In the Island of Pulo Penang, in the Straits of Malacca, there is a cataract which is surpassed by very few in the four quarters of the earth. It is rarely visited, and, therefore, has been but seldom described; but those who have been fortunate enough to witness it all agree in the opinion that it forms one of the wonders of the world. The stream which supplies it is of considerable volume, and after traversing a long tract of comparatively level country, is suddenly precipitated almost without a break into a ravine nearly two hundred feet below the summit of the fall. The annexed engraving gives an excellent representation of the scene. The stream descends with a mighty roar, and rushes on with a lightning speed. If you take the trouble of bringing a small looking-glass in your pocket, and come here about an hour before noon, you will be able to produce some very beautiful artificial rainbows. But, whatever you do, never attempt to clamber to the top of the rocks; for though, doubtless, the scenery is very sublime up there, the pathway is slippery and dangerous in the extreme; and the guides can tell how two hapless youths, officers belonging to a regiment stationed here some twenty years ago, clambered up that hill, and how they shouted with triumph on reaching yon summit, and waved their handkerchiefs bravely; but they can also tell the gloomy and disastrous end of all this; how the wild screams echoed far and wide, as both slipped and fell headlong into the surging torrent, and the sun shone brightly upon the bright red uniforms as they were hurried over the precipice, and dashed from rock to rock; and, whilst yet the horror-stricken spectators gazed with speechless agony and terror, the bodies of the poor young men were borne away and hid by the blood-stained waters from human recovery.
DANCES OF THE NATIVES IN NEW SOUTH WALES.
The manners and customs of the uncivilized are always legitimate objects of wonder and curiosity to the civilized. It is on this account that we give the above sketch of one of the festival dances of the natives of Australia.
These dances are not only the usual close of their combats, but are frequent in time of peace. They appear almost necessary to stir up their blood; and under the excitement they produce, the whole nature of the people seems to be changed. To a spectator the effect of one of these exhibitions almost equals that of a tragic melo-drama.
A suitable place for the performance is selected in the neighbourhood of their huts. Here a fire is built by the women and boys, while such of the men as are to take a share in the exhibition, usually about twenty in number, disappear to arrange their persons. When these preparations are completed, and the fire burns brightly, the performers are seen advancing in the guise of as many skeletons. This effect is produced by means of pipe clay, with which they paint broad white lines on their arms and legs, and on the head, while others of less breadth are drawn across the body, to correspond to the ribs. The music consists in beating time on their shields, and singing, and to it the movements of the dancers conform. It must not be supposed that this exhibition is a dance in our sense of the word. It consists of violent and odd movements of the arms, legs, and body, contortions and violent muscular actions, amounting almost to frenzy. The performers appear more like a child's pasteboard supple-jack than anything human in their movements.
This action continues for a time, and then the skeletons, for so they appear to be, since they truly resemble them, suddenly seem to vanish and reappear. The disappearance is effected by merely turning round, for the figures are painted only in front, and their dusky forms are lost by mingling with the dark background. The trees, illuminated by the fire, are brought out with some of the figures in bold relief, while others were indistinct and ghost-like. All concurs to give an air of wildness to the strange scene. As the dance proceeds, the excitement increases, and those who a short time before appear only half alive, become full of animation, and finally are obliged to stop from exhaustion.
A PUDDING AS AN ADVERTISEMENT.