“The Duchess at Prayer,” Edith Wharton, in Crucial Instances.
“A Lear of the Steppes,” Ivan Turgeneff, translated in The Book of The Short-Story. Jessup and Canby.
“The Death of the Dauphin,” Alphonse Daudet, translated in Little French Masterpieces.
“The Birthmark,” Nathaniel Hawthorne, in Mosses From an Old Manse.
“Tennessee’s Partner,” Bret Harte, in The Luck of Roaring Camp and Other Stories.
“The Death of Olivier Becaille,” Émile Zola, translated in Masterpieces of Fiction.
“They,” Rudyard Kipling, in Traffic and Discoveries.
“Juggler to ‘Our Lady,’” Anatole France, in Short-Story Masterpieces.
FOOTNOTES:
[20] Emotion is a broad word loosely used to embrace all the tones of inner feeling, from the palest sentiment depicted by a Jane Austen, to the darkest passion of a Werther.—Writing the Short-Story, p. 181, which see for a fuller discussion of emotion in the short-story.