It was impossible longer to doubt that there was some ground for the surmises that had rapidly grown to suspicion, and that had received sudden confirmation from the fresh evidence of the dog’s hatred.
The king decided that there should be a trial by the judgment of God, and that a combat should take place between man, the accused, and dog, the accuser. The place chosen for the combat was a waste, uninhabited plot of ground, frequently selected as a duelling-ground by the young gallants of Paris.
In the presence of the king and his courtiers the strange unnatural combat took place that afternoon. The knight was armed with a short thick stick; the dog was provided with an empty barrel, as a retreating ground from the attacks of his adversary. At a given signal the combatants entered the lists. The dog seemed quite to understand the strange duel on which it was engaged. Barking savagely, and darting round his opponent, he made attempts to leap at his throat; now on this side, now on that he sprang, jumping into the air, and then bounding back out of reach of the stick. There was such swiftness and determination about his movements, and something so unnatural in the combat, that Macaire’s nerve failed him. His blows beat the air, without hitting [!-- original location of Macaire illustration --] [!-- blank page --] the dog; his breath came in quick short gasps; there was a look of terror on his face, and for a moment, overcome by the horror of the situation, his eye quailed and sought the ground. At that instant the dog sprang at his throat and pinned him to the earth. In his terror, he called out and acknowledged his crime, and implored the king’s mercy. But the judgment of God had decided. The dog was called off before it had strangled its victim, but the man was hurried away to the place of execution, and atoned that evening for the murder of the faithful greyhound’s master.
THE DOG FLIES AT MACAIRE IN THE PRESENCE OF THE KING
The dog has been known to posterity as the Dog of Montargis, as in the Castle of Montargis there stood for many centuries a sculptured stone mantelpiece, on which the combat was carved.
HOW A BEAVER BUILDS HIS HOUSE
Bingley’s Animal Biography.