song,'—
and latterly the power of a genuine, though somewhat narrow piety, struck out glorious scintillations from the bare but rich rock. He ranks with Crashaw, Quarles, and Herbert, as one of the best of our early religious poets; like them in their faults, and superior to all of them in refinement and beauty, if not in strength of genius.
ON A CHARNEL-HOUSE.
Where are you, shoreless thoughts, vast-tentered[1] hope,
Ambitious dreams, aims of an endless scope,
Whose stretched excess runs on a string too high,
And on the rack of self-extension die?
Chameleons of state, air-mongering[2] band,
Whose breath, like gunpowder, blows up a land,
Come, see your dissolution, and weigh
What a loathed nothing you shall be one day.
As the elements by circulation pass
From one to the other, and that which first was
Is so again, so 'tis with you. The grave
And nature but complete: what the one gave,
The other takes. Think, then, that in this bed
There sleep the relics of as proud a head,
As stern and subtle as your own; that hath
Performed or forced as much; whose tempest-wrath
Hath levelled kings with slaves; and wisely, then,
Calm these high furies, and descend to men.
Thus Cyrus tamed the Macedon; a tomb
Checked him who thought the world too strait a room.
Have I obeyed the powers of a face,
A beauty, able to undo the race
Of easy man? I look but here, and straight
I am informed; the lovely counterfeit
Was but a smoother clay. That famished slave,
Beggared by wealth, who starves that he may save,
Brings hither but his sheet. Nay, the ostrich-man,
That feeds on steel and bullet, he that can
Outswear his lordship, and reply as tough
To a kind word, as if his tongue were buff,
Is chapfallen here: worms, without wit or fear,
Defy him now; death has disarmed the bear.
Thus could I run o'er all the piteous score
Of erring men, and having done, meet more.
Their shuffled wills, abortive, vain intents,
Fantastic humours, perilous ascents,
False, empty honours, traitorous delights,
And whatsoe'er a blind conceit invites,—
But these, and more, which the weak vermins swell,
Are couched in this accumulative cell,
Which I could scatter; but the grudging sun
Calls home his beams, and warns me to be gone:
Day leaves me in a double night, and I
Must bid farewell to my sad library,
Yet with these notes. Henceforth with thought of thee
I'll season all succeeding jollity,
Yet damn not mirth, nor think too much is fit:
Excess hath no religion, nor wit;
But should wild blood swell to a lawless strain,
One check from thee shall channel it again.