But he was not so absorbed in his special pursuits as not to take interest in public affairs, and the Maynooth Grant in 1845 and the opposition which it excited caused him to take part in an address to the Chancellor of the Exchequer in its favour.
“You will see in the Morning Herald of to-day,” he writes to Thompson, “that the great event has already taken place, and though the world continues to move as it did, there does appear to be a change of weather.
“We had only 300 names. But that was quite enough, considering all things, especially the respectability of the people, and the imperfection of the agitation, to make the address well worth presenting. Having gone so far, to hold back altogether would have been to confess that the attempt was a mere failure, which nobody can say it was. To hold it back past the time specified in the circulars and originally designed, for the chance of obtaining more signatures, would have been useless: people would have only said that though we boasted of the shortness of the time in which the signatures were collected, yet in fact we waited as long as there was any chance of gathering any more. And in point of fact they had begun to come in very slowly by Monday morning. At best, it could not have been improved into an effectual canvass, and as it is, it shows very well. Let any one put the two lists side by side, and then say, if the weight of opinion in Cambridge inclines one way, which way is it? I was doubtful of the expediency of stirring it at first, but I am now very glad that it has been done. I wish the Herald had printed the names. But it was an unlucky day, there being a great debate in both Houses.
“Hare declined presenting; upon which H. Lushington, Venables, Micklethwaite, and myself (who had, in fact, been the chief actors), distributed ourselves into two cabs: and drove slap up to the Chancellor of Exchequer’s. Harry Lushington was the chief speaker, and did it very well and gracefully. Goulburn was, of course, gracious, but I should hardly have inferred that he was glad. However, he said he was; glad that this had been done, and glad that no more had been done; and (upon the whole) easy about the matter. The fever (he said) appeared to be gradually subsiding, and indeed the opposition was less formidable than might be supposed. ‘From what the gentleman said who presented the address on the other side, he gathered that it was for the most part a conscientious opposition, not arising from any political animosity.’ Certainly Punch cannot be said to beat Nature.”
Nothing, however, diverted him from his great object. FitzGerald writes to Frederick Tennyson:
Spedding, you know, does not change: he is now the same that he was fourteen years old when I first knew him at school, more than twenty years ago; wise, calm, bald, combining the best qualities of Youth and Age.
But his calmness was not proof against the enthusiasm created by the advent of Jenny Lind in 1847. Again FitzGerald writes:
All the world has been, as I suppose you have read, crazy about Jenny Lind.... Spedding’s cool blood was moved to hire stalls several times at an advanced rate.... I have never yet heard the famous Jenny Lind, whom all the world raves about. Spedding is especially mad about her, I understand: and, after that, is it not best for weaker vessels to keep out of her way? Night after night is that bald head seen in one particular position in the Opera house, in a stall; the miserable man has forgot Bacon and philosophy, and goes after strange women.
His health, however, had been giving some cause for anxiety at this time to his old friend, who writes to Carlyle:
Thank you for your account of Spedding: I had written however to himself, and from himself ascertained that he was out of the worst. But Spedding’s life is a very ticklish one.