J. B. Brown and St. Stratton: British Musical Biography (London, 1897).
In German
Walter Niemann: Die Musik seit Richard Wagner (1913).
In French
Albert Soubies: Histoire de la musique dans les îles britanniques, 2 parts (1904-5).
INDEX FOR VOLUME I-III
Figures in italics indicate major references
A
Abel, Carl Friedrich, II. 62;
influence on Mozart, II. 102.
Abert, Joseph, III. [212], [257].
Ábrányi, E., III. [199].
Abt, Franz, III. [19].
Academicism, I. lx.
Académie de Musique. See Paris Opéra.
Academies. See Verona and Bologna.
Accidentals (origin of), I. 156.
Accompagnato. See Recitative (accompanied).
Accompanied recitative. See Recitative.
Accompaniment, I. xx, lii;
(instrumental, in polyphonic period), I. 246;
(in early vocal solos), I. 262;
(in madrigals), I. 281;
(in early Italian recitative), I. 332;
(17th cent.), I. 353f;
(in early Italian opera), I. 332f, 342f, 380ff;
(in early oratorio), I. 386;
(in early German opera), I. 424;
(in Händel oratorio), I. 439;
(in sacred music, 18 cent.), I. 453;
(Bach), I. 466, 470;
(in passion music), I. 480f;
(in Wolf's songs), III. [261]f;
(in Strauss' songs), III. [266].
Acoustics, I. 105ff.
Adam, Adolphe-Charles, II. 211f.
Adam de la Halle (or Hâle), I. 211, 213.
Adams, Stephen. See Maybrick, M.
Addison, Joseph, on Italian opera, I. 431.
Æolian mode, I. 137.
Æolian school (of Greek composition), I. 115.
Æschylus, I. 120, 329;
III. [149].
Africa, primitive music in, I. 27ff.
Agathon, and early church music, I. 147.
Agazzari, I. 379.
Agostini, Muzio, III. [394].
[d']Agoult, Countess, II. 250.
Agricola, II. 31.
Aimara Indians, I. 45.
Akerberg, Erik, III. [85].
Akimenko, Feodor, III. [160].
Albéniz, Isaac, III. [362]f, [404], [405]f.
[d']Albert, III. [viii], [243], [244], [268].
Albert V, Duke of Bavaria, I. 307ff.
Alberti, Domenico, II. 55, 56.
Albrechtsberger, Johann Georg, II. 63, 138.
Alfano, Franco, III. [389], [390].
Alfvén, III. [69], [75], [84].
Alkaios, I. 115.
Allan, Maud, III. [321].
Allegro (cantabile form of), II. 8.
Alleluia, the Hebrew, I. 149.
Allemande, I. 371f, 375.
Allitsen, Frances, III. [443].
Alpheraky, A., III. [136].
Amalarius, I. 137f.
Amani, A., III. [145].
Amati family, I. 362.
Ambros, A. W., quoted (on early Italian music), I. 263;
(on the frottola and madrigal), I. 271ff;
(on early church music), I. 315.
Ambrosian hymns, I. 135ff, 142f.
America (Tschaikowsky quoted on), III. [56];
(conditions in, for composers, compared to England), III. [435].
Amphion, I. 93f, 111.
Anakreon, I. 115f.
Ancient Civilized Nations, music of, I. 64ff.
Andamanese Islanders, I. 8, 41.
Anders, G. E., II. 405.
Andersen, Hans Christian, III. [71], [74].
Anerio, Felice and Giovanni, I. 321.
Anglican Church, III. [410].
Animal cries, I. 2, 6.
[d']Annunzio, Gabriele, III. [381], [389].
Anschütz, Carl, II. 134.
Anthem, English, I. 295, 390, 433.
Antiphonal psalmody, I. 142f.
Antiphonarium Romanum, I. 148.
Antiphons, I. 140.
Antiphony (in Greek music), I. 161.
Apel (author of 'Ghost Tales'), II. 374f.
Apollo, I. 122.
Appenzelder, Benedictus, I. 297.
Arabs (music of), I. 43, 52, 55, 63.
Arcadelt, Jacques, I. 273f, 305.
Arcadians, I. 95.
Archaism, intentional in modern music, III. [331], [334], [337].
Archangelsky, A. A., III. [143].
Archilei, Vittoria, I. 342.
Archilochos (Greek poet), I. 114f.
Architecture and music in 18th cent., II. 60.
Arensky, Anton Stephanovich, III. [28], [143], [146]ff.
[d']Arezzo, Guido. See Guido d'Arezzo.
Aria, I. liv;
(in early Italian opera), I. 341, 381f, 385, 393f, 428;
II. 3, 16;
(in church music), I. 453;
(Bach), I. 476, 480, 491;
(Mozart), II. 179.
Aria form, I. 1;
(in the sonata), II. 54;
(Beethoven's use in song), II. 278.
See also Da capo.
Arion, I. 118.
Arioso, II. 26, 431.
See also Recitative.
Ariosti (Attilio) and Händel, I. 435.
Ariosto, I. 328;
II. 27.
Aristides Quintilianus, compiler of musical tables, I. 91.
Aristotle, I. 89, 97.
Aristoxenus, I. 99, 110.
Arius, I. 141.
[d']Arneiro, III. [408].
Arnaud, Abbé, on Italian opera, II. 179.
Arnold, Matthew, quoted, III. [238].
Arnould, Sophie, II. 33.
Ars nova, I. 228ff, 257, 262ff.
Arts (plastic) and music, I. 64, 66;
(in Ital. Renaissance), I. 267f.
'Art and Revolution,' essay by Wagner, II. 415.
Art-song, the (before Schubert), II. 30, 269ff, 278;
(Schubert), II. 279ff;
(Schumann), II. 280ff;
(other romanticists), II. 289ff;
(Brahms), II. 465;
III. [259];
(modern development), I. lviii;
III. [xiv];
(minor Romantics), III. [18]ff, [24];
(Russians), III. [47], [51], [106], [119], [153], [154];
(Scandinavians), III. [79], [87], [89], [95], [99];
(Bohemians), III. [178];
(modern Germans), III. [257]ff;
(Wolf), III. [259]ff;
(modern French), III. [292]f, [309], [311], [328]f;
(modern Italian), III. [298]ff;
(English), III. [442].
'Art Work of the Future' (The), essay by Wagner, II. 415.
Arteaga, on Stamitz, II. 67.
Artificial sopranos, I. 426;
II. 10, 21, 26, 29.
Artusi, Giovanni Maria, on Monteverdi, I. 337f.
Ashantees, I. 29f.
Asia. See Oriental music.
Asor (Assyrian instrument), I. 65f, 78.
Assyria, I. 65ff;
II. 79, 83ff.
Attaignant, Pierre, I. 286.
Atmospheric school, III. [317]ff.
Aubade, I. 207, 218.
Auber, Daniel-François-Esprit, II. 210;
III. [278];
influence on Meyerbeer, II. 20.
Aubert, Louis, III. [363].
Auer (violinist), III. [148].
Augustus the Strong, II. 6, 12, 78.
Aulin, Tor, III. [85].
Aulos (Greek wind-instrument), I. 121ff.
Aurelian, on early church music, I. 145.
Australian aborigines, I. 7, 12;
(dance of), I. 18.
Austrian National Hymn, II. 91.
[d']Auvergne, Peire, I. 211.
Aztecs, music of, I. 44f, 52, 53, 55f.
B