The archbishop withdrew, followed by his attendants. One after another the litters of the great folk disappeared in the windings of the neighboring streets. The group in the portico scattered. The sexton was locking up the doors, when two women were perceived, who had stopped to cross themselves and mutter a prayer, and who were now going on their way into Duenas Alley.
"What would you have, my dear Dona Baltasara?" one was saying. "That's the way I am. Every crazy person with his whim. The barefooted Capuchins might assure me that it was so, and I would not believe it. That man never played what we have heard. Why, I have heard him a thousand times in San Bartolome, his parish church; the priest had to send him away he was so poor a player. You felt like plugging your ears with cotton. Why, all you need is to look at his face, and that is the mirror of the soul, they say. I remember, as if I was seeing him now, poor man—I remember Maese Perez's face, nights like this, when he came down from the organ-loft, after having entranced the audience with his splendors. What a gracious smile! What a happy glow on his face! Old as he was, he seemed like an angel. But this creature came plunging down as if a dog were barking at him on the landing, and all the color of a dead man, while his—come, dear Dona Baltasara, believe me, and believe what I say: there is some great mystery about this."
Thus conversing, the two women turned the corner of the alley, and disappeared. There is no need of saying who one of them was.
IV.
Another year had gone by. The abbess of the Convent of Santa Ines and Maese Perez's daughter were talking in a low voice, half hidden in the shadows of the church choir. The penetrating voice of the bell was summoning the faithful. A very few people were passing through the portico, silent and deserted, this year, and after taking holy water at the door, were choosing seats in a corner of the nave, where a handful of residents of the neighborhood were quietly waiting for the Christmas Eve mass to begin.
"There, you see," the mother superior was saying, "your fear is entirely childish; there is no one in the church. All Seville is trooping to the cathedral to-night. Play the organ, and do it without any distrust whatever. We are only a sisterhood here. But why don't you speak? What has happened? What is the matter with you?"
"I am afraid," replied the girl, in a tone of the deepest agitation.
"Afraid! Of what?"
"I do not know—something supernatural. Listen to what happened last night. I had heard you say that you were anxious for me to play the organ for the mass. I was proud of the honor, and I thought I would arrange the stops and get the organ in good tune so as to give you a surprise to-day. Alone I went into the choir and opened the door leading to the organ-loft. The cathedral clock was striking just then, I do not know what hour; but the strokes of the bell were very mournful, and they were very numerous— going on sounding for a century, as it seemed to me, while I stood as if nailed to the threshold.
"The church was empty and dark. Far away there gleamed a feeble light, like a faint star in the sky; it was the lamp burning on the high altar. By its flickering light, which only helped to make the deep horror of the shadows the more intense, I saw—I saw—mother, do not disbelieve it—a man. In perfect silence, and with his back turned towards me, he was running over the organ-keys with one hand while managing the stops with the other. And the organ sounded, but in an indescribable manner. It seemed as if each note were a sob smothered in the metal tube, which vibrated under the pressure of the air compressed within it, and gave forth a low, almost imperceptible tone, yet exact and true.