In the midst of these lamentations, Vivenzio noticed that his accustomed meal, with the pitcher of water, had been conveyed, as before, into his dungeon. But this circumstance no longer excited his surprise. His mind was overwhelmed with others of a far greater magnitude. It suggested, however, a feeble hope of deliverance; and there is no hope so feeble as not to yield some support to a heart bending under despair. He resolved to watch, during the ensuing night, for the signs he had before observed, and, should he again feel the gentle, tremulous motion of the floor, or the current of air, to seize that moment for giving audible expression to his misery. Some person must be near him, and within reach of his voice, at the instant when his food was supplied; some one, perhaps, susceptible of pity. Or, if not, to be told even that his apprehensions were just, and that his fate was to be what he foreboded, would be preferable to a suspense which hung upon the possibility of his worst fears being visionary.
The night came; and, as the hour approached when Vivenzio imagined he might expect the signs, he stood fixed and silent as a statue. He feared to breathe, almost, lest he might lose any sound which would warn him of their coming. While thus listening, with every faculty of mind and body strained to an agony of attention, it occurred to him he should be more sensible of the motion, probably, if he stretched himself along the iron floor. He accordingly laid himself softly down, and had not been long in that position when—yes—he was certain of it—the floor moved under him! He sprang up, and, in a voice suffocated nearly with emotion, called aloud. He paused—the motion ceased—he felt no stream of air—all was hushed—no voice answered to his—he burst into tears; and, as he sunk to the ground, in renewed anguish, exclaimed, “O my God! my God! You alone have power to save me now, or strengthen me for the trial you permit.”
Another morning dawned upon the wretched captive, and the fatal index of his doom met his eyes. Two windows!—and two days—and all would be over! Fresh food—fresh water! The mysterious visit had been paid, though he had implored it in vain. But how awfully was his prayer answered in what he now saw! The roof of the dungeon was within a foot of his head. The two ends were so near that in six paces he trod the space between them. Vivenzio shuddered as he gazed, and as his steps traversed the narrow area; but his feelings no longer vented themselves in frantic wailings. With folded arms, and clenched teeth; with eyes that were bloodshot from much watching, and fixed with a vacant glare upon the ground; with a hard, quick breathing, and a hurried walk,—he strode backward and forward in silent musing for several hours. What mind shall conceive, what tongue utter, or what pen describe, the dark and terrible character of his thoughts? Like the fate that moulded them, they had no similitude in the wide range of this world’s agony for man. Suddenly he stopped, and his eyes were riveted upon that part of the wall which was over his bed of straw. Words are inscribed there! A human language, traced by a human hand! He rushes toward them; but his blood freezes as he reads,—
“I, Ludovico Sforza, tempted by the gold of the Prince of Tolfi, spent three years in contriving and executing this accursed triumph of my art. When it was completed, the perfidious Tolfi, more devil than man, who conducted me hither one morning to be witness, as he said, of its perfection, doomed me to be the first victim of my own pernicious skill; lest, as he declared, I should divulge the secret, or repeat the effort of my ingenuity. May God pardon him, as I hope he will me, that ministered to his unhallowed purpose. Miserable wretch, whoe’er thou art, that readest these lines, fall on thy knees, and invoke, as I have done, His sustaining mercy who alone can nerve thee to meet the vengeance of Tolfi, armed with his tremendous engine which, in a few hours, must crush you, as it will the needy wretch who made it.”
A deep groan burst from Vivenzio. He stood, like one transfixed, with dilated eyes, expanded nostrils, and quivering lips, gazing at this fatal inscription. It was as if a voice from the sepulchre had sounded in his ears, “Prepare.” Hope forsook him. There was his sentence, recorded in those dismal words. The future stood unveiled before him, ghastly and appalling. His brain already feels the descending horror; his bones seem to crack and crumble in the mighty grasp of the iron walls! Unknowing what it is he does, he fumbles in his garment for some weapon of self-destruction. He clenches his throat in his convulsive gripe, as though he would strangle himself at once. He stares upon the walls; and his warring spirit demands, “Will they not anticipate their office if I dash my head against them?” An hysterical laugh chokes him as he exclaims, “Why should I? He was but a man who died first in their fierce embrace; and I should be less than man not to do as much!”
The evening sun was descending, and Vivenzio beheld its golden beams streaming through one of the windows. What a thrill of joy shot through his soul at the sight! It was a precious link that united him, for the moment, with the world beyond. There was ecstasy in the thought.
As he gazed, long and earnestly, it seemed as if the windows had lowered sufficiently for him to reach them. With one bound, he was beneath them; with one wild spring, he clung to the bars. Whether it was so contrived, purposely to madden with delight the wretch who looked, he knew not; but, at the extremity of a long vista cut through the solid rocks, the ocean, the sky, the setting sun, olive groves, shady walks, and, in the farthest distance, delicious glimpses of magnificent Sicily, burst upon his sight. How exquisite was the cool breeze as it swept across his cheek, loaded with fragrance! He inhaled it as though it were the breath of continued life. And there was a freshness in the landscape, and in the rippling of the calm, green sea, that fell upon his withering heart like dew upon the parched earth. How he gazed, and panted, and still clung to his hold! sometimes hanging by one hand, sometimes by the other, and then grasping the bars with both, as loath to quit the smiling paradise outstretched before him; till, exhausted, and his hands swollen and benumbed, he dropped helpless down, and lay stunned for a considerable time by the fall.
When he recovered, the glorious vision had vanished. He was in darkness. He doubted whether it was not a dream that had passed before his sleeping fancy; but gradually his scattered thoughts returned, and with them came remembrance. Yes! he had looked once again upon the gorgeous splendor of nature! Once again his eyes had trembled beneath their veiled lids at the sun’s radiance, and sought repose in the soft verdure of the olive-tree or the gentle swell of undulating waves. O that he were a mariner, exposed upon those waves to the worst fury of storm and tempest, or a very wretch, loathsome with disease, plague-stricken, and his body one leprous contagion from crown to sole, hunted forth to gasp out the remnant of infectious life beneath those verdant trees, so he might shun the destiny upon whose edge he tottered!
Vain thoughts like these would steal over his mind from time to time, in spite of himself; but they scarcely moved it from that stupor into which it had sunk, and which kept him, during the whole night, like one who had been drugged with opium. He was equally insensible to the calls of hunger and of thirst, though the third day was now commencing since even a drop of water had passed his lips. He remained on the ground, sometimes sitting, sometimes lying; at intervals sleeping heavily, and, when not sleeping, silently brooding over what was to come, or talking aloud, in disordered speech, of his wrongs, of his friends, of his home, and of those he loved, with a confused mingling of all.
In this pitiable condition, the sixth and last morning dawned upon Vivenzio, if dawn it might be called,—the dim, obscure light which faintly struggled through the one solitary window of his dungeon. He could hardly be said to notice the melancholy token. And yet he did notice it; for, as he raised his eyes and saw the portentous sign, there was a slight convulsive distortion of his countenance. But what did attract his notice, and at the sight of which his agitation was excessive, was the change the iron bed had undergone. It was a bed no longer. It stood before him, the visible semblance of a funeral couch or bier! When he beheld this, he started from the ground; and, in raising himself, suddenly struck his head against the roof, which was now so low that he could no longer stand upright. “God’s will be done!” was all he said, as he crouched his body, and placed his hand upon the bier; for such it was. The iron bedstead had been so contrived, by the mechanical art of Ludovico Sforza, that, as the advancing walls came in contact with its head and feet, a pressure was produced upon concealed springs, which, when made to play, set in motion a very simple though ingeniously contrived machinery that effected the transformation. The object was, of course, to heighten, in the closing scene of this horrible drama, all the feelings of despair and anguish which the preceding one had aroused. For the same reason, the last window was so made as to admit only a shadowy kind of gloom rather than light, that the wretched captive might be surrounded, as it were, with every seeming preparation for approaching death.