Spons' Household Manual / A treasury of domestic receipts and a guide for home management

by Unknown

On the butcher’s proper attention to the process known as “jointing” depends mainly the facility with which a loin of mutton is cut up, and we must not attribute blame to the carver who has to struggle against the neglect by that functionary of this important matter. If it has been rightly attended to, the carving knife can be made easily to find its way between the chine bone, and can then, without any let or hindrance, be passed down through the ribs, separating them one after another, again reserving the outside chop for those who prefer the meat brown and well done. The fat and lean go together with each bone, in common sequence, demanding little or no thought from the carver, save perhaps here and there, where an ugly or rugged bit of skin requires to be trimmed off neatly.

Next to the loin of mutton comes the shoulder, as the joint offering the least difficulty to the carver. The knife has but to be passed from the outer edge of the shoulder across the meat towards the carver, until the bone is reached. Take away slice after slice in this direction, and then resorting to the meat lying on either side of the blade bone, according to the quantity required, in this instance cutting lengthways of the joint. When no more can be obtained from the upper side of the joint, it must be turned, and there are many people who do not consider that they have had the best of a shoulder of mutton until this side is attacked. It will now present almost the appearance of a new joint, being quite flat, and offering a succession of juicy slices along its entire length. These have to be dexterously removed, very much upon the principles recommended when flat joints were spoken of. These slices are preferred for hashing, however, by those who think that the quality of the grain of the meat from this part of the joint renders it inferior at the first cooking to the upper.

It is not necessary, with one exception, to say anything about joints of lamb, for they only have to be manipulated according to the rules laid down for mutton. The exception is a fore-quarter of lamb. In removing the shoulder from the breast—the first point to which he directs his attention—hold the shoulder firmly with the fork, and proceed with the point of the knife to cut through the smoking crisp brown skin in a circular line, at the junction of the two joints. Following the same line for a second time, and now thrusting the knife farther into the meat, a very little exertion with the left hand makes it easy to raise the shoulder from the breast, whilst a pat of butter, a little cayenne pepper, some salt, and a good squeeze of lemon are placed between them by the carver. When, in a moment or two, these ingredients have assimilated with the gravy, it is sometimes, for the sake of convenience, thought desirable to place the shoulder upon another dish, hot, and standing ready at the carver’s left hand, or held there by a servant. This done, inquiry is made of those about to be helped as to their preference for brisket, ribs, or a piece of the shoulder. The brisket should be separated from the ribs by one long cut from left to right, and then subdivided at the distance of one or two bones, by cuts at right angles with the line which separated the brisket from the ribs. These again, in like manner, are divided into chops by carving them similarly to the shorter bones of the brisket, and upon the same principle as when cutting up a loin of mutton.

Venison.—Those who have any experience in carving haunches or saddles of mutton have very little to learn with regard to venison; the principles which guide them in dealing with the former have only to be followed out in the latter. A haunch of venison is carved exactly like a haunch of mutton; but, being somewhat larger, it is advised by some authorities that the broad end of the haunch, instead of the side, should be turned towards the carver for the purpose of giving him greater command over the joint. This system leads to an entire disturbance of the appearance and general arrangement of the table; and a skilled carver should be independent of such twistings to meet his convenience, except under great emergencies. Epicures pretend that there is a vast difference between the flavour of the slices cut close to the vertebræ and those farther removed, and the carver must make concessions to such notions, and give those whom he is helping their slice from the region which they prefer. Never either must he omit to give a dip of the rich gravy always accumulating in the channel whence the slices are taken, nor an ample portion of fat with the lean. Expedition, but without hurry, is essential in carving venison, as, like mutton, it chills very rapidly: but, as on the whole a haunch of venison is not a difficult dish to deal with, there never should be anything to complain of on the score of delay. As the shoulder of venison is usually sent to table stewed and rolled, the bone having been removed, it presents no difficulty whatever to the carver, and being, so to speak, a fat joint, has to be dealt with according to the principles already laid down. Sometimes, however, the shoulder is roasted, as is also the neck; but these—with braised brisket, fillets, and steaks—do not demand any special comment as to their carving; for what has been learned about cutting up sheep should prove sufficient for the comparatively rare occasions when the carver is called upon to discuss deer.

Veal.—The commonest form in which veal offers itself is perhaps a roast breast, and if a carver has had any experience in cutting up fore-quarter of lamb, he will at once recognise the similarity between a breast of veal and the aforesaid joint of lamb after the shoulder has been removed. Like it, the veal is composed of ribs and brisket, and may be cut accordingly, that is, first, by separating in one long incision the ribs from the brisket, and then the rib bones one by one, after the manner of chops generally. The gristly brisket may be cut in squarish portions, inquiring of course always of the guests whether they prefer the latter or the former. The brown, well-cooked parts in veal are usually most esteemed; and if the sweetbread, as it sometimes is, be sent to table with the joint, it ought naturally to be fairly distributed. Once more, in manipulating the roast fillet of veal, the carver has only to remember what has been said respecting a round of beef, with the addition that a portion of the stuffing, which is inserted between the flap and the main bulk of the meat, be served with each helping, and that the brown outside, or first slice, is considered a very choice morsel.

A knuckle of veal, being in shape somewhat like the knuckle end of a leg of mutton when it has been divided, needs but few directions for carving. The slices from the thicker end are the best; that would be to the right of the first incision into the meat.

The butcher is mainly responsible for the good carving of a loin of veal, for if he have not done his jointing properly, it is hardly possible to cut it up decently; whereas, if he has done his work well, the carver has but to feel his way with the point of the knife, on lines already laid down, to be able to disengage the separate portions—never, by the way, overlooking the kidney, and the kidney fat, lying on the under side of the joint.

It is not very easy to describe the exact method of carving calf’s head, but a little experience and examination of its organic development soon suggests what has to be done. When upon the dish, the nose and mouth should be to the right of the carver, and the first incision should be made right down to the bone, and running all along from the back of the nearest ear down towards the nose, and slices be cut away in the same direction. With each of these should go a piece of what is called the sweetbread of the throat, a substance to be found under the ear, and, so to speak, at right angles with the line of the first incision, and it should be cut towards the carver in the direction in which it lies. Calf’s head has a multitude of succulent morsels, to wit, the ears, the flesh round the eyes, and the eyes themselves. Also the palate, which, lying under the head, is to be got at when the jaw bone is removed; and where, likewise, some nice lean becomes accessible. On a separate dish, of course, the tongue and brains are served, of which every one is invited to partake.

Sheep’s head is held to be a very vulgar dish, and a lamb’s head, perhaps, only one degree less so. Still he who is unfortunate enough at any time to find himself with the responsibility of carving or helping such viands may take courage if he has any knowledge of what is demanded of him when similarly situated with a calf’s head, the heads of the smaller animals being then very easy of manipulation.

Pork.—Like calf’s head, a sucking pig seems at first sight to be rather an appalling dish, and undoubtedly a little experience is requisite before one becomes quite au fait with the business. But the whole substance is so tender, and yields so readily to the knife, that after a slight knowledge of the anatomy of the animal has been acquired, all difficulties vanish. The little piglet generally appears upon the board divided into four parts; the head, like the body, being cloven in twain, a cheek being placed at either end of the carcase. In dealing with the latter, the shoulder has first to be removed by passing the knife circularly round its junction with the body, pretty much as one does with fore-quarter of lamb. The leg is then treated after the same fashion, when the ribs will be open to view, for gentle division. Each side of the animal is disposed of in the same way; the larger joints being considered, perhaps, the least delicate (if, where all is delicacy, there can be a “least”) are usually offered to the robuster appetites at table. As in the case of all dishes abounding in choice morsels, the epicure is sure to have his fancies about sucking pig—one preferring the ribs, another the neck, and a third the meat from the shoulder.