Fabo, III. [200].
Fagge, Arthur, III. [422].
Fanelli, Ernest, III. [361].
Farinelli, I. 436f, 398;
II. 4, 185.
Farkas, III. [200].
Fasch, Johann Friedrich, II. 7, 8, 52, 56.
Fauré, Gabriel, III. [ix], [xiv], [xviii], [2], [268], [285], [287], [291]ff, [325];
(influence of), III. [336], [341].
Faustina. See Hasse, Faustina.
Faux-bourdon, I. 235, 266.
Favart, II. 24, 31.
Feo, Francesco, I. 400f;
II. 6, 8, 11.
Feodor, Czar, III. [40].
Ferdinand, King of Naples and Sicily, II. 15, 197.
Ferrara (opera in), I. 327, 328.
Ferrata, Giuseppe, III. [397], [398].
Festa, Constanzo, works of, I. 273ff, 303f.
Festivals. See Music festivals.
Fétis, F. J., cited, I. 86f, 263.
Fibich, Zdenko, III. [181]ff.
Field, John, II. 258.
Fielitz, Alexander von, III. [20].
Figuration (in Chopin's music), II. 321.
Figured Bass (origin), I. 353ff;
(in early violin music), I. 368;
(Corelli), I. 375;
(in monody), II. 51;
(Stamitz), II. 12, 65ff;
(Haydn), II. 95.
Filtz, Anton, II. 67.
Finale (operatic), II. 10, 179;
(sonata), II. 54.
Finck, Heinrich, I. 304.
Fingering. See Keyboard Instruments.
Finland (political aspects), III. [61]ff;
(folk-music), III. [66]ff;
(modern composers), I. 100ff.
Flat (origin of), I. 156.
Flemish school, rise of, I. 234.
Floridia, Pietro, III. [392].
Florence (ars nova), I. 230, 263ff;
(national festival), I. 324f;
(early opera), I. 326, 330ff, 379.
Florentine camerata, I. 329ff.
Florimo, Franc., quoted, II. 16.
Flotow, Friedrich von, II. 380.
Flute (in early Germany), I. 198;
(in early Italian opera), I. 333;
(in Händel's orchestra), I. 424;
(modern), II. 117, 265, 335, 337ff, 341.
Flutes, primitive, I. 22ff;
(Indian), I. 36;
exotic, I. 54;
(in Mohammedan funeral services), I. 62;
ancient (Egyptian), I. 80f, 84
; (Greek), I. 121ff.
Flutists (Greek), I. 112.
Foerster, Christoph, II. 7.
Fokine, M., III. [340].
Folk-dances, III. [39];
(Bohemian), III. [166]f.
See also Dancing.
Folk-lore, II. 223.
Folk-music, I. xli, xlii-ff;
(Swedish), III. [65];
(Italian), III. [390]f, [391];
(negro), III. [179];
(Spanish), III. [404]f.
See also Folk-songs; Primitive music; Exotic music.
Folk-poetry, III. [61].
Folk-songs, I. xxxviii;
(in Middle Ages) I. 186ff;
(definition), I. 191ff;
(early French), I. 192ff;
(early German, etc.), I. 195ff;
(early English), I. 237f;
(used in the Mass), I. 242;
(Haydn's use of), II. 98;
(Schubert's use of), II. 273;
(Smetana's use of), III. [171]ff;
(in rel. to art-song), II. 274;
(general), III. [xv], [xvi], [39], [61];
(Danish), III. [65];
(Norwegian), III. [66];
(Finnish), III. [66]ff;
(Grieg's use of), III. [68];
(Swedish), III. [79];
(Russian), III. [139];
(Bohemian), III. [167];
(Magyar), III. [186];
(Hungarian), III. [198]ff;
(Breton), III. [314];
(Italian), III. [391];
(British), III. [422]f, [434], [437];
(Irish), III. [423].
Follino, quoted, I. 343.
Fontana, Giovanni Battista, I. 368.
Ford, Ernest, III. [430], [432].
Forkel, Nikolaus (opposition to Gluck), II. 31.
Form, I. xxiv-ff, xxxviii, lviii, 264, 350-376, 450;
II. 53ff;
III. [202]f;
(conflict with matter), III. [206].
See also Aria, Canzona; Sonata; Song form; Symphonic form, etc.
Fortunatus, I. 136f.
Four-movement form. See Symphonic form.
France (folk-song), I. xliii, xliv, 191ff;
(primitive instruments), I. 24f;
(mediæval minstrelsy), I. 202ff;
(Troubadours, etc.), I. 204ff;
(polyphonic period), I. 228ff, 242f, 266;
(Reformation), I. 294;
(17th cent. harpsichord music), I. 374ff;
(17th century opera and ballet), I. 384, 401ff;
(opera after Lully), I. 413f;
(18th cent.), II. 23;
(early 19th cent.), II. 199ff;
(Romantic period), II. 241f, 253ff, 350ff, 385ff, 469ff;
III. [7];
(modern), III. [ix], [xvii], [277]ff, [317-365];
(modern, influence on Spain), III. [406].
Franchetti, Alberto, III. [369], [392].
Francis I of Austria, II. 27.
Francis II of Austria, II. 91.
Franck, César, I. 478;
II. 439, 469ff, 471f;
III. [xi], [xii], [xiv], [xviii], [205], [279], [281]f;
(the followers of), III. [277]ff;
(pupils of, enumerated by d'Indy), III. [296];
(influence of), III. [301], [314];
(and Debussy), III. [319].
Francke, Kuno, quoted, II. 48.
Franco-Prussian war, III. [284].
Franz, Robert, II. 289ff;
III. [18], [257].
Frauenlob (minnesinger), I. 220, 222.
Frederick the Great, I. 468f;
II. 31, 48, 50, 58, 70, 78, 107, 204, 277.
Frederick William III of Prussia, II. 198.
Frederick William IV of Prussia, II. 261.
Fredkulla, M. A., III. [88].
Freemasons, II. 76.
Freischützbuch (Das), II. 375.
French Revolution. See Revolutions (French).
French schools, etc. See France.
Frescobaldi, Girolamo, I. 358ff;
III. [385].
Friskin, James, III. [442].
Froberger, John Jacob, I. 359f, 376.
Frontini, III. [394].
Frottola (the), I. 271, 326.
Fugue, I. xiii, xxxix, xli, lii;
(Dufay), I. 236;
(Sweelinck), I. 359;
(before Bach), I. 451, 476;
(Bach), I. 469, 473ff, 487, 489ff;
(after Bach), I. 478;
(modern), III. [282].
Fulda, Adam von, I. 304.
Fuller, Loie, III. [364].
Fuller-Maitland. See Maitland, J. A. Fuller.
Fumagalli, Polibio, III. [397].
Fürnberg (von), II. 86.
Furiant (Czech dance), III. [166].
Futurists, Italian, III. [392]f.
Fux, Johann Joseph, I. 416;
II. 62.
Fyffe, quoted, II. 232, 237ff.
G
Gabrieli, Andrea, I. 330, 356.
Gabrieli, Giovanni, I. 356.
Gade, Niels W., II. 263, 347;
III. [69], [72], [92].
Gagliano, Marco da, I. 335, 378;
(quoted), I. 333.
Galeotti, Cesare, III. [397].
Galilei, Vincenzo, I. 329f.
Galliard (the), I. 371f, 375.
Gallo-Belgian school, I. 234ff.
Galuppi, Baldassare, II. 15, 179.
Garcia, Manuel, II. 185.
Gardiner, Balfour, III. [422].
Garibaldi Hymn, II. 504.
Gassmann, F. L., II. 62.
Gaultier, Denys, I. 374f.
Gavotte (the), I. 372.
Gazette Musicale de Paris, II. 247.
Geisha dance, I. 58f.
Geistliche Lieder (Bach), II. 273.
Gelinek, Joseph, II. 161f.
Gellert, II. 49, 275.
Geminiani, Francesco, II. 51.
Generative theme, III. [282], [302], [314].
'Genre,' musical. See Miniature.
Genre symphony, III. [7].
George IV of England, II. 184.
Gerbert, Martin, I. 142;
II. 67.
German, Edward, III. [425], [426], [432].
German influence (on Jommelli), II. 12;
(in English music), III. [413]f.
'German Requiem' (Brahms), II. 455.
Germany (folk-song), I. xliii, 195ff;
(mediæval minstrelsy), I. 200ff;
(minnesingers), I. 214ff;
(Reformation), I. 288ff;
(15th-16th cent.), I. 304f;
(organ music, 16th-17th cent.), I. 359ff;
(instrumental music, 17th cent.), I. 371ff;
(harpsichord music, 17th cent.), I. 374ff;
(opera, oratorio, etc., 17th cent.), I. 384, 387;
(later 17th cent.), I. 414ff;
(opera, 18th cent.), I. 421ff;
(Bach), I. 448ff;
(reaction against Italian opera), II. 9;
(supremacy over Italy), II. 46;
(18th century, social and religious aspects), II. 48ff, 76ff;
(early classic period), II. 50ff;
(Viennese period), II. 75ff;
(Beethoven), II. 128ff;
(Romantic movement), II. 213ff;
(19th cent. national reawakening), II. 231ff;
(devel. of the lied), II. 269ff;
(pianoforte music, 19th cent.), II. 299ff;
(Romantic chamber music), II. 328;
(Romantic orchestral music), II. 343ff, 361ff;
(Romantic opera), II. 372ff;
(choral music of Rom. period), II. 394ff;
(Wagner), II. 401ff;
(neo-Romanticism), II. 443ff;
III. [1]ff;
(modern symphonists), III. [viii], [201]ff;
(modern opera), III. [238]ff;
(modern song), III. [257]ff;
(the ultra-moderns), III. [268]ff.
Gernsheim, Friedrich, III. [209]f.
Gesellschaft der Musikfreunde, II. 134.
Gesualdo, Carlo, I. 276.
Gevaert, F. A., quoted, I. 131, 135, 140, 144, 146f.
Gewandhaus (Leipzig), II. 261;
III. [5].
Giammaria (lutenist), I. 328.
Gibbons, Orlando, I. xlvii, 306.
Gigue (the), I. 371f, 375.
Gilman, Benjamin Ives, cited, I. 14, 40.
Gill, Allen, III. [422].
Giordano, Umberto, III. [369], [377].
Giorgione, I. 327.
Gipsies. See Gypsies.
Glazounoff, Alexander Constantinovitch, III. [x], [xi], [xii], [xiv], [xvii], [137]ff.
Glière, Reinhold, III. [xvii], [146], [150]f.
Glinka, III. [xvi], [38], [39], [42]ff, [107], [134].
Gluck, Christoph Willibald, II. 8, 17ff;
(quoted), II. 208.
Gnecchi, Vittorio, III. [382].
Gobbi, III. [200].
Godard, Benjamin, III. [35]f, [283].
Goethe, II. 49, 134, 140, 223, 232, 283;
III. [61], [267], [358].
Goetz. See Götz.
Gogol, III. [39], [108], [123], [136], [138].
Golden Spur, Order of, II. 23, 71, 103.
Goldicke, A., III. [155].
Goldmark, Karl, II. 455;
III. [viii], [x], [102], [241]f.
Goldschmidt, Adalbert, III. [241].
Golpin, F. W., III. [430].
Gombert, Nicolas, I. 296f.
Gomez, Carlo, III. [408].
Goodhart, A. M., III. [442].
Goosens, Eugène, Jr., III. [441].
Gossec, François Joseph, II. 41, 65, 68, 106.
Götz, Hermann, III. [viii], [209], [239], [245]f.
Goudimel, Claude, I. 294f.
Gounod, Charles, II. 207, 386ff, 438;
III. [7], [278].
Goura (African instrument), I. 28.
Grädener, Karl, III. [14].
Granados, Enrico, III. [406].
Grandmougin, Charles, III. [293].
Grammann, III. [256].
Graun, Joh. Gottlieb, II. 58.
Graun, Karl Heinrich, I. 416;
II. 58.
Gray, Alan, III. [442].
Greco, II. 8.
Greece (Ancient), music of, I. 84ff, 88-127;
(influence on Roman and early Christian music), I. 131ff, 136, 138, 151ff, 160, 165;
(influence in Italian renaissance), I. 329, 330, 332, 346.
Greek modes and scales. See Modes, Scales, Tetrachords.
Greene, Maurice, I. 432.
Greene, Plunket, III. [443].
Gregorian tones. See Plain-song.
Gregorian tradition, I. 145f.
Gregory I, Pope, I. 144ff, 151, 156.
Grell, Eduard August, III. [16].
Gretchaninoff, Alexander, III. [128], [143], [144]f.
Grétry, André E. M., II. 25, 41, 106.
Griboiedoff, III. [108].
Grieg, Edvard, II. 440;
III. [xiv], [xv], [xvi], [64], [68], [69], [70], [77], [89]ff, [96];
(quoted on Hartmann), III. [72];
(influence of), III. [99], [332].
Grillo, Giovanni Battista, I. 364f.
Grillparzer, II. 134;
III. [190].
Grimm, [Baron] Melchior, II. 24, 31, 102 (footnote).
Grimaldi, Niccolini, I. 432.
Grisar, Albert, II. 211.
Grisi, Giulia, II. 193.
Ground-bass, I. 367.
Grove, [Sir] George (citations, etc.), I. 313;
II. 143, 150, 157, 162, 166, 168f, 344.
Grove's Dictionary of Music and Musicians, III. [430].
Grovlez, Gabriel, III. [407].
Guarneri family, I. 362.
Guecco, II. 187.
Guerre des bouffons, I. 414f;
II. 24, 35.
Guglielmi, Pietro, II. 14.
Guicciardi, [Countess] Giulia, II. 141, 145.
Guidicioni, Laura, I. 328.
Guido d'Arezzo, I. 167ff.
Guidonian Hand, I. 171.
Guillaume (the troubadour), I. 205.
Guilmant, Alexandre, III. [36], [285].
Gui, Vittorio, III. [400].
Guy, Abbott of Chalis, I. 174f.
Gypsies, II. 250, 322;
III. [187], [319].
H
Haarklou, Johannes, III. [98].
Hadow, W. H., II. 98;
III. [430];
quoted (on Paësiello), II. 15;
(on Sarti), II. 40;
(on Bach's influence), II. 59;
(on musical patronage), II. 88;
(on Mozart's 'Paris symphony'), II. 104;
(on development of art forms), II. 110;
(on difference betw. Haydn and Mozart), II. 112;
(on Mozart's concertos), II. 115;
(on Schubert), II. 227.
Hägg, J. Adolph, III. [79].
Häle, Adam de la. See Adam.
Halévy, Jacques Fromental E., II. 207.
Halévy, Ludovic, II. 393.
Halle a.d. Saale, I. 360, 419ff, 422f, 463;
II. 289.
Hallé, Sir Charles, III. [411].
Hallén, Andreas, III. [80]f.
Halsley, Ernest, III. [442].
Hallström, Ivan, III. [79].
Halvorsen, Johann, III. [98].
Hamburg (17th century opera), I. 384, 414f, 422ff;
(Brahms), II. 454.
Hamerik, Asger, III. [73], [74]f.
Hammer-clavier. See Pianoforte.
Hammerschmidt, Andreas, I. 387.
Han, Ulrich, I. 285.
Hand-Clapping, I. 14, 69, 83.
Händel, George Frederick, I. 387, 393f, 397, 416f, 418ff, 463;
II. 8, 56;
III. [410].
Hanslick, Eduard, II. 436;
(quoted, on Grieg), II. 440.
Harmonic alteration of melodies, I. xlix.
Harmonic style, I. xlvii.
See also Monody.
Harmony, I. xxxix, xl, xlix, l, 43;
(traces of, in primitive music), I. 16, 18ff;
(Oriental meaning of the term), I. 48;
(supposed traces of, in ancient music), I. 69, 88, 97;
(Greek use of the term), I. 90;
(harmonic foundation of early folk-songs), I. 198;
(mediæval beginnings) I. 160ff;
(13th cent. example), I. 237;
(15th cent.), I. 269ff;
(16th cent.), I. 293f;
(musica ficta), I. 301f;
(Palestrina), I. 320, 322;
(Monteverdi, chromaticism), I. 341;
(development in 17th cent.), I. 352ff;
(German and English instrumentalists), I. 371f;
(Purcell), I. 389;
(A. Scarlatti), I. 393;
(Lully), I. 409;
(Rameau), I. 414;
(Händel), I. 441;
(Bach), I. 475ff, 487, 489ff;
(influence on form), I. 51ff;
(Haydn and Mozart), II. 111f;
(Beethoven), I. 167;
(Schubert), I. 227;
(Schumann), II. 285, 286, 307;
(influence of the pianoforte), II. 298;
(Chopin), II. 320f;
(Liszt), II. 324f;
(Wagner), II. 433ff;
(Brahms), II. 463;
(Franck), II. 471;
(modern innovations), III. [155]ff, [164], [198], [272], [275]f, [290], [295], [325].
Harps (African), I. 29;
(Assyrian), I. 66;
(Egyptian), I. 78ff;
(Greek), I. 85, 125;
(modern), II. 341.
Harpsichord (or clavier, in early opera), I. 333;
(in the operatic orchestra), I. 424;
(as basso continuo), I. 354;
(description), II. 60, 373ff;
II. 294.
Harpsichord music (early English), I. 306, 369;
(Chambonnières), I. 375;
(Froberger), I. 376;
(Purcell), I. 390;
(Domenico Scarlatti), I. 398f;
(Couperin), I. 411f;
(Händel), I. 445;
(Bach), I. 471f.
See also Pianoforte music.
Harpsichord playing, I. 375;
(J. S. Bach's), I. 461, 489;
(improved systems of fingering), I. 484ff;
(C. P. E. Bach's), II. 59.
Hartmann, Georges, III. [320].
Hartmann, J. P. E., II. 347;
III. [71]f, [73].
Hasse, Faustina (Bordoni), I. 416, 437;
II. 5ff.
Hasse, Joh. Adolph, I. 416, 427;
II. 5ff, 31.
Hauschka (author of Austrian national hymn), II. 91.
Hausegger, Siegmund von, III. [270].
Hawaiian Islands, I. 22f.
Hawley, Stanley, III. [441].
Haydn, Joseph, II. 49 (footnote), 55, 57, 68f, 83ff;
(and Mozart), II. 105ff, 114, 115, 116;
(and Beethoven), II. 138;
(as song composer), II. 273.
Haydn, Michael, II. 73ff;
(influence on Mozart), II. 102.
Health, in relation to music, I. 90ff.
Hebbel, II. 380.
Hebrews (ancient), I. 70ff.
Heidegger, I. 437.
Heiligenstadt testament (Beethoven's), II. 136, 158, 159, (illus. facing p. 158).
Heine, Heinrich, II. 224, 249, 288f.
Heinrich von Meissen. See Frauenlob.
Heise, Peter A., III. [73].
Helen, Grand Duchess of Russia, III. [49].
Helgaire, quoted, I. 189.
Heller, André, III. [321].
Heller, Stephen, II. 322;
III. [17].
Hemiolia, II. 461.
Henderson, W. J., quoted, I. 326;
II. 276, 282.
Henschel, Georg, III. [212].
Henselt, Adolf, II. 322;
III. [17].
Heptatonic scale, I. 46ff.
Herbeck, Johann, III. [212].
Herder, III. [61].
Hérold, L. J. F., II. 207, 211.
Herz, Henri, III. [18].
Hertzen, III. [108].
Herzogenberg, Heinrich von, III. [209], [210].
Hesiod, I. 92.
Hexachordal system, I. 167ff.
Heyden, Sebald, cited, I. 240.
Hierocles, quoted, I. 90, 109.
Hilarius, I. 142.
Hildburghausen, Prince Joseph of, II. 71 (footnote).
Hill, Aaron, I. 431, 438f.
Hiller, Ferdinand, II. 263 (footnote);
III. [9], [256].
Hiller, Johann Adam, II. 8, 191.
Himmel, Friedrich Heinrich, II. 152, 162.
Hindoos, I. 47ff, 59ff.
Hinton, Arthur, III. [427].
History. See Musical History.
Hobrecht, Jacob, I. 248, 251.
Hoffmann, E. T. A., II. 308ff, 379.
Hoffmann, Leopold, II. 63.
Hoffmeister (publisher), II. 109.
Hofmann, Heinrich, III. [20], [212], [257].
Holbrooke, Joseph, III. [viii], [ix], [x], [xi], [xix], [438].
Holmès, Augusta, III. [296].
Holstein, Franz von, III. [256].
Holtzbauer, Ignaz, II. 67.
Homer, I. 92.
Homophonic style, I. xiii. See also Monody.
Homophony (in Greek music), I. 161;
(and monody), I. 259.
See also Monody.
Honauer, Leonti, II. 102.
Hopi Indians, I. 38f.
Horns (primitive), I. 21;
(in mediæval Germany), I. 198, 218;
(in the classic orchestra), II. 65, 117, 335;
(in the Romantic period), II. 337ff;
(modern), II. 117, 265, 335, 337, 338, 340, 341;
(valve-horn), II. 340.
Hřimaly, Adalbert, III. [180].
Hubay, Jenő, III. [190], [194]f.
Huber, Hans, III. [212].
Hucbald, I. 162ff.
Hughes, Rupert (quot.), II. 331.
Hugo, Victor, II. 244, 486.
Hullah, John (quoted), I. 256.
Hummel, Johann Nepomuk, II. 259, 321.
Humor (in early polyphonic music), I. 254;
(in opera), see Opera buffa.
Humperdinck, Engelbert, II. 437;
III. [viii], [x], [238], [245], [247], [267]f.
Humfrey, Pelham, I. 385.
Huneker, James (quot.), II. 501.
Hungary,
(folk-song), I. xliii-f;
(political aspects), III. [186];
(early musical history), III. [187]ff;
(modern composers), III. [190];
(ultra-moderns), III. [197].
Hunold, C. F. See Menantes.
Hunting bow, I. 28.
Hurlstone, William Young, III. [437].
Hüttenbrenner, Anselm, II. 133.
Hyagnis, I. 112.
Hymns (early Christian), I. 135ff;
(early Protestant), I. 289ff;
(in passion music), I. 480f.
I
Iadmirault, III. [363].
Iastian mode, I. 136.
Ibsen, III. [77], [85], [87], [95].
Ibykos, I. 115f.
Idolatry (in relation to ancient music), I. 70, 77.
Illuminati, II. 76.
Iljinsky, Alexander A., III. [145].
Imitation (Greek meaning of term), I. 89;
(in hexachordal system), I. 169;
(free and strict, definition), I. 227f;
(in early polyphonic music), I. 231f, 243;
(early English example), I. 237ff;
(in madrigals), I. 276.
See also Canon; Counterpoint; Fugue.
Imitation of nature. See Program music.
Imperfections (in art), I. xxx-f.
Imperial Musical Society (Russian), III. [107].
Impressionism (suggestions of, in Liszt), II. 325;
(in Norwegian folk-music), III. [66];
(Grieg), III. [69], [89];
(Sinding), III. [97];
(Moussorgsky), III. [130];
(Reger), III. [231];
(French school) III. [317]ff;
(in modern piano music), III. [326]f;
(and realism), III. [342];
(Eric Satie), III. [361];
(Leo Ornstein), III. [393];
(Albéniz), III. [406].
Indians, American, I. 13, 33ff.
[d']Indy, Vincent, II. 439;
III. [viii], [ix], [xi], [xiii], [xiv], [xviii], [282], [284], [285], [287], [296]ff, [334];
(influence), III. [358].
Ingegneri, Marc' Antonio, I. 337.
Instrumental music, I. xliii, xlvii, xlviii, lviii, 305, 306;
(development in early 17th cent.), I. 355ff;
(Purcell), I. 390f;
(Bach), I. 452;
(Lully, Rameau, Couperin), I. 409f.
See also Accompaniments (instrumental); Chamber music; Harpsichord music; Pianoforte music; Orchestral music; Sonata; String quartet; Violin music, etc.
Instrumentation, I. liii;
(abuse of special effect), I. xxii, lv;
(Monteverdi), I. 337;
(tone-color), I. 481;
II. 12, 118, 266.
See also Orchestration.
Instruments (primitive), I. 14f, 20ff;
(Chinese), I. 48;
(Hindoo), I. 49;
(miscell. Exotic), I. 52ff;
(Assyrian), I. 65ff;
(Hebrew), I. 70ff;
(Egyptian), I. 78ff;
(Greek), I. 84f, 122ff;
(mediæval), I. 198, 211, 218;
(Renaissance), I. 261ff, 281;
(perfection of modern), II. 335ff.
See also Orchestra, Orchestration; String instruments; Wind instruments, and specific names of instruments.
Instruments of Percussion. See Drums.
Intermedii (Renaissance), I. 326.
Intermezzi. See Opera buffa.
Intervals (in primitive music), I. 7, 34, 40f;
(in the sounds of nature), I. 8;
(in Greek music), I. 99, 101ff;
(in plain-song), I. 154;
(in Italian ars nova), I. 264.
Inverted canon, I. 248.
Ippolitoff-Ivanoff, M. M., III. [128], [149].
Ireland (folk-song), I. xliii;
III. [423].
Ireland, J. N., III. [442].
Isaac, Heinrich, I. 269, 304f.
Ismail Pasha, Khedive of Egypt, II. 496.
Isouard, Niccolò, II. 183.
Italian influence (on early Lutheran music), I. 243;
(on German organ music), I. 358ff;
(in 17th cent.), I. 389, 451, 454f;
(on Händel), I. 427;
(on Bach), I. 471, 476, 479, 489, 490;
(on Gluck), II. 17;
(on J. C. Bach), II. 61;
(in 18th cent. Vienna), II. 80;
(on Mozart), II. 102, 105, 121f;
(on Meyerbeer), II. 199f;
(on Wagner), II. 404, 407.
Italian opera. See Opera (Italian).
Italian Renaissance. See Renaissance (the).
Italy (Renaissance), I. 258ff;
(ars nova), I. 262ff;
(15th cent.), I. 266ff;
(madrigal era), I. 272ff;
(Venetian school), I. 298;
(Palestrina), I. 311ff;
(Florentine monodists), I. 324ff;
(Monteverdi), I. 336ff;
(early organ music), I. 358ff;
(early violin music), I. 361ff;
(harpsichord music), I. 374;
(17th cent. opera), I. 380ff;
(oratorio), I. 386f;
(17th cent. instrumentalists), I. 391ff;
(early 18th cent.), I. 426ff;
(later 18th cent.), II. 1ff;
(political aspects), II. 47;
(sonata form), II. 52f;
(Boccherini), II. 70;
(early 19th cent.), II. 177ff;
(modern opera), III. [ix], [366]ff;
(modern renaissance of instr. music), III. [385]ff;
(modern song writers), III. [398];
(folk-song), III. [349].
See also Opera; also Renaissance.
J