45. “Assuredly, then, it was something worse, in old Cæsar’s likeness!” said the other adventurer.

One who ventures.

46. “Be it as God wills,” answered the clergyman. “See! my strength, though it be much decayed, hath sufficed to open this heavy door. Let us enter and pass up the staircase.”

Key to tone further developed.

47. Here occurred a singular exemplification of the dreamy state of a very old man’s mind. As they ascended the wide flight of stairs, the aged clergyman appeared to move with caution, occasionally standing aside, and oftener bending his head, as it were in salutation, thus practising all the gestures of one who makes his way through a throng. Reaching the head of the staircase, he looked around with sad and solemn benignity, laid aside his staff, bared his hoary locks, and was evidently on the point of commencing a prayer.

48. “Reverend Sir,” said his attendant, who conceived this a very suitable prelude to their further search, “would it not be well that the people join with us in prayer?”

Confusion between real and unreal further illustrated by contributory material.

49. “Welladay!” cried the old clergyman, staring strangely around him. “Art thou here with me, and none other? Verily, past times were present to me, and I deemed that I was to make a funeral prayer, as many a time heretofore, from the head of this staircase. Of a truth, I saw the shades of many that are gone. Deft introduction of central character.Yea, I have prayed at their burials, one after another, and the ‘Old Maid in the Winding Sheet’ hath seen them to their graves!”

50. Being now more thoroughly awake to their present purpose, he took his staff and struck forcibly on the floor, till there came an echo from each deserted chamber, but no menial to answer their summons.Tone. They therefore walked along the passage, and again paused, opposite to the great front window through which was seen the crowd, in the shadow and partial moonlight of the street beneath.Key. On their right hand was the open door of a chamber, and a closed one on their left. The clergyman pointed his cane to the carved oak panel of the latter.

Foundation situation.