At first Don Rocco was not disposed to agree, but he was as halting in his secular utterances as he was fiery in his sacred eloquence. He could only squirm and give out a few low, doubtful grunts; after which, as the other man kept silence, he got up from his chair with about as much difficulty as if he had been glued to it.
"I will go to find out," said he, "but I am afraid I shall find very little, the servant—"
"Don't trouble yourself," interrupted the Moro. "Let me attend to it. You go and write." He left the hearth, lighted another lamp and carried it into the neighboring sitting-room, which had windows facing the south on the courtyard, while the kitchen windows were at the back of the old convent on the north side, where the cellar and the well were placed. Then he came back quickly, and under the eyes of the astonished priest took down a key that was hanging in the darkest corner of the kitchen, opened a closet against the wall, put up his hand without hesitating and took down a cheese of goats' milk, the existence of which Don Rocco had not even suspected; he took bread from a cupboard, and a knife from a drawer in the table.
Now it happened for only the third or fourth time in the whole life of
Don Rocco that the famous frown entirely disappeared for a few moments.
Even the eyelids stopped winking.
"You look surprised, Don Rocco," said the Moro complacently, "because I am at home in your house. But just keep on writing. You will understand later. We must also keep the fire going," he added, when the priest, having slowly recovered from his amazement, passed into the sitting-room.
The Moro took the iron bellows, a sort of arquebuse barrel, turned one end toward the coals, and blew into the other in so unusual a way as to produce a strident whistle. Then he started on his supper.
What possessed him! At one moment he was devouring his food, at another he would raise his head and remain transfixed, while at another he would walk up and down the kitchen violently knocking the chairs and table. He seemed like an imprisoned wild beast which every now and then raises its fangs from the bone, listens and looks, seizes it again, leaves it, rushes around its cage in a rage and goes back to gnaw.
Meanwhile, Don Rocco was leaning over his paper, wondering still at what he had seen, unable in his unsuspiciousness to draw any inferences, listening to the steps and the noises in the next room with a torpid uneasiness that had about the same resemblance to fear as the intelligence of Don Rocco himself had to understanding. "'You will understand later,'" he repeated to himself. "What am I to understand? That he knows where the money is?" He kept it in a box in his bed-chamber, but there were only two ten-franc pieces, and Don Rocco reflected with satisfaction that the new wine was not yet sold, and that that money at least was safe from the clutches of the Moro.
It did not appear as if the latter threatened violence. "At the worst I should lose twenty francs," concluded Don Rocco, seeking refuge in his philosophical and Christian indifference to money. He mentally abandoned the twenty francs to their destiny and sought to concentrate his thoughts on the sacred text: Nemo potest duobus dominis servire. At the same moment he seemed to hear, between the hasty steps of the Moro, a heavy, dull thud from a greater distance, as of a door being broken open; then the bang of a chair knocked down in the kitchen; then still another distant noise. The Moro entered the sitting-room and violently closed the door behind him.
"Here I am, Don Rocco," said he. "Have you also finished?"