Tablatures, I. 157, 261, 285.
Tagelied, I. 218.
Taine (quoted), II. 112.
Talbot, Howard, III. [433].
Tallis, Thomas, I. 305.
Tambura (Hindoo instrument), I. 54.
Tamburini, II. 185, 193.
Taneieff, Sergei Ivanovich, III. [x], [xiv], [xvii], [142], [143], [148]ff.
Tannhäuser (minnesinger), I. 218.
Tarenghi, III. [394].
Tartini, Giuseppe, II. 50.
Tasca, III. [369], [371].
Tasso, I. 327;
II. 363.
Taubert, Wilhelm, III. [18].
Taubmann, Otto, III. [271].
Tausig, Karl, II. 442.
Tchaikovsky. See Tchaikovsky.
Tcherepnine, III. [xvii], [128], [154].
Tchesnikoff, III. [161].
Te Deums (Florentine festivals), I. 326;
(Purcell and Händel), II. 432.
Technique, in musical composition, III. [110]f.
Teile, Johann, I. 422.
Telemann, Friedrich, I. 415, 422f, 452ff, 465;
II. 45.
Temperament, equal. See Equal temperament.
Temple, Hope, III. [443].
Ternary form. See Sonata form.
Terpander, I. 112ff.
Tertis, Lionel, III. [442].
Tetrachords, I. 99, 101ff, 151, 169, 300.
Thalberg, Sigismund, II. 313;
III. [18].
Thaletas, I. 116.
Thamyris, I. 111.
Thayer, John Wheelock (quoted), II. 138, 143, 162.
Théâtre des Italiens (Paris), II. 188, 193.
Théâtre Feydeau, II. 42.
Theatres (Greek), I. 120f;
(Renaissance), I. 325.
See also Opera houses.
Theme and variations (in sonata), II. 54.
Themes, I. lix;
(transformation of), II. 363.
See also Generative theme.
Theory of music (ancient Greek), I. 91, 127.
Theory vs. practice, I. xxxvii.
Tonality (in musical form), I. xxxix, xlix, l.
Thespis, I. 120.
Thibaut, I. 320.
Thirty Years' War, I. 293f, 417.
Thomas, Arthur Goring, III. [415], [417]f.
Thomas, Charles-Louis-Ambroise, II. 388;
III. [278].
Thomasschule (Leipzig), II. 262.
Thompson (author of 'The Seasons'), II. 91.
Thoroughbass. See Counterpoint.
Thrane, Waldemar, III. [87].
Thuille, Ludwig, III. [243], [247].
Thun, Countess, II. 86.
Tiersot, Julien (cited), I. 43, 190, 194, 199, 339;
II. 43, 472.
Timbre. See Tone Color.
Time (in measured music), I. 229f.
See Rhythm.
Tinctoris, cited, I. 239, 244.
Tintoretto, I. 327f.
Tinya (Peruvian instrument), I. 53.
Toccata, I. 356, 358f, 450f;
II. 307.
Toëschi, Carlo Giuseppe, II. 67.
Tolstoy, II. 418;
III. [39], [140], [144], [145], [363].
Tomášek, III. [168].
Tonality, in Greek music, I. 100;
(confusion of, in modern music), III. [xxi], [198].
See also Keys; Modulation; Scales.
Tone, definition of, I. 1.
Tone color, I. liii, lix.
See Instrumentation.
Tonga Islands, I. 18.
Tonic key (in sonata form), II. 55, 56.
Torchi, Luigi, III. [369], [377];
(quoted), III. [396].
Toscanini, Arturo, III. [400].
Tosti, Paolo, III. [401].
Tovey, Donald Francis, III. [429].
Traetto, Tommaso, II. 14.
Tragedy (Greek), I. 120, 329;
II. 9.
Transcriptions, I. xix.
Transformation of themes, II. 363.
Transposition, I. 249.
Transposition scales (Greek), I. 103ff.
Tremolo (instrumental), I. 345, 368.
Triads, I. 19, 269f, 320.
Trigonon (Egyptian), I. 79.
Trio-sonata, II. 54, 59, 65.
Triple time (in early church music), I. 229.
Trombone (primitive), I. 24;
(in early Italian music), I. 344, 363;
(in early French ballet), I. 402;
(modern), II. 341.
Tropes, I. 150.
Troubadours, I. 203, 204ff, 216f, 228, 260, 267.
Trovatori, I. 261.
Trumpet (primitive), I. 21;
(Assyrian), I. 66;
(Egyptian), I. 81;
(Greek), I. 125;
(modern), II. 265, 335, 337, 338, 340, 341, 342;
(valve), II. 340.
Tschaikowsky, Peter Ilyitch, I. xvii;
II. 108, 440;
III. [xvi], [48], [52ff], [64], [93], [105], [111], [134], [142], [147], [148], [205];
(on Balakireff), III. [111] (footnote).
Tscherepnine. See Tcherepnine.
Tschesnikoff. See Tchesnikoff.
Tuba, II. 341.
Tubri, Hindoo, I. 54.
Turgenieff, II. 238;
III. [40], [108], [110].
Turini, Francesco, I. 368.
Tye, Christopher, I. 305.
Tympani. See Kettledrums.
Tyrtæus, I. 118.
U
Ugolino, Baccio, I. 326.
Uhland, Ludwig, II. 223, 291.
Ultra-modern schools. See France; Germany; Russia, etc.
Umlauf, Ignaz, II. 106.
Usandizaga, K., III. [407].
V
Vaccal, Niccolò, II. 196.
Valve instruments, II. 340.
Van den Eeden, Gilles, II. 131.
Vanhall, Johann Baptist, II. 81, 114.
Variation of musical phrases, I. xlii.
Variations (in sonata), II. 54;
(French), II. 473;
(modern use), III. [282].
Vasari, George, cited, I. 328.
Vassilenko, Sergius, III. [159]f.
Vecchi, Orazio, I. 276ff, 280.
'Venerable Bede,' I. 145, 147.
Venetian school, I. 298, 301f, 306, 346.
Venezia, Franco da, III. [393].
Venice (17th cent.), I. 327, 356, 377ff, 387;
(18th cent.), II. 2, 11, 40, 181;
(opera houses in), II. 179;
(Verdi), II. 487ff.
Ventadour, Bernard de, I. 211.
Verdelot, Philippe, I. 273f, 277.
Verdi, Giuseppe, II. 207, 477ff;
III. [viii], [ix], [367], [368];
(followers of), III. [366]ff.
Verismo, III. [368], [369]ff.
Verlaine, Paul, III. [287], [293].
Vernet, Horace, II. 191.
Verona (Philharmonic Academy), II. 103.
Verstovsky, Alexei Nikolajevitch, III. [41].
Vers (Troubadour lyric), I. 206.
Vestris (dancer), II. 33.
Vidal, Peire, I. 211.
Vienna (Gluck), II. 17, 19ff, 37;
(18th cent.), II. 31, 40, 44, 50, 71, 76, 77, 79ff;
(Haydn), II. 84, 85, 92;
(Mozart), II. 102, 105, 107, 108, 114;
(first German opera), II. 106;
(Beethoven), II. 132, 140ff;
(Donizetti), II. 194;
(Meyerbeer), II. 199;
(19th cent.), II. 222f, 312f.
Viennese classics, II. 63, 75-178, 227.
Viennese school, modern, III. [271]ff.
Vierling, Georg, III. [208].
Vieuxtemps, Henri, III. [194].
Villoteau, Guillaume André, quoted, I. 51.
Vina (Hindoo instrument), I. 49, 53f.
Vinci, Leonardo, I. 400f;
II. 6.
Vinci, Leonardo da (the painter), I. 325, 327f;
III. [334].
Viol, I. 211.
Viola (the), II. 96, 338, 343.
Viola, Alphonso della, I. 327.
Viola, Gian Pietro della, I. 326.
Violin (in early Germany), I. 198;
(development in 17th cent.), I. 362;
(in early French music), I. 402;
(in modern orchestra), II. 338, 339, 341, 343.
Violin concerto (Mozart), II. 115;
(Beethoven), II. 165;
(Spohr and Mendelssohn), II. 332f;
(Brahms), II. 456;
(Tschaikowsky), III. [50];
(Strauss), III. [214];
(Saint-Saëns), III. [280].
Violin makers, Italian, I. 362.
Violin music (early), I. 362;
(Corelli), I. 394ff;
(Bach), I. 474f, 483, 489;
(Spohr, etc.), II. 331f;
(modern Italian), III. [394].
See also Violin Sonata.
Violin playing (Mozart's method), II. 73.
Violin sonata (Corelli, etc.), I. 394;
II. 51;
(Mozart), II. 114;
(Beethoven), II. 166;
(Brahms), II. 456;
(Franck), II. 471, 472.
Violoncello, II. 338, 341.
Violoncello music (Bach), I. 483, 489.
Viotti, Giovanni Battista, II. 90.
Virginal music. See Harpsichord music.
Virtuoso composers (piano), III. [18].
Virtuosos, I. 216f, 351.
Vitali, Giovanni Battista, I. 365f.
Vitruvius (cited), I. 133.
Vitry, Philippe de, I. 228.
Vittoria, Tom. Ludovico de, I. 321.
Vivaldi, Antonio, I. 396, 471.
Vives, Amedeo, III. [407].
Vocal element in symphonic music, III. [228]f.
Vocal music, I. xx, xlviii;
(basis of music), I. 4;
(primitive), I. 17, 44;
(Assyrian), I. 68;
(Greek), I. 95f, 117ff;
(plain-song), I. 128-159;
(early polyphony), I. 160-184;
(beginnings of harmony), I. 161f, 172f, 181f;
(mediæval secular), I. 186-225;
(Netherland schools), I. 226-257;
(14th cent. solo), I. 260ff;
(madrigals), I. 171ff;
(Reformation), I. 288ff;
(Lasso), I. 307ff;
(Palestrina), I. 311;
(expressive style), I. 329ff;
(early 17th cent.), I. 348ff;
(Bach), I. 452ff, 489f;
(romantic period), II. 394ff.
See also Aria; Art-song; Choral music; Cantata; Mass; Oratorio; Passion Oratorio; Plain-song.
Vocalizing without text, III. [323].
Vocalizzi, II. 4.
Vogl, Johann Michael, II. 225.
Vogler, Abbé, II. 199.
Voice. See Singers, Singing masters;
(use of, in symphonic works);
see Vocal element.
Volkmann, Robert, III. [13], [192].
Volkslied. See Folk-song (German).
Voltaire, II. 34, 47, 76.
W
Wagenseil, Georg Christoph, II. 63, 67, 71f, 82 (footnote).
Wagner, Cosima, II. 422.
Wagner, Richard, I. xviii, xxxvi, liii, 332, 336, 341;
II. 39, 40, 139, 153, 164, 171, 176, 191, 196, 204, 206, 211, 265, 359, 372, 381, 391, 401-442, 448f;
III. [vii], [xvii], [203]f, [206], [207], [223], [228], [239], [253], [320];
(influence), II. 381, 436ff, 497;
III. [100], [157], [177], [193], [201]f, [238], [245], [249], [270], [351];
(influence in France), II. 391;
III. [viii], [x], [290], [296], [298], [304], [343];
(influence in Italy), II. 497;
III. [ix], [378], [387];
(in Russia), III. [x];
(rel. to Bruckner), III. [221];
(rel. to Sgambati), III. [386].
Wagner, Siegfried, III. [257].
Wagner-Liszt school, III. [4], [69].
See also New-German school.
Waldstein, Count Ferdinand, II. 140, 141.
Wales (folk-songs), III. [424].
Walker, Ernest, III. [429].
Wallace, William, III. [x], [xi], [xix], [428].
Wallaschek, Richard, cited, I. 26ff.
Walther, Johann, I. 290f.
Walthew, Richard, III. [442].
War dances, I. 13.
Waserus, C. G., III. [100].
Waterloo, battle of, II. 234.
Weber, Carl Maria, Freiherr von, II. 108, 178, 199, 222, 230, 231, 234ff, 446, 448;
III. [x];
(operas), II. 238ff;
(pianoforte style), II. 302;
(influence), III. [78].
Weber, Constance, II. 106.
Weber, Dionys, III. [168].
Wegeler, Dr. Franz Gerhard, II. 148, 151.
Wegelius, Martin, III. [100], [102].
Weimar, I. 460;
II. 78, 250;
III. [15].
Weiner, Leo, III. [197].
Weingartner, Felix, III. [viii], [xi], [xii], [113], [243], [244], [267].
Weinlich, Theodor, II. 404.
'Well-tempered Clavichord,' I. 472, 474ff, 485ff, 490;
II. 56, 131.
Welsh folk-songs, III. [424].
Welsh scale, I. 164.
Westphalia, peace of, II. 47.
Whistles (primitive), I. 21f, 61f.
Whistler, James McNeill, III. [321].
White, Maude V., III. [443].
Whitman, Walt, III. [117], [436], [441].
Whole-tone scale, III. [xix-f], [199], [290], [308], [322], [323], [324], [325], [335], [359].
Wieck, Clara. See Schumann, Clara.
Widmann, J. V., II. 450f.
Widor, Charles-Marie, III. [36].
Wieland, II. 48.
Wieniawsky, Henri, III. [194].
Wihtol, Ossip Ivanovich, III. [141].
Wilde, Oscar, III. [160], [254].
Wilkes, Capt., cit., I. 8.
Willaert, Adrian, I. 272ff, 298ff;
III. [187].
Wille, Dr., II. 419.
William II, King of Prussia, II. 115.
Williams, C. F. Abdy, III. [431].
Williams, Vaughan, III. [434], [436]f.
Willmann, Magdalena, II. 145.
Wind instruments, I. liii;
(primitive), I. 21ff;
(exotic), I. 54;
(Assyrian), I. 66ff;
(Greek), I. 121ff;
(modern), II. 95, 338ff.
See also Bass clarinet, Bassoon, Clarinet, Cornet-à-pistons, Double bassoon, English Horn, Flute, Horn, Oboe, Ophicleide, Piccolo, Serpent, Trombone, Trumpet, Tuba.
Winding, August, III. [73].
Winter-Hjelm, Otto, III. [88].
Wizlaw von Rügen (minnesinger), I. 218, 219.
Wolf, Hugo, III. [201]f, [257]ff;
(influence), III. [267], [271].
Wolf-Ferrari, Ermanno, III. [viii], [ix], [xiv], [369], [375].
Wolff, Erich W., III. [266]f, [268].
Wolstenholme, W., III. [442].
Wood, Charles, III. [426]f.
Wood, Haydn, III. [443].
Wood, Henry J., III. [422].
Woodforde-Finden, Amy, III. [443].
Wood-wind. See Wind Instruments.
Wooldridge, H. E., III. [430];
(cited), I. 183.
Wordsworth, II. 99.
Work, as incentive to song, I. 6f.
Wüllner, Franz, III. [212].
Wüerst, Richard Ferdinand, III. [11], [257].
Wyzewa, T. de (cited), II. 67 (footnote), 103.
X-Y