The elderly parlour-maid showed Rachel straight to her bedroom when she arrived at Tavistock Square, indicating on the way the extensive-looking first-floor drawing-room, in which tea and her first sight of the wonderful aunt would await Rachel in half an hour. She had been eager and excited. The air and promise of London had thrilled her, but she found some influence in the atmosphere of the big house that was vaguely repellent, almost sinister.
Her bedroom was expensively furnished and beautifully kept; some of the pieces were, she supposed, genuine antiques, perhaps immensely valuable. But how could she ever feel at home there? She was hampered by the necessity for moving circumspectly among this aged delicate stuff; so wonderfully preserved and yet surely fragile and decrepit at the heart. That spindling escritoire, for instance, and that mincing Louis Quinze settee, ought to be taking their well-earned leisure in some museum. It would be indecent to write at the one or sit on the other. They were relics of the past, foolishly pretending an ability for service when their life had been sapped by dry-rot and their original functions outlived.
"Well, if ever I have a house of my own," Rachel thought regarding these ancient splendours, "I'll furnish it with something I shan't be afraid of."
With a gesture of dismissal she turned and looked out of the window. From the square came the sounds of a motor drawing up at a neighbouring house; she heard the throbbing of the engine, the slam of the door, and then the strong, sonorous tones of a man's voice. That was her proper milieu, she reflected, among the strong vital things. Even after twenty minutes in that bedroom she had begun to feel enervated, as if she herself were also beginning to suffer from dry-rot....
She was anxious and uneasy as she went slowly downstairs to the drawing-room. Her anticipations of this meeting with her intimidating, wealthy aunt had changed within the last half-hour. Her first idea of Miss Deane had been of a robust, stout woman, frank in her speech and inclined to be very critical of the newly found niece whom she had chosen to inspect. Now, she was prepared rather to expect a fragile, rather querulous old lady, older even than her years; an aunt to be talked to in a lowered voice and treated with the same delicate care that must be extended to her furniture.
Rachel paused with her hand on the drawing-room door, and sighed at the thought of all the repressions and nervous strains that this visit might have in store for her.
She entered the room almost on tiptoe, and then stood stock-still, suddenly shocked and bewildered with surprise. Whatever she had expected, it was not this. For a moment she was unable to believe that the sprightly, painted and bedizened figure before her could possibly be that of her aunt. Her head was crowned with an exuberant brown wig, her heavy eyebrows were grotesquely blackened, her hollow cheeks stiff with powder, her lips brightened to a fantastic scarlet. And she was posed there, standing before the tea-table with her head a little back, looking at her niece with a tolerant condescension, with the air of a superb young beauty, self-conscious and proud of her charms.
"Hm! So you're my semi-mythical niece," she said, putting up her lorgnette. "I'm glad at any rate to find that you're not, after all, a fabulous creature." She spoke in a high, rather thin voice that produced an effect of effort, as if she were playing on the top octave of a flute.
Rachel had never in her life felt so gauche and awkward.
"Yes—I—you know, aunt, I had begun to wonder if you were not fabulous, too," she tried, desperately anxious to seem at ease. She was afraid to look at that, to her, grotesque figure, afraid to show by some unconscious reflex her dislike for its ugliness. As she took the bony, ring-bedecked hand that was held out to her, she kept her eyes away from her aunt's face.