To save you from the judgment.”
By faith, my glorious Lord I see;
Oh, how it doth amaze me
To see him bleeding on the tree,
From death and hell to raise me.
The above homespun text points to the rural preacher or revival song leader of the late eighteenth century as its source. It is a conversion story in dramatic form, the Savior, the Sinner and the Devil having parts in the drama.
The earliest known occurrence of the tune is in the Vermont book, Ingalls’ Christian Harmony of 1805, p. 77. In the Sacred Harp of 1844, p. 89, it is found with a different text and is entitled ‘Church’s Desolation’. It is claimed there by J. T. White, and in the Christian Harmony of 1866, by William Walker. Both were South Carolinians, from which territory Reed Smith recorded the tune in 1913 as one of the ‘Barbara Allen’ settings; SCB 130. This tune was probably adopted for ‘Church’s Desolation’ and for the ‘Barbara Allen’ ballad from the Scotch ballad ‘Wae’s me for Prince Charlie’. See Kennedy’s Handbook of Scottish Song, p. 20. The London Era in the early 1860’s speaks of this as the “celebrated Jacobite song.” The ‘Prince Charlie’ of the song is Charles II of England. Hence the song, the text at least, is nearly 300 years old. The same tune is used also for ‘Geordie’, Last Leaves, p. 133; ‘Locks and Bolts’, Sharp, ii., 19; ‘Lazarus’, Sharp, ii., 30; an old Irish tune in Petrie, No. 363; ‘Johnny Fa’’, SMM, No. 62; and ‘Hynd Horn’, Motherwell, Appendix, Musick, No. 13.
The noted composer of hymn tunes, J. B. Dykes, was influenced by the ‘Prince Charlie’ melody in the building up of ‘Lindisfarne’; see Hymns Ancient and Modern, No. 156, second tune.
No. 29
[ADDRESS FOR ALL], CHH 101
Hexatonic, mode 1 b (I II — IV V VI 7)