DEAR MAX: I see this very moment, in an old newspaper which had already passed through my hands without yielding up its most precious item, the announcement of your arrival in New York. To think of your having perhaps missed the welcome you had a right to expect from me! Here it is, dear Max—as cordial as you please. When I say I have just read of your arrival, I mean that twenty minutes have elapsed by the clock. These have been spent in conversation with my excellent friend Mr. Sloane—we having taken the liberty of making you the topic. I haven't time to say more about Frederick Sloane than that he is very anxious to make your acquaintance, and that, if your time is not otherwise engaged, he would like you very much to spend a month with him. He is an excellent host, or I shouldn't be here myself. It appears that he knew your mother very intimately, and he has a taste for visiting the amenities of the parents upon the children; the original ground of my own connection with him was that he had been a particular friend of my father. You may have heard your mother speak of him. He is a very strange old fellow, but you will like him. Whether or no you come for his sake, come for mine.
Yours always, THEODORE LISLE.
Theodore's letter is of course very kind, but it's remarkably obscure. My mother may have had the highest regard for Mr. Sloane, but she never mentioned his name in my hearing. Who is he, what is he, and what is the nature of his relations with Theodore? I shall learn betimes. I have written to Theodore that I gladly accept (I believe I suppressed the "gladly" though) his friend's invitation, and that I shall immediately present myself. What can I do that is better? Speaking sordidly, I shall obtain food and lodging while I look about me. I shall have a base of operations. D., it appears, is a long day's journey, but enchanting when you reach it. I am curious to see an enchanting American town. And to stay a month! Mr. Frederick Sloane, whoever you are, vous faites bien les choses, and the little that I know of you is very much to your credit. You enjoyed the friendship of my dear mother, you possess the esteem of the virtuous Theodore, you commend yourself to my own affection. At this rate, I shall not grudge it.
D—, 14th.—I have been here since Thursday evening—three days. As we rattled up to the tavern in the village, I perceived from the top of the coach, in the twilight, Theodore beneath the porch, scanning the vehicle, with all his amiable disposition in his eyes. He has grown older, of course, in these five years, but less so than I had expected. His is one of those smooth, unwrinkled souls that keep their bodies fair and fresh. As tall as ever, moreover, and as lean and clean. How short and fat and dark and debauched he makes one feel! By nothing he says or means, of course, but merely by his old unconscious purity and simplicity—that slender straightness which makes him remind you of the spire of an English abbey. He greeted me with smiles, and stares, and alarming blushes. He assures me that he never would have known me, and that five years have altered me—sehr! I asked him if it were for the better? He looked at me hard for a moment, with his eyes of blue, and then, for an answer, he blushed again.
On my arrival we agreed to walk over from the village. He dismissed his wagon with my luggage, and we went arm-in-arm through the dusk. The town is seated at the foot of certain mountains, whose names I have yet to learn, and at the head of a big sheet of water, which, as yet, too, I know only as "the Lake." The road hitherward soon leaves the village and wanders in rural loveliness by the margin of this expanse. Sometimes the water is hidden by clumps of trees, behind which we heard it lapping and gurgling in the darkness: sometimes it stretches out from your feet in shining vagueness, as if it were tired of making, all day, a million little eyes at the great stupid hills. The walk from the tavern takes some half an hour, and in this interval Theodore made his position a little more clear. Mr. Sloane is a rich old widower; his age is seventy-two, and as his health is thoroughly broken, is practically even greater; and his fortune—Theodore, characteristically, doesn't know anything definite about that. It's probably about a million. He has lived much in Europe, and in the "great world;" he has had adventures and passions and all that sort of thing; and now, in the evening of his days, like an old French diplomatist, he takes it into his head to write his memoirs. To this end he has lured poor Theodore to his gruesome side, to mend his pens for him. He has been a great scribbler, says Theodore, all his days, and he proposes to incorporate a large amount of promiscuous literary matter into these souvenirs intimes. Theodore's principal function seems to be to get him to leave things out. In fact, the poor youth seems troubled in conscience. His patron's lucubrations have taken the turn of many other memoirs, and have ceased to address themselves virginibus puerisque. On the whole, he declares they are a very odd mixture—a medley of gold and tinsel, of bad taste and good sense. I can readily understand it. The old man bores me, puzzles me, and amuses me.
He was in waiting to receive me. We found him in his library—which, by the way, is simply the most delightful apartment that I ever smoked a cigar in—a room arranged for a lifetime. At one end stands a great fireplace, with a florid, fantastic mantelpiece in carved white marble—an importation, of course, and, as one may say, an interpolation; the groundwork of the house, the "fixtures," being throughout plain, solid and domestic. Over the mantel-shelf is a large landscape, a fine Gainsborough, full of the complicated harmonies of an English summer. Beneath it stands a row of bronzes of the Renaissance and potteries of the Orient. Facing the door, as you enter, is an immense window set in a recess, with cushioned seats and large clear panes, stationed as it were at the very apex of the lake (which forms an almost perfect oval) and commanding a view of its whole extent. At the other end, opposite the fireplace, the wall is studded, from floor to ceiling, with choice foreign paintings, placed in relief against the orthodox crimson screen. Elsewhere the walls are covered with books, arranged neither in formal regularity nor quite helter-skelter, but in a sort of genial incongruity, which tells that sooner or later each volume feels sure of leaving the ranks and returning into different company. Mr. Sloane makes use of his books. His two passions, according to Theodore, are reading and talking; but to talk he must have a book in his hand. The charm of the room lies in the absence of certain pedantic tones—the browns, blacks and grays—which distinguish most libraries. The apartment is of the feminine gender. There are half a dozen light colors scattered about—pink in the carpet, tender blue in the curtains, yellow in the chairs. The result is a general look of brightness and lightness; it expresses even a certain cynicism. You perceive the place to be the home, not of a man of learning, but of a man of fancy.
He rose from his chair—the man of fancy, to greet me—the man of fact. As I looked at him, in the lamplight, it seemed to me, for the first five minutes, that I had seldom seen an uglier little person. It took me five minutes to get the point of view; then I began to admire. He is diminutive, or at best of my own moderate stature, and bent and contracted with his seventy years; lean and delicate, moreover, and very highly finished. He is curiously pale, with a kind of opaque yellow pallor. Literally, it's a magnificent yellow. His skin is of just the hue and apparent texture of some old crumpled Oriental scroll. I know a dozen painters who would give more than they have to arrive at the exact "tone" of his thick-veined, bloodless hands, his polished ivory knuckles. His eyes are circled with red, but in the battered little setting of their orbits they have the lustre of old sapphires. His nose, owing to the falling away of other portions of his face, has assumed a grotesque, unnatural prominence; it describes an immense arch, gleaming like a piece of parchment stretched on ivory. He has, apparently, all his teeth, but has muffled his cranium in a dead black wig; of course he's clean shaven. In his dress he has a muffled, wadded look and an apparent aversion to linen, inasmuch as none is visible on his person. He seems neat enough, but not fastidious. At first, as I say, I fancied him monstrously ugly; but on further acquaintance I perceived that what I had taken for ugliness is nothing but the incomplete remains of remarkable good looks. The line of his features is pure; his nose, caeteris paribus, would be extremely handsome; his eyes are the oldest eyes I ever saw, and yet they are wonderfully living. He has something remarkably insinuating.
He offered his two hands, as Theodore introduced me; I gave him my own, and he stood smiling at me like some quaint old image in ivory and ebony, scanning my face with a curiosity which he took no pains to conceal. "God bless me," he said, at last, "how much you look like your father!" I sat down, and for half an hour we talked of many things—of my journey, of my impressions of America, of my reminiscences of Europe, and, by implication, of my prospects. His voice is weak and cracked, but he makes it express everything. Mr. Sloane is not yet in his dotage—oh no! He nevertheless makes himself out a poor creature. In reply to an inquiry of mine about his health, he favored me with a long list of his infirmities (some of which are very trying, certainly) and assured me that he was quite finished.
"I live out of mere curiosity," he said.
"I have heard of people dying from the same motive."