And, O my friends, don’t you your carnal mirth pursue,

Your guilty souls undo, I entreat, I entreat,

Your guilty souls undo, I entreat.

Unto the Saviour flee, ’scape for life! ’scape for life!

Unto the Saviour flee, ’scape for life!

Unto the Saviour flee, lest death eternal be

Your final destiny, ’scape for life! ’scape for life!

Your final destiny, ’scape for life!

The mood of the poem indicates a considerable age for it. That the song as a whole was decidedly among the stock of orally transmitted ones is indicated by the many claimants to its authorship. Such claimants in the southern books are F. Price, William Caldwell, James Carrell and Ananias Davisson. Found also, UH 56, KNH 108, HH 225, SKH 66, CHH 361. The stanzaic form is that of ‘[Captain Kidd]’ in this collection. In his Christian Harmony, William Walker adds the note that “I learned it [the tune] from my dear mother (who now sings in heaven) when I was only three years old,—the first tune I ever learned.” That was in 1812. That the song was even older, however, is shown by its appearance in Ingalls’ Christian Harmony of 1805, p. 39.

No. 146
[WEEPING SAVIOR], OSH 33