Everything has been done: she has been surrounded with all the delights of the world; the most eligible suitors have sued for her favor; youth, beauty, and wealth have disputed her affection with one another, but her grief has remained inaccessible; she has been subjected to every proof, but it has not been possible to tear from her soul the demon image of Adrian Baker. Medical skill has been appealed to, and science has exhausted its resources in vain, for Berta's malady is incurable.

The nurse firmly believes that Adrian Baker has bewitched her; he has diffused through her blood a diabolical philtre. Strong love will survive absence, but no love will survive death. Berta, consequently, was bewitched.

Her father has only one thought, expressed in these words: "He has gone away and he is taking her with him; after all, he is taking her with him."

But there is still one other resource to be appealed to—solitude, the fields, nature. Who can tell! the sky, the sun, the air of the country, may revive her; the poetry of nature may awaken in her heart new feelings and new hopes; the murmur of the waters, the song of the birds, the shade of the trees—why not? There is no human sorrow, however great it may be, that does not sink into insignificance before the grandeur of the heavens.

At a little distance from the city Berta's father has a small villa, whose white walls and red roof can be seen through the trees which surround it. There could not be a more picturesque situation. To the right, the mountain; to the left, the plain; in front, the sea, stretching far in the distance, until it blends with the horizon; and that nothing may be wanting to complete the picture, the ruins of an ancient monastery, seated on the slope of the mountain, can be seen from the villa.

Berta offered no resistance, for it was a matter of indifference to her whether she lived in the city or in the country; the only thing she showed any desire about was that the piano should be taken with them, as if she regarded it as a dear friend and her only confidant; and the family removed to the villa and established themselves in it.

Berta herself arranged the room which she was to occupy in the villa. This opened on the garden and served her both as bedroom and dressing-room. Above her bed she hung a beautiful life-size photograph of a head. It was that of Adrian Baker, with his pale, smooth brow, his large blue eyes and his beautiful golden curls—the head of Adrian Baker admirably photographed, and which she herself had shaded.

For the piano no place could be found to please Berta. There was only one common room in the villa, the parlor, which at times also served as a dining-room. She was hesitating between the parlor and her bedroom, when the idea occurred to her to put it in a small pavilion covered with vines and honeysuckles, which stood in a corner of the garden and which was used as a hot-house. The idea seemed to be a happy one, and she smiled as it occurred to her, and the piano was placed in the pavilion, like a bird in its cage.

The journey must have fatigued Berta, for she retired early to her room, where the nurse left her in bed. Did she sleep? We cannot say; but at dawn the songs of the birds that made their nests in the garden caused her to rise. She opened the window-shutters and a flock of birds flew away frightened, to hide themselves in the tops of the trees, gilded by the first rays of the sun. Before long, however, the boldest of them returned to hop before her window, looking at Berta with a certain audacious familiarity as if they recognized in her an old friend. A few grains of wheat and a few crumbs of bread scattered on the window-sill gradually attracted the more timid, who grew at last to be familiar. The slightest movement, indeed, caused them to take flight precipitately; but they soon recovered their lost confidence and they returned again to hop gayly on the iron railing of the window.

Berta watched them, and as she watched them she smiled; and at the end of a few days she had induced them to come in and out with perfect confidence. In her solitary walks through the garden and through the avenue of lime trees which led to the villa, they followed her, flying from tree to tree. She spent a few hours of the morning, every day, in the pavilion, and there the birds came also, mingling their joyous carols with the melancholy strains of the piano; but the mad gayety of the birds was powerless to mitigate the profound sadness of Berta; her one thought was still Adrian—Adrian Baker.