Tennyson and his friends

by Unknown

In the spring of 1834 Spedding was still at Mirehouse, and gives Thompson an account of a day and night he spent with Hartley Coleridge:

The said Hartley is indeed a spirit of no common rate—his mind is brimful of rare and precious fancies, which leap out of him as fresh as a fountain in the sunshine. His biographical engagement with Bingley is for the present suspended, by his own fault, as he says. I suppose he could not stand it any longer. But the three first numbers are completed, and bound up in a goodly fat volume of 720 closely printed pages. It contains twelve or fifteen lives, and more good things of all sorts and sizes than any other book of 720 pages. It is published by Bingley in Leeds and Whitaker in London, called Biographia Borealis, costs sixteen shillings, and the notes alone are worth the money. Wherefore, I pray you not only to get it yourself, but likewise to make everybody else get it. No apostolic bookcase should be without it. It should become a household book; therefore, let no one think of borrowing it, but whosoever is wise and good let him buy or steal it. If any man should ask what are the politics of the work (a question which no Apostle, who is indeed an Apostle, ever thought of asking but in the way of mere curiosity), then say thou, the same politics which were held in common by Plato, Demosthenes, Shakespeare, Bacon, Burke, and God Almighty, and let him make what he can of the information.

Wordsworth’s eyes are better, but not well, nor ever likely to be. Reading inflames them and so does composing. I believe it was a series of Highland Sonnets that brought on the last attack, so much worse than any he had had before. He read me several that I had not seen nor heard before, many of them admirably good; also a long, romantic wizard and fairy poem, in the time of Merlin and King Arthur, very pretty, but not of the first order. But I should not have expected anything so good from him, which was so much out of his beat. He has not advanced much in his knowledge of Alfred; but he is very modest in his refusal to praise attributing his want of admiration to a deficiency in himself, whether from the stiffness of old age, which cannot accommodate itself to a new style of beauty, or that the compass of his sympathies has been narrowed by flowing too long and strongly in one direction. (N.B. He is not answerable for the English that I am writing.) But he doubts not that Alfred’s style has its own beauty, though he wants the faculty to enter fully into it, alleging as a parallel case the choruses in “Samson Agonistes” the measure of which he has never been able to enjoy, which comes to perhaps as high a compliment as a negative compliment can be. He spoke so wisely and graciously that I had half a mind to try him with a poem or two, but that would have been more perhaps than he meant. And indeed it is always so pleasant to hear a distinguished man unaffectedly disclaiming the office of censor, that I never think it fair to take him at his word. I have given a copy of Alfred’s second volume to Hartley Coleridge, who, I trust, will make more of it. He had only seen it for a few minutes, and was greatly behind the age, though he admitted that A. T. was undoubtedly a man of genius; and was going to say something about the Quarterly in a Review of The Doctor, which he was, or is, writing for Blackwood. I also sent him yesterday a copy of Charles Tennyson, accompanied with one of my most gentlemanly letters.

Spedding was now nearly six-and-twenty, and had no settled plan of life before him. “For myself,” he says, “I am unsettled in all my prospects and plans. I am, in fact, doing nothing, but I flatter myself I am pausing on the brink to take a good look at the different ways of life which are open to me before I take the fatal plunge.”

At the end of 1834 he invited Thompson, who was then at York, to visit him at Mirehouse.

Excuses shall not be admitted, at least not such as yours. Is there not a stage-coach which fears God, and do you for that reason refuse to employ it? You ought rather to encourage it. What is a little bile or rheumatism, compared with the advancement of Truth, and the conservation of the Faith that is on the earth? Moreover, every Monday, Wednesday, and Friday, a coach leaves Kendal at 8 o’clock in the morning, and arrives in Keswick about one, having traversed in the short space of five hours many miles of the finest scenery in the country, containing both other things and five lakes, and the dwelling-places of Wordsworth, Hartley Coleridge, and Hamilton[104] (more commonly known as Cyril Thornton). As for your time lost last term, that I know, from my experience of your character, to be a fiction of modesty: and as for your hopes of making up for it at home, that I know, from my experience of my own character, to be humbug. Besides, you write as one balancing his own desires according to a principle of enlightened self-interest. You forget that it is not for your own pleasure, but for my profit, that I ask you to come. Am I not sliding daily from bad to worse? Am I not losing the race I do not run? Am I not learning to look on all knowledge as vanity, all labour as sorrow? for not the knowledge for which men labour is profitable, but the labour only, and yet who can labour for that which profiteth not? Have I not already parted with the hope, and am I not now parting with the wish, to advance? Am I performing any duty? Am I making any money? Am I not falling away from the Apostolic mind, notwithstanding? Am I not taking pleasure in the shooting of snipes? Am I not in danger of having a bad German pronunciation for evermore? Roll these things in your mind, and then roll yourself into the coach. I will meet you at Ambleside, if you like.

I had read the review of Wordsworth several times over: and thought the criticism (except. excipiend.) good, and the moral philosophy superb. The passage about the moon looking round her, etc., I of course felt to be a blunder, though I was less surprised than sorry to see it. It seems to me to chime in too well with what I marked as the defect of his preface to P. v. A.,[105] so that I fear it is not a negligent criticism, as one might have hoped: but an opinion well weighed and carefully adopted. I wonder what he would say to Ebenezer Elliott, with his flowers and mountains, for a taste?

Welcome then again
Love-listening Primrose! tho’ not parted long
We meet like lovers after years of pain.
Oh thou bringst blissful childhood back to me,
Thou still art loveliest in the lowest place,
Still as of old Day glows with love for thee,
And reads our heavenly Father in thy face.
Surely thy thoughts are humble and devout,
Flower of the pensive gold! for why should heaven
Deny to thee his noblest boon of thought,
If to Earth’s demigods ’tis vainly given?
Answer me, Sunless Sister, Thou hast speech
Though silent Fragrance is thy eloquence,
Beauty thy language, and thy smile might teach
Ungrateful man to pardon providence.

He would call it a very bold figure of speech: figure of speech, quotha! However, Philip is a noble fellow, and the apology for this piece of criticism is so wise and so good that one can hardly regret that an apology was needed. I have sent for the citation of Will. Shakespeare, though rather with the desire than the expectation of great delight. I read a few extracts in the Atlas, with which I was not at all struck, or, if at all, not favourably; but that does not go for much, as I did not know who it was by, or anything about it, and the extracts were most probably ill-chosen. But to tell you the truth I never took much to Landor. To be sure I never read much of him, but I have often had the book in my hand. Perhaps I might have liked him better if the speakers had been named Philander and Strephon, and Philalethes and the like, instead of Bacon, and Hooker, and Raleigh, and so following. I shall have every chance this time: for besides the prejudice derived from your praise, I am by no means easy in feeling no great respect for a writer of whom P. v. A. speaks so very highly. There is something in Philip’s intellect which commands more than my usual reverence. More genial minds I have met with, but for strength, and integrity, and discretion of understanding, I do not know his equal. He puts me in mind of F. Malkin. We must have him change his mind, though, about the moon and the streams. I read the review of Coleridge in the Quarterly the other day. The parts which are not Coleridge’s own might have been better, but they are well enough.

The spring of 1835 was memorable at Mirehouse for a visit of Tennyson and FitzGerald. That this made a vivid impression on FitzGerald is evident from a letter which he wrote after Spedding’s death to his niece, when there was some idea of gathering together his miscellaneous essays: