I had been for some days skulking from covert to covert, under all the terrors of a jail; as some ill-advised people had uncoupled the merciless pack of the law at my heels. I had taken the last farewell of my few friends; my chest was on the road to Greenock; I had composed the last song I should ever measure in Caledonia—"The Gloomy Night Is Gathering Fast," when a letter from Dr. Blacklock to a friend of mine overthrew all my schemes by opening new prospects to my poetic ambition. The doctor belonged to a set of critics for whose applause I had not dared to hope. His opinion, that I would meet with encouragement in Edinburgh for a second edition, fired me so much, that away I posted for that city, without a single acquaintance, or a single letter of introduction. The baneful star that had so long shed its blasting influence in my zenith for once made a revolution to the nadir; and a kind Providence placed me under the patronage of one of the noblest of men, the Earl of Glencairn. Oublie moi, grand Dieu, si jamais je l'oublie [Forget me, Great God, if I ever forget him!].

I need relate no further. At Edinburgh I was in a new world; I mingled among many classes of men, but all of them new to me, and I was all attention to "catch" the characters and "the manners living as they rise." Whether I have profited, time will show.

POETS ARE BORN—THEN MADE

[To Dr. Moore]

ELLISLAND, 4th January, 1789.

…The character and employment of a poet were formerly my pleasure, but are now my pride. I know that a very great deal of my late éclat was owing to the singularity of my situation and the honest prejudice of Scotsmen; but still, as I said in the preface to my first edition, I do look upon myself as having some pretensions from nature to the poetic character. I have not a doubt but the knack, the aptitude, to learn the muses' trade, is a gift bestowed by Him "who forms the secret bias of the soul"; but I as firmly believe that excellence in the profession is the fruit of industry, labour, attention, and pains. At least I am resolved to try my doctrine by the test of experience. Another appearance from the press I put off to a very distant day, a day that may never arrive—but poesy I am determined to prosecute with all my vigour. Nature has given very few, if any, of the profession, the talents of shining in every species of composition. I shall try (for until trial it is impossible to know) whether she has qualified me to shine in any one.

THE KINDLY CRITIC IS THE POET'S BEST FRIEND

[To Mr. Moore]

The worst of it is, by the time one has finished a piece, it has been so often viewed and reviewed before the mental eye that one loses, in a good measure, the power of critical discrimination. Here the best criterion I know is a friend—not only of abilities to judge, but with good nature enough like a prudent teacher with a young learner to praise a little more than is exactly just, lest the thin-skinned animal fall into that most deplorable of all diseases—heart-breaking despondency of himself. Dare I, sir, already immensely indebted to your goodness, ask the additional obligation of your being that friend to me?…