We see the same genius in the final measures of ‘Death and the Maiden.’ The Maiden sees Death approaching, and begs him to pass by. He replies that he has not come to cause her pain. He is a friend and will give her peace and joy. And the music, a succession of the simplest chords, glides gradually into a major that seems to wring the tears by main force from the eyes. Every now and then Schubert introduces unexpectedly such a musical phrase, which seems to concentrate into half a dozen notes all the sincerity of the German genius. We find it in the ‘Second Harper’s Song’ of the Mignon series, on the words: Ihr lässt den Armen schuldig werden:
Ihr lässt Armen schulig werden
or in the ‘Praise of Tears’:
aler lenza und Jugendlust
or in Der Lindenbaum: