For some years they supported themselves with berries, and now and then they were seen endeavouring to secure a stray kid or goat for food. The solitude and silence of their almost inaccessible dwelling, imbued them and their fate with an awful character; and from being objects of pity, they became at length objects of terror, to the neighbouring peasantry, who told strange stories of the unfortunate beings thus consigned to cold and hunger, and compelled to seek a wretched home within the bowels of the earth. Their spare forms, their pale countenances, their tattered garments waving in the breeze, all threw a mystic feeling over their appearance, and they were transformed into fairies and spectres. The shepherds fled when they appeared, and the children, as they clung affrighted to their parents, with strained eyes and parted lips, followed the rapid movements of the mountaineers, as they in their turn, alarmed at the sight of their fellow-creatures, fled from height to height, until they gained their rocky asylum. Such an accumulation of suffering and misery was not, however, calculated to prolong existence: terror and fear destroyed the mind, as hunger and cold destroyed the body, and after the lapse of a few years, one by one, these spectres disappeared: but still they figure in all the local stories and traditions peculiar to the neighbourhood, under the form of witches, fairies, and sorcerers. The question is, whether the altar and the figure are not the work of these unfortunate beings, who might find in this employment a transitory solace for their misery.
CRUELTY OF HINDOO RITES.
We extract the following account from "The Land of the Veda," as it affords an extraordinary instance of the lengths to which the fanaticism of a gross superstition will induce men to proceed:—
"To satisfy ourselves of the sanguinary character of some of the Hindoo deities, and of the influence they exert over the deluded victims of superstition, we must witness some of the cruel practices which the popular goddess, Kali, imposes on her worshippers. The most remarkable festival is the one called Charak Puja.
"This festival derives its name from chakra, a wheel or discus; in allusion to the circle performed in the act of rotating, when suspended from the instrument of this horrible superstition. Being desirous of witnessing the ceremony in all its parts, I went to the spot where one of these ceremonies was about to take place. An upright pole, twenty or thirty feet in height, was planted in the ground, across the top of which, moving on a pivot, a long pole was placed. From one end of this transverse beam a long rope was suspended and left to hang loosely, whilst a shorter rope was attached to the other end, bearing a couple of strong iron hooks. A good-looking man, perhaps thirty years of age, came from the midst of the crowd, and doing obeisance beneath the instrument of torture, presented himself as a candidate for the honour he aspired to. The attendant, before whom he stood erect, struck a smart blow on the small of the back, and fixed one of the hooks in the flesh, and then did the same on the other side. The man then laid hold of the rope just above the hooks and held it, whilst certain persons in the crowd, seizing the loose rope, pulled him up, by depressing the other end of the beam. As he rose he relinquished his hold of the rope by which he was suspended, and resigned himself to the rotary motion, by which he was whirled round and round in mid air, suspended by the flesh of his own body. Whilst he was thus enduring the torture incident to this horrid service, at once gratifying the cruel goddess Kali and the crowd of admiring spectators, he drew from his girdle fruits and flowers, which he scattered among the attendants. These were picked up by the crowd, with the greatest eagerness, as precious relics that might avail as charms in cases of personal or domestic extremity. This wretched dupe of a foul superstition remained in the air at least a quarter of an hour, and, of course, in his own estimation and in that of the spectators, gained by this brief infliction a large amount of merit, and consequent title to certain rewards to be reaped in a future state of being. No sooner had he descended, than another was ready for the ceremony. These cruel practices are carried on in various parts of the native town, from day to day, as long as the festival lasts. It not unfrequently happens that the ligaments of the back give way, when the man, tossed to an immense distance, is dashed to pieces. In such cases, the inference is, that the victim of such accident, by virtue of demerit in a former state of existence, was not merely unworthy of the privileges attached to this privileged ceremonial, but destined to expiate his evil deeds by this dreadful accident."
CURIOUS MUSICAL INSTRUMENT.
The musical instrument which we engrave below, is used in the Burman empire, and is thus described by Captain Yule, in his "Mission to Ava," writing from the town of Magwé, in Burmah. The Captain says;—
"This evening the members of the mission made their first acquaintance with the Burmese drama; an entertainment which from this time would occupy a very large place in the daily history of our proceedings if all were registered.