"In your case, I should have thought there was everything."
Dolly sniffed. "There isn't liberty," she said. "And we won the fight for liberty, didn't we? No; if I made that scene it 'ud be to get my photograph in the papers where the film people could see it. I've the right face for the pictures, and my romantic history will do the rest."
"Good heavens, girl," cried the scandalised Sir William, "have you no reverence at all? The pictures! You'd turn all my disinterested efforts to ridicule. You'd—oh, but there! You're not going to make a scene?"
"That's a matter of arrangement, of course," said the cool lady. "I'm only showing you what a big chance I shall miss if I oblige you. Suppose I pipe up my tale of woe just when you're on the platform with the Union Jack behind you and the reporters in front of you, and that tablet in there that says Tim is the greatest glory of Calderside——"
Sir William nearly screamed. "Be quiet, girl. Fosdike," he snarled, turning viciously on his secretary, "what the deuce do you mean by pretending to keep an eye on local affairs when you miss a thing like this?"
"'Tisn't his fault," said Dolly. "I've been saving this up for you."
"Oh," he groaned, "and I'd felt so happy about to-night." He took out a fountain pen. "Well, I suppose there's no help for it. Fosdike, what's the amount of the pension we allow Martlow's mother?"
"Double it, add a pound a week, and what's the answer, Mr. Fosdike?" asked Dolly quickly.
Sir William gasped ludicrously.
"I mean to say," said Dolly, conferring on his gasp the honour of an explanation, "she's old and didn't go on munitions, and didn't get used to wangling income tax on her wages, and never had no ambitions to go on the pictures, neither. What's compensation to her isn't compensation to me. I've got a higher standard."