From the misty dawn of early childhood rises the first image of one who was to fill so large a place in my life and that of those dear to me. As I, not yet four years old, lay in my father’s arms and he said to me the “Morte d’Arthur,” there blended with the picture of the wild winter mere and the mighty King carried, dying, to its shore, a vision of the man who, my father told me, lived somewhere amongst us and who could write words which seemed to me more beautiful than anything I had ever heard.
It was several years before I again came upon the “Morte d’Arthur,” when I was a girl of ten or eleven, and I remember how eagerly I seized upon it, and how the fairy glamour of my infancy came back to me as I read it.
It was in the autumn of 1852 that Lord and Lady (then Mr. and Mrs.) Tennyson came to Farringford. They had been looking for a house, and they found themselves one summer evening on the terrace walk, with the rosy sunset lighting up the long line of coast to St. Catherine’s Point, and the gold-blue sea with its faint surf line mingling with the rosiness: and they said, “We will go no further, this must be our home.” An ideal home it was, ideal in its loveliness, its repose, in its wild but beautiful gardens, and more than all ideal in its calm serenity, the hospitable simplicity, the high thought and utter nobleness of aim and life which that pair brought with them, and which through the long years of change, of sickness, and of sorrow, of which every home must be the scene, made the atmosphere of Farringford impossible to be forgotten by those who had the happiness of breathing it.
The Corner of the Study at Farringford where Tennyson wrote,
with his Deerhound “Lufra” and the Terrier “Winks” in the Foreground.
From a drawing by W. Biscombe Gardner.
Hallam was at that time a baby, and very soon after their arrival at Farringford beautiful Lionel came to gladden the hearts of his parents. It was on the day of Lionel’s christening that my father paid his first visit to Farringford, and found the family party just returning from church. My father had already been introduced to Tennyson at Lady Ashburton’s house in London, on which occasion he had walked away with Carlyle and had expressed to him his pleasure at meeting so great a man as Tennyson. “Great man,” said Carlyle, “yes, he is nearly a great man, but not quite; he stands on a dunghill with yelping dogs about him, and if he were quite a great man, he would call down fire from Heaven, and burn them up”—“but,” he went on, speaking of his poetry, “he has the grip on it.”
My father had entertained the greatest admiration for Tennyson’s poetry since the day when, both being undergraduates at Christchurch, his friend Charles Wynne brought him the first published volume, saying to him, “There is something new for you who love poetry.” And his delight may be imagined in now having the Poet for a neighbour. The intimacy between Farringford and Swainston grew apace. My mother and Lady Tennyson, though poor health and numerous occupations interfered with their frequent meetings, conceived a very real affection for each other, which was only cut short by my mother’s early death, which left Lady Tennyson with a deep feeling and pity for her children.
During the early years of Farringford, it was one of my father’s great and frequent pleasures to ride or drive over in the summer afternoons; he, in turn with her husband, would draw Lady Tennyson in her garden chair, and with the two boys skipping on before them, they would go long expeditions through the lanes, and even up the downs; then back through the soft evening air to dinner, and the long evening of talk and reading which knitted that “fair companionship” and made of it “such a friendship as had mastered time,” and which we may well believe has re-formed itself still more perfectly now that both those beloved souls have “crossed the bar.” The Tennysons sometimes came over to Swainston for a few days, and I remember his being there on the wonderful July night in 1858 when the tail of the great comet passed over Arcturus. His admiration and excitement knew no bounds; he could not sit at the dinner-table, but rushed out perpetually to look at the glorious sight, repeating: “It is a besom of destruction sweeping the sky.”
Little Lionel was that same night taken from his bed to the window, and, opening his sleepy eyes on the unaccustomed splendour, he said, “Am I in Heaven?”
The writing and publication of “Maud” in 1855 was largely due to my father.