I thought I had killed her. I sprinkled water on her face; I went down on my knees; I plucked at my hair; I implored her forgiveness; I besought her to look up; I ravaged Miss Mills's work-box for a smelling-bottle, and in my agony of mind, applied an ivory needle-case instead, and dropped all the needles over Dora.
At last I got Dora to look at me, with a horrified expression which I gradually soothed until it was only loving, and her soft, pretty cheek was lying against mine.
"Is your heart mine still, dear Dora?"
"O yes! O yes! it's all yours, oh, don't be dreadful."
"My dearest love, the crust well earned—"
"O yes; but I don't want to hear any more about crusts. And after we are married, Jip must have a mutton chop every day at twelve, or he'll die."
I was charmed with her childish, winning way, and I fondly explained to her that Jip should have his mutton chop with his accustomed regularity.
When we had been engaged some half-year or so, Dora delighted me by asking me to give her that cookery-book I had once spoken of, and to show her how to keep accounts, as I had once promised I would. I brought the volume with me on my next visit (I got it prettily bound, first, to make it look less dry and more inviting), and showed her an old housekeeping book of my aunt's, and gave her a set of tablets, and a pretty little pencil-case, and a box of leads, to practice housekeeping with.
But the cookery-book made Dora's head ache, and the figures made her cry. They wouldn't add up, she said. So she rubbed them out, and drew little nosegays, and likenesses of me and Jip, all over the tablets.
Time went on, and at last, here in this hand of mine, I held the wedding license. There were the two names in the sweet old visionary connection,—David Copperfield and Dora Spenlow; and there in the corner was that parental institution, the Stamp Office, looking down upon our union; and there, in the printed form of words, was the Archbishop of Canterbury, invoking a blessing on us and doing it as cheap as could possibly be expected.