"Childish wonder is the first step in human wisdom," said the greatest of the world's showmen, but there are no wonders to the eyes that lack real vision. In the story of "What the Birds Said," for instance, the stolid jailer flatly denies that the feathered creatures have any message of import to convey; it is the poor captive who by sympathy and insight divines the meaning of their chatter and thus saves the city and his own life.
The tales in this book are of many kinds of wonder; of black magic, white magic and gray; ranging from the recital of strange and supernatural deeds and experiences to those that fore-shadow modern conquests of nature and those that utilize the marvellous to teach a moral lesson. Choose among them as you will, for as the Spaniards might say, "The book is at your feet; whatever you admire is yours!"
"Tales of Wonder" is the fourth and last of our Fairy Series in the Children's Classics, so this preface is in the nature of an epilogue. "The Fairy Ring," "Magic Casements," "Tales of Laughter"—each had its separate message for its little public, and "Tales of Wonder" rings down the curtain.
There was once a little brown nightingale that sang melodious strains in the river-thickets of the Emperor's garden, but when she was transported to the Porcelain Palace the courtiers soon tired of her wild-wood notes and supplanted her with a wonderful bird-automaton, fashioned of gold and jewels.
Time went on, but the Emperor, wisest of the court, began at last to languish, and to long unceasingly for the fresh, free note of the little brown nightingale. It was sweeter by far than the machine-made trills and roulades of the artificial songster, and he felt instinctively that only by its return could death be charmed away.
The old, yet ever new, tales in these four books are like the wild notes of the nightingale in the river-thicket, and many are the emperors to whom they have sung.
Whenever we tire of what is trivial and paltry in the machine-made fairy tale of to-day, let us open one of these crimson volumes and hear again the note of the little brown bird in the thicket.
Kate Douglas Wiggin.