(b) Any old underlinen answers for the voyage, as one generally throws it overboard, as no washing can be done. Take to wear in Kingston nothing but prints and muslins, and a grey cashmere would be very useful. For large dinners have a couple of pretty satin dresses made, with lace sleeves; and for small dinners some cream muslins, trimmed with lace. As there are a good many balls, 3 dresses would be necessary. One bonnet would be sufficient, but you would want several hats (as light as possible). A white cashmere for tennis is always serviceable, and a habit of light material (in dark green or blue) indispensable. Stockings should be all thin and cool, and all underclothes made of linen or the finest calico. Gloves are easily spotted, so only take out gants de Suede and silk ones. The heat of Kingston during the day is very great, but the evenings are cool and enjoyable; society good (nearly all military and naval) and several old Jamaica families.
Fancy Dress.—The following selection of fancy dresses comprises most of the picturesque national costumes of Europe and the East, adapted for wear at Fancy Dress Balls, &c. There is a striking and distinctive character about the majority of these which places them far above the ordinary type of fancy dress, and it is a great pity they are not more generally adopted.
No. 1. Saxon Bride and Bridegroom of Transylvania.
No. 2. An Austrian woman.
Nos. 3 and 4. Dutch Ladies of the 17th century.
No. 5. Fisherwoman of the Zuider-zee. The petticoat or skirt is made of coarse brown or dark blue frieze, and over it is worn an apron, sometimes red, sometimes green, with a bib of silk or linen, embroidered or interwoven with a large flower pattern, and pinned to the front of a sleeveless jacket, made of the same material as the petticoat, and fastened at the back with hooks and eyes. The skirt is of striped calico, visible in our illustration round the neck and from the shoulders to the elbows, from where to the wrist it is covered with a sort of over-sleeve of frieze. A close-fitting cap of coloured satin or linen encases the hair, as loose tresses are not allowed to float in the wind. This cap is ornamented over the forehead with a piece of gold or silver tinsel cloth.
No. 6. A Bulgarian woman.
No. 7. An Italian girl. The Italian woman chooses white for the principal colour of her dress, knowing from long experience that this is the most suitable colour for lessening the effects of the sun. For the same reason, she has been taught from early youth how to compose fanciful and becoming headdresses from linen scarves. An apron striped in many colours, and a bright border to her skirt, serve the purpose of producing the gay contrast she likes. Her sister in the East, where the climate is less genial and the temperature moves within extremes, needs heavier materials for her costume, and of darker shades, to bring it into accordance with the surroundings. To break the sombre tints, she employs embroidered stripes and squares on her silk bodices and linen under-skirts, as well as on her apron and over-skirt, both made of heavy woollen materials. A bright-coloured ribbon, a flower, or an adroitly draped scarf form her headdress. The effect south and east is the same—picturesqueness and absence of conventionality, more or less the two chief attractions of all national costumes.
